A Capacity for Evil

Winner of the 2017 Frontiers Competition for A Capacity for Evil, Evan L. Snyder is unified in his dedication to storytelling. Best known for his works for the operatic stage, Evan has been praised for his “genuine understanding of the human voice” and his “unapologetically beautiful music,” but for him, bringing stories to life through music is the center of his work. A winner of the 2017 Fort Worth Opera Frontiers Competition, his first opera, A Capacity for Evil, broke with conventional opera genres, telling a Holmesian detective tale on the operatic stage. The opera premiered in fall 2018, with Detroit’s Opera MODO and was enthusiastically received by the run’s sold out audiences. Evan’s current operatic project, The Clef of the Universe, is a new science fiction opera, following a group of archeologist crash-landed on an alien world. An aria excerpted from the new work, “On the beach at night alone…” was previewed at Constellation Chicago as a part of the 2019 Fresh Inc Festival.

Evan’s interest in novel storytelling carries over to his work outside of opera as well. His musical portrait of a friend, Theme Song for Dan Carty, was originally written for the 2018 Fresh Inc Festival, and since went on to win the 2018 Detroit REVIVAL Project, as well as receiving a performance by the esteemed Fifth House Ensemble at the 2019 Red Note Festival. He has also received chamber music commissions from both Fifth House and the Lansing-based ConTempus Initiative. The latter commission resulted in his Disappearing Landscapes, a children’s work for mixed quartet and narrator, exploring the impact of humanity on nature, which premiered as a part of the 2018-2019 Lansing Symphony’s Family Series.

Storytelling on a more well-trodden road, Evan has also composed numerous songs, as well as two full-length song cycles. His first cycle, Ulysses, a setting of Tennyson’s famous dramatic monologue of the same name, was premiered by Richard Fracker at Michigan State University in March 2018. His second, Dynamic Roads, is an original work dealing with themes of moving and aging, was created in collaboration with poet Peter Faziani. The work was commissioned by bass-baritone Joe Baunoch, who premiered the cycle at Indiana University of Pennsylvania, May 2019. Upcoming in his work with song, Evan is very excited to be collaborating with internationally-renowned soprano Tamara Wilson on a commission for a new song cycle, which premieres May 2022.

Evan is a proud graduate of Michigan State University, holding degrees in composition, music theory, and voice.

Award-winning American tenor John Riesen’s growing career boasts a variety of roles in which he consistently excels and includes significant work in opera, musical theatre, studio recording and concert. In the COVID-affected 2020-2021 season John performed concerts, live streams, and productions with several companies including Intermountain Opera Bozeman, Shades of Pink Charity Foundation, The FAR Conservatory in Detroit, and Opera Las Vegas. He returned to the stage in 2021 as Ralph Rackstraw in HMS Pinafore with Pensacola Opera, Martin in The Tender Land with The Hart School, Alfredo in La Traviata with the Pacific Symphony, and Younger Thompson in Glory Denied with Berkshire Opera Festival. The 2021-2022 season includes Frederic in Pirates of Penzance with Utah Opera, Rinuccio in Gianni Schicchi with On Site Opera, Chris in the world-premiere of Favorite Son by Grammy award winning songwriter Marcus Hummons, as well as his Carnegie Hall debut as tenor soloist in the Messiah with Musica Sacra under the baton of Kent Tritle (postponed due to COVID-19).

Award-winning American tenor John Riesen’s growing career boasts a variety of roles in which he consistently excels and includes significant work in opera, musical theatre, studio recording and concert. In the COVID-affected 2020-2021 season John performed concerts, live streams, and productions with several companies including Intermountain Opera Bozeman, Shades of Pink Charity Foundation, The FAR Conservatory in Detroit, and Opera Las Vegas. He returned to the stage in 2021 as Ralph Rackstraw in HMS Pinafore with Pensacola Opera, Martin in The Tender Land with The Hart School, Alfredo in La Traviata with the Pacific Symphony, and Younger Thompson in Glory Denied with Berkshire Opera Festival. The 2021-2022 season includes Frederic in Pirates of Penzance with Utah Opera, Rinuccio in Gianni Schicchi with On Site Opera, Chris in the world-premiere of Favorite Son by Grammy award winning songwriter Marcus Hummons, as well as his Carnegie Hall debut as tenor soloist in the Messiah with Musica Sacra under the baton of Kent Tritle (postponed due to COVID-19).

Known for his “agile character tenor” and “over-the-top committed” portrayals, tenor Dylan Anthony Morrongiello will embark on an exciting 2021-2022 season as he joins the rosters of the Lyric Opera of Chicago covering Monostatos in The Magic Flute, and the Metropolitan Opera making his debut singing the Dean in Cinderella and covering Don Curzio and Don Basilio in Le nozze di Figaro, Player 2 in Brett Dean’s Hamlet, and Sellem in The Rake’s Progress. This fall, he will join Opera Las Vegas as Miles Zegner in Proving Up, and in the spring of 2023, he will make his company debut with Arizona Opera as Monostatos in Die Zauberflöte. Mr. Morrongiello’s recent scheduled engagements included his debut with Opera Theater of Saint Louis where he was scheduled to perform the role of Dr. Blind in Die Fledermaus (COVID19) and cover the roles of Elder Hayes and Little Bat in Floyd’s Susannah (COVID19).

Erin Gonzalez has performed with UNLV Opera Theater, Pacific Symphony, Sin City Opera, Florentine Opera, Martina Arroyo Foundation, Opera Las Vegas, Nevada Opera Theatre, Eastman Opera Theatre, and Opera Chapman. Role highlights include Prince Orlofsky (Die Fledermaus), Hermia (A Midsummer Night's Dream), Orfeo (Orfeo ed Euridice), Secretary (The Consul), Angelina (La Cenerentola), and Dorabella (Così fan tutte).

Winner of the 2015 and 2016 Nevada District Metropolitan Opera National Council Auditions, Friends of Eastman Opera Voice Competition and Bramledge Opera Award and Robert Kuntz Scholarship, Erin received a Bachelor in Music from Chapman University Conservatory of Music and Master in Music from Eastman School of Music.

In July and August of 2017, Erin was a member of the Opera Studio at the American Institute of Musical Studies (AIMS) in Graz, Austria. While in attendance, she won first place in the elite Meistersinger Competition.

In April 2019, Ms. Gonzalez was named the Outstanding Graduate Student of the Year for the College of Fine Arts.

She graduated with her Doctorate in Musical Arts; Voice from the University of Nevada, Las Vegas in May 2019.

Baritone André Chiang has been described as “vocally commanding” (Oregonian), “handsome of voice” (Opera News), and lauded with “let’s hear more from this singer” (Washington Post). Chiang’s recent engagements include Gianni Schicchi (Gianni Schicchi) with Opera Mississippi, Captain Smith (A Capacity for Evil) with Opera Las Vegas, and Clint (Fearless (workshop)) with Opera Delaware. Previous companies include Portland Opera, Virginia Opera, Opera Theatre of Saint Louis, and the Glimmerglass Festival to name a few. Competition honors include Winner of the 2017 NFMC Biennial Young Artist Award and the 2018 NATS Artist Awards Competition. Chiang’s Carnegie Hall debut came as the Baritone soloist in the World Premiere of Martin Palmeri’s Gran Misa. Upcoming company engagements Landlocked Opera, Opera Las Vegas, Opera Western Reserve, Mobile Opera, and Opera Philadelphia.

As an educator, Chiang was a 2018 NATS Intern and a part of the first cohort of Pan American Vocology Association – Recognized Vocologists (PAVA-RV) in 2022. Upcoming presentations include the PAVA National Conference and the CMS National Conference both in Miami, FL. Chiang was the Artistic Director of Opera NexGen and currently Chairs the NFMC Young Artist Competition for Man’s Voice, Chairs the NATS Art Song Coalition and is Vice President of the Las Vegas Chapter of NATS, and is a board member of the Asian Opera Alliance. Chiang is an Assistant Professor of Voice at the University of Nevada, Las Vegas, an Instructor of Voice at the Interlochen Summer Arts Camp, and runs a private online and in-person studio teaching acoustic and amplified styles. www.andrechiangbaritone.com

Praised for conducting with "steady acumen and considerable aplomb" and "awesome control” (Opera Today), Joshua Horsch is an extremely versatile operatic and symphonic conductor.  A two-time winner of the American Prize in Opera Conducting, Joshua serves as Music Director and Principal Conductor of Opera Las Vegas. Joshua’s recent and upcoming conducting engagements include appearances with Atlanta Opera, Des Moines Metro Opera, Opera Orlando, Opera Idaho, Opera Baltimore, Greensboro Opera, Mobile Opera, Pacific Opera Project, and Tri-Cities Opera.  With a diverse repertoire of over sixty operas and a broad spectrum of orchestral and choral works, Joshua has recently held positions as a conductor and pianist/coach on the music staff of the St. Louis Symphony Orchestra, Austin Opera, Detroit Opera, Florida Grand Opera, North Carolina Opera, Opera Saratoga, Pensacola Opera, the Boulder Philharmonic Orchestra, and the Newport Music Festival. Joshua studied conducting and piano at the University of Colorado Boulder, the Pennsylvania State University, and Ithaca College.

Linda Lister (Director) is Professor of Music and Director of Opera at the University of Nevada, Las Vegas. Winner of the 2014 American Prize for Directing, she is a graduate of Vassar College, the Eastman School of Music, and the University of North Carolina-Greensboro. She has led UNLV Opera to two first place wins in the 2015 National Opera Association Collegiate Opera Scenes Competition and a second place win in NOA’s 2016 Opera Production Competition. She is author of So You Want to Sing Light Opera and Yoga for Singers: Freeing Your Voice and Spirit through Yoga, and co-author of So You Want to Sing Music by Women and Voice Secrets: 100 Performance Strategies for the Advanced Singer. Also a composer, she has written three one-act operas: Body of Art, State of Grace, and How Clear She Shines! She sings her own compositions on the Albany Records release Pleas to Famous Fairies.