Pagliacci

Ruggero (or Ruggiero) Leoncavallo (23 April 1857 – 9 August 1919) was an Italian opera composer and librettist. Throughout his career, Leoncavallo produced numerous operas and songs but it is his 1892 opera Pagliacci that remained his lasting contribution, despite attempts to escape the shadow of his greatest success.

Today Pagliacci continues to be his most famous opera and one of the most popular and frequently performed works in the operatic repertory. His other notable compositions include the song "Mattinata", popularized by Enrico Caruso, and, to a lesser extent, his version of La bohème which, however, was overshadowed by Puccini's highly successful opera of the same name.

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American tenor Ben Gulley has been hailed as “outstanding" (Opera News) and "startlingly gifted" (San Francisco Classical Voice). The award-winning artist’s recent seasons have included feature roles in opera, solo engagements, concert, film work, touring and important appearances abroad. Gulley’s engagements for the 2024-2025 season include an exciting variety of fully staged productions including Rodolfo in La bohème with Knoxville Opera, as well as concert engagements such as a holiday program with Orchestra Iowa, Carmina Burana with the Grand Rapids Symphony, and highlights from Bizet’s Carmen with the Kalamazoo Symphony Orchestra.

Recent artistic and critical triumphs include his debut as Romeo in the rave-reviewed Roméo et Juliette with Opera Idaho (2024), headlining “An Evening with Sir Tim Rice” alongside the EGOT legend himself (2024), winning Broadway World’s “Best Actor In A Musical” award for his debut as Quasimodo in Dennis DeYoung's Hunchback of Notre Dame with Skylight Music Theatre (2022), a debut as Cavaradossi in Tosca with Sarasota Opera (2022), Tenor Soloist in Verdi’s Requiem with Orchestra Iowa (2023) and international engagements as Tenor Soloist in Bruckner’s Te Deum with Maestro Hartmut Haenchen and as Tenor Soloist in Mahler's Das Lied von der Erde opposite renowned mezzo-soprano Michelle DeYoung with the Belgian National Orchestra in Brussels and Namur, Belgium under Maestro Hugh Wolff (2021).

Celebrated soprano, Cecilia Violetta López, has been named one of “Idaho’s Top 10 Most Influential Women of the Century” by USA Today and has been named one of opera’s “25 Rising Stars” by Opera News. The singing actress is constantly praised for her “alluring voice and incredible range” (Washington Post).

She has received accolades for her signature role of Violetta in La traviata, which she has performed countless times throughout North America. Critic, James Jorden, exclaimed “she is a Violetta fully- formed and, I think, ready for the great stages of the world.” She has now performed the role with Minnesota Opera, Opera Colorado, Opera Tampa, Opera Idaho, Ash Lawn Opera, The Northern Lights Music Festival, Madison Opera, Pacific Symphony and Virginia Opera. Ms. López made her European début as Norina in Don Pasquale with Zomeropera in Belgium, for which Klassiek Centraal exclaimed: “She turns out to be the revelation of the show and wins over the audience with her funny rendition, irresistible charm, and [she is] natural in the different vocals.”

From her performance as Adina in The Elixir of Love with Virginia Opera, The Virginian- Pilot hailed, “Cecilia Violetta López is showing local audiences why Opera News named her one of its ’25 Rising Stars.’ In the lead role of Adina, she hit the highest notes with ringing clarity, performed the vocal runs with precision and grace and showed a particular charm and humanity in the softest passages and lowest ranges.” In her recent performance as Marguerite in Faust with Opera Omaha, the Omaha World-Herald claimed “...López sang Marguerite’s seduction, madness and salvation with an other wordly wisdom and artistry.”

Despite the halting effects of COVID-19 in the opera industry, Ms. López’ 2020-2021 has included both virtual and live recitals with Opera Idaho, Opera Las Vegas, Austin Opera, Opera Southwest, Chatter ABQ, and Madison Opera. Ms. López made her company debut with Pacific Symphony as Violetta in their 90 minute version of La traviata, and Ms. López will also be the featured soprano soloist in the world premier of Mi Camino, a virtual project with Opera Cultura. Cecilia will also return to Opera Colorado as a soprano soloist in Canciones de Nuestras Tierras: a live, outdoor performance.

In the beginnings of an exciting international career, Daniel Scofield’s “burnished tone marks him as a name to keep an eye on – surely a future Verdian of note (Bachtrack)”. Recent engagements include new and classic productions with the Glyndebourne Festival Opera (La bohéme), Prague State Opera (Der fliegende Holländer), Deutsches Symphonie-Orchester (Les Naufrageurs), Staatsoper Hannover (Pagliacci), with additional engagements with the Teatro San Carlo in Napoli (Die Walküre), Lyric Opera of Chicago (Macbeth, Don Carlos, Cavalleria Rusticana, Pagliacci), and the Houston Symphony (Salome).

In 2025/2026 Daniel makes several important debuts. To begin the season he appears in St. Louis as Jochanaan in Salome, a role he previously covered with the Houston Symphony, he returns to North Dakota as Don Giovanni before ending the year at the Lyric Opera of Chicago in Elijah Moshinsky’s original production of Cavalleria Rusticana/Pagliacci. In the Spring he returns to the Prague State Opera to reprise Tonio/Alfio in Cavalleria Rusticana/Pagliacci, and later will bring his experienced interpretation of Tonio in Pagliacci to Oslo and Las Vegas. He makes his final debut in April as Golaud in Debussy\'s symbolist masterpiece Pelleas et Melisande with Opera Baltimore.

Grammy Award winning baritone Gabriel Preisser has been praised by Opera News for his “handsome voice, charismatic energy, and timbral allure” and The New York Times called his performance as Lt. Gordon “wonderful.” His resume includes over 40 operatic and musical theater roles including Danilo in The Merry Widow with Utah Festival Opera, Billy Bigelow in Carousel with Minnesota Orchestra, Figaro in Il barbiere di Siviglia with St Petersburg Opera, Dandini in Cenerentola with Opera Tampa, Escamillo in Carmen with Lyric Opera of the North, Belcore in L’elisir d’amore with Shreveport Opera, Le Mari in LesMamelles de Tiresias with Opera Parallele, Albert in Werther with Minnesota Opera, Mercutio in Romeo et Juliette with Opera Tampa and St. Petersburg Opera, Tommy in Brigadoon with Gulfshore Opera, Silvio in Pagliacci with Opera Naples, Harold Hill in The Music Man with Colorado Symphony, and Bob Baker in Wonderful Town with Skylark Opera to name a few.  He has been praised for having a “matinee idol’s charm and charisma,” “a beautiful, luscious baritone,” and “a compelling, commanding stage presence.”

Collin Salmon received his degree in vocal music education at the University of Nevada, Las Vegas. Many semesters in UNLV’s scenes program led to his collegiate debut as Peter Quint in Benjamin Britten’s Turn of the Screw. He was invited this past summer to participate in two summer programs in Europe, one with UNLV Choirs touring Northern Europe, and the second participating in the Classical Music Festival in Eisenstadt, Austria. He looks forward to pursuing a master’s degree in vocal performance leading to a professional career in performing.

Praised for conducting with "steady acumen and considerable aplomb" and "awesome control” (Opera Today), Joshua Horsch is an extremely versatile operatic and symphonic conductor.  A two-time winner of the American Prize in Opera Conducting, Joshua serves as Music Director and Principal Conductor of Opera Las Vegas. Joshua’s recent and upcoming conducting engagements include appearances with Washington National Opera, Las Vegas Philharmonic, Des Moines Metro Opera, Opera Orlando, Opera Idaho, Opera Baltimore, Greensboro Opera, Mobile Opera, Pacific Opera Project, and Tri-Cities Opera.  With a diverse repertoire of over sixty operas and a broad spectrum of orchestral and choral works, Joshua has recently held positions as a conductor and pianist/coach on the music staff of the St. Louis Symphony Orchestra, Austin Opera, Detroit Opera, Florida Grand Opera, North Carolina Opera, Opera Saratoga, Pensacola Opera, the Boulder Philharmonic Orchestra, and the Newport Music Festival. Joshua studied conducting and piano at the University of Colorado Boulder, the Pennsylvania State University, and Ithaca College.