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  • APPROX. RUN TIME: 60 minutes
  • PARKING: Free parking in adjacent lots.
  • DRESS CODE: Come As You Are
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Voices Raised for Vets poster, featuring an Uncle Sam hat with swirling music notes surrounding it over a beige background.

Voices Raised for Vets

A full-throated paean to honor those who served.

Free admission

Location

Winchester Dondero Cultural Center

3130 McLeod Dr. ∙ Las Vegas ∙ 89121

Run Time

1 hour

Intermission

No intermission

Language

Selections in English, French, and Italian

Dress Code

Casual, Come As You Are

On the eve of Veteran's Day holiday weekend, Opera Las Vegas will sing the praises of all those who serve, with a varied 60-minute program ranging from light hearted Broadway fare (I'm in Love With a Soldier Boy, Over There, The Army's Made a Man Out of Me); and operetta (Modern Major General, Stouthearted Men); to selections from operatic "soldiers" in Carmen, Aida, and The Elixir of Love. The Youth Chorus will chime in with Faust's famous Soldier Chorus. The grand finale from The Chocolate Soldier, will sum up the the presiding sentiment of the concert: Hero Mine. Please join us at Winchester Dondero Cultural Center, 9 November 2023, at 7:00 pm. Free admission.

Bob & Shirley Kramer

This Performance Is Made Possible by the Generous Support of

Bob and Shirley Kramer

Opera Las Vegas is deeply grateful for their ongoing dedication and friendship.

Cast

  • Athena Mertes

    Soprano

  • Athena Mertes

    Soprano

    Athena Mertes, Soprano, is one of the Valley’s most celebrated sopranos, whose opera and concert credits include Marie (The Daughter of the Regiment), Mimi (La Bohème), Musetta (La Bohème), Despina (Cosi Fan Tutte), Gretel (Hansel and Gretel), Lucy (The Telephone), Zerlina (Don Giovanni), Gianetta (L’Elisir d’Amore), Morgana (Alcina), Pamina (Die Zauberflöte), Abigail (The Crucible), Nella (Gianni Schicchi), Waldvogel (Siegfried) and soprano soloist in Vivaldi’s Gloria, Handel’s Messiah, Brahms Requiem, Mozart Requiem, Beethoven's 9th and Honegger’s King David. She has performed as a guest soloist with the Burbank Philharmonic, Las Vegas Philharmonic, Henderson Symphony, Opera Las Vegas, Vegas City Opera, Lexington Opera Outreach and the Southern Nevada Musical Arts Society. Some of her recent credits include Sylvia in the World Premiere of Behold the Man, Zelda in the West Coast Premiere of Ghosts of Gatsby and Alice B. Toklas in the West Coast premiere of Ricky Ian Gordon and Royce Vavrek’s 27 with Opera Las Vegas and she portrayed Mimi in Vegas City Opera’s La BoDead.

    She is also the Chorus Master of the Opera Las Vegas Youth Chorus and the Director of Choirs at Thurman White Academy of the Performing Arts where she has 400 students. In 2020, she received the Teacher of the Year Award from Magnet Schools of America and is also a National Board-Certified Teacher. In March of 2024, her Choir was  featured at the American Choral Directors Association Regional Conference in Pasadena, California and in April of 2024, her contemporary a cappella group was featured at the National Magnet Schools of America Conference in New York City.

  • Ashley Stone, in a black gown, close-up under studio lighting.

    Ashley Stone

    Mezzo-Soprano

  • Ashley Stone, in a black gown, close-up under studio lighting.

    Ashley Stone

    Mezzo-Soprano


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    Ashley Stone received her Doctorate of Music in Vocal Performance from Indiana University where she studied with Costanza Cuccaro. During her time at IU, she taught studio and class voice as well as performing in Falstaff (Mistress Quickly), Candide (Old Lady), Suor Angelica (Principessa), Mark Adamo's Little Women (Meg). She received her Master of Music degree in Vocal Performance and Literature from the Eastman School of Music. While in Rochester, NY, she was in Eastman Opera Theater's Suor Angelica (Principesa) and was soloist with the Voices Choral Ensemble, the Gregory Kunde Choral, and the Eastman Chorale.  Ms. Stone has appeared with Opera Las Vegas in Voices Raised for Vets, Holiday on Broadway, Bravo Bernstein!, and The House Without a Christmas Tree.

  • Christopher Bozeka, a friendly face with facial hair, he is smiling in a blue velvet tuxedo.

    Christopher Bozeka

    Tenor

  • Christopher Bozeka, a friendly face with facial hair, he is smiling in a blue velvet tuxedo.

    Christopher Bozeka

    Tenor


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    Tenor Christopher Bozeka is quickly becoming recognized for his “expressively captivating” performances, as well as his “beautiful, piercing tone” (San Francisco Chronicle). In 2024-2025, he makes his role and company debut with the Metropolitan Opera as the Kill Chain: Mission Coordinator in Grounded, and covers The Hunchback in Die Frau ohne Schatten and Don Basilio in Le nozze di Figaro. He returns to Opera Las Vegas singing Count Almaviva in Il barbiere di Siviglia, a role he has performed with Tri-Cities Opera/Syracuse Opera, Opera Delaware/Baltimore Concert Opera, and Wolf Trap Opera. He will sing as a soloist in Beethoven’s 9th Symphony (Northwest Florida Symphony Orchestra) and in The Prisoner by Karim Al-Zand (Musiqa). Next summer, Mr. Bozeka will make his role debut as Elvino in La sonnambula (Teatro Nuovo).
    Mr. Bozeka recently made his solo stage debut at the Metropolitan Opera going on as Abdallo in Nabucco. He also went on for Pit Singer – Tenor 2 in Dean’s Hamlet in 2022, and first joined the roster covering Triquet in Eugene Onegin. Mr. Bozeka also recently joined the New York Philharmonic covering Otto Bader and Josef Bader in Émigré. In 2023, Mr. Bozeka made his house and role debut singing Duca di Mantova in Rigoletto (Holy City Arts & Lyric Opera), and sang the Fourth Jew in Salome (Houston Symphony, Houston Grand Opera). He also made a company and role debut with Central City Opera as Rodrigo in Rossini's Otello. Recent roles include a company debut as Nemorino in L’elisir d’amore (Livermore Valley Opera) and a role debut as the title role in Le comte Ory with Opera Southwest, after covering the role with Lyric Opera of Chicago. Past roles with Opera Las Vegas include Ernesto in Don Pasquale and Nemorino in L'elisir d'amore.
  • Christophe Kennedy in a bright shirt, suit, and tie.

    Christophe Kennedy

    Bass-Baritone

  • Christophe Kennedy in a bright shirt, suit, and tie.

    Christophe Kennedy

    Bass-Baritone

    Christophe Kennedy (Bass-Baritone) received his Masters of Arts at the Cleveland Institute of Music under Dr. Dean Southern. Prior to, he completed his undergraduate’s degree at the University of Nevada, Las Vegas under Dr. Alfonse Anderson. He began his career in the arts at Legacy high school where he performed roles such as Roat (Wait Until Dark), Snoopy (You’re a Good Man, Charlie Brown) and the Cowardly Lion (The Wizard of Oz). At UNLV, he added various roles such as Figaro (Le nozze), Colline (La Boheme), Bottom (Midsummer’s), King Claudius (Hamlet), and Leporello (Don Giovanni). While at CIM he was casted as The Chamberlain (Le Rossignol), L’Ombre (L’Enfant et les sortilege), Thésée (Hippolyte e Ariciee), and The Father (The Juniper Tree). Currently he’s performing the role of Jonathan in Donte Miller’s The Rocking Chair and will soon star in Opera Las Vegas’s The Bremen Town Musicians as General Boom.

  • Norman Espinoza, dramatic studio photo in a dark turtleneck.

    Norman Espinoza

    Bass

  • Norman Espinoza, dramatic studio photo in a dark turtleneck.

    Norman Espinoza

    Bass


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    Norman Espinoza, a Bass originally from San José California, has performed internationally and with numerous opera companies around the country. He is a graduate from San José State University where he obtained both his M.M. and B.M. in Vocal Performance.

    Recognized for his powerful low notes, he has sung for Opera San José, Livermore Valley Opera, Lyric Opera Orange County, Opera Las Vegas, Opera Modesto, Berlin Opera Academy, Montefeltro Music Festival in Italy, and was recently a Chrisman Studio Artist for Opera Santa Barbara.

    Roles Norman has sung include: Colline, Alidoro, Mustafà, Reverend Hale, Leporello, Il Commendatore, Sparafucile, Bartolo, Dr Grenvil, Seneca and Sarastro to name a few.

    Norman now resides in Las Vegas, Nevada with his wife/new born son and works closely with Opera Las Vegas. He's also a Gondolier Singer for the Venetian Resort and he would love to take you on a ride on his gondola in Las Venice!

  • David Kancsár, a handsome man in a suit and tie.

    David Kancsár

    Pianist

  • David Kancsár, a handsome man in a suit and tie.

    David Kancsár

    Pianist

    David Kancsár began his piano studies shortly after his third birthday. He then went on to work with many world-class pianists, finally completing a degree in Classical Piano with Daniel Pollack at USC’s Thornton School of Music. After this, Mr. Kancsár stepped into the musical theater world. This included work on productions such as Chicago, Mamma Mia!, Phantom of the Opera, The Second City, Le Reve, Monty Python’s Spamalot, and Jersey Boys, among others.

    He was assistant conductor of the Paris Las Vegas production of Mel Brooks’ The Producers, as well as pianist/music director of the musical comedy revues Forever Plaid and Plaid Tidings. Recordings include the 15th anniversary cast album of Forever Plaid, and Celine Dion’s music video for her hit song, Ashes.

    David is part of the music staff at Community Lutheran Church Las Vegas, a worship community with membership numbering in the thousands.

    When not preoccupied with musical endeavors, he enjoys tinkering with his vintage cars and motorcycle, loving his dog and cats, getting out into nature, and even occasionally scuba diving.

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