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Celebrating
26
seasons
Est. 1999
November 1, 2024 • Download →
Celebrating
26
seasons
Est. 1999
Bass-Baritone
Bass-Baritone
Follow Adelmo
Adelmo is excited to return to Opera Las Vegas for his fourth production! You saw him last season as Don Pasquale and since then he has portrayed various roles including Zuniga in Carmen with Salt Marsh Opera, Bartolo in Le Nozze di Figaro with Shreveport Opera, Don Alfonzo in Cosi Fan Tutte with Cedar Rapids Opera and Morales/Zuniga with Helena Symphony. He is a GRAMMY award winning soloist and in addition to opera landed two national TV commercials for SONY’s PS4 Pro “Opera Campaign,” one of which debuted during the 2018 Super Bowl game day coverage on NBC. He is a featured soloist on the GRAMMY award winning album “All The Sounds” by Lucy Kalantari and The Jazz Cats as “Mr. Opera Man” and has hosted a TV show called “Voices Among Us.” He won The MAC Award for “Best Comedy Performer” for the opera comedy show OPERATION OPERA, was invited by Ryan Seacrest to perform Mozart’s “Non più andrai” on his E! Channel series Bank of Hollywood, was heard on a national commercial for Lidia’s Italian Gourmet Kitchen, and is a featured soloist on a German Children’s CD called "Der Kleine Tanzbar Schubidu". He is also part of the SONY MBA (Music Business Association) catalog singing the seasonal hits “A Christmas Toast” and “Sing Your Song” (lyrics by Michael MacKenzie Wills). His debut solo album titled “Treasured Songs of Italy & Germany” spawned an International Association of Independent Recording Artists (IAIRA) certified International #1 hit for his dual language version of “Funiculi, Funicula”, and he won The Akademia Music Award for Best Gospel Song for his rendition of “Sweet Little Jesus Boy”. He is a voting member of The Recording Academy and an annual participant at the Grammy Awards.
Tenor
Tenor
Tenor, Albert Rudolph Lee’s performances have been described as “vocally sumptuous,” “musically distinctive” and even “acrobatically agile.” Having appeared with Opera Theater of Saint Louis, Palm Beach Opera, Opera Theater of Pittsburgh, Philadelphia Orchestra, Saint Luke’s Chamber Orchestra, and the Caramoor International Music Festival, Dr. Lee’s recent performances include the tenor solo in Bruckner Te Deum with the Reno Chamber Orchestra, a performance of George Walker’s Lilac’s for Tenor and Orchestra for the opening concert of the African American Art Song Alliance 20th Anniversary Conference, and performances with Cincinnati Opera. In his seventh year on the voice faculty of the University of Nevada, Reno, Dr. Lee’s upcoming activities include the tenor solo in Beethoven’s Ninth Symphony with the Jackson Symphony, an appearance with Opera Las Vegas in a tribute concert to African American Opera Legends, and a feature role in the world premiere of Douglas Buchanan’s opera Bessie and Ma.
Tenor
Tenor
Tenor Aldo Perrelli is in the DMA program at UNLV, having received a Masters in Music from University of Wisconsin at Madison, and a Bachelor of Music from Northeastern Illinois University. For Opera Las Vegas, he performed Remendado in Carmen and was featured in Our Three Tenors and the One Amazing Evening concert at The Smith Center, celebrating the company’s Twentieth Anniversary celebration. Aldo has played the Rodolfo in La boheme and Lysander in A Midsummer Night's Dream for UNLV Opera Theater. Roles at the U. Wisconsin include Fritz (L’amico Fritz), and Giasone (Medea). For Northeastern, he was Frick (La Vie Parisienne). Concert performances include the Verdi, Saint-Saens, and Brahms Requiems, and Gounod’s Saint Cecilia Mass. Aldo most was most recently cheered by OLV audiences for his commanding performance as Justice Antonin Scalia in the West Coast Premiere of Derrick Wang’s Scalia/Ginsburg.
Soprano
Soprano
Hailed as "fearless" (Opera News) and “masterful” (Tulsa World) with a “commanding presence" (Pittsburgh Post-Gazette), Alexandra Loutsion continues to be recognized for her passionate performances and vocal versatility as a rising star on the operatic stage.
Ms. Loutsion begins the 21/22 season by joining the roster of the Lyric Opera of Chicago to cover in Macbeth (Lady Macbeth) followed by a role/house debut at Austin Opera for Fidelio (Leonore) and a house debut at Opera Las Vegas for Tosca (title role). Last season she debuted at Chicago Opera Theater in Sankaram’s Taking Up Serpents (Kayla) and Lyric Opera of Chicago in Twilight Gods (Brünnhilde) as well as a solo recital at Pittsburgh Festival Opera. She made her role/house debut with Minnesota Opera in Elektra (title role), followed by a return to Pittsburgh Opera for Florencia en el Amazonas (title role) and Palm Beach Opera for Tosca (title role). Alexandra made her international debut with the Canadian Opera Company in Elektra (Overseer), returned to Central City Opera for Il trovatore (Leonora), debuted with New Orleans Opera in Turandot (title role), and San Francisco Opera for Elektra (Overseer) and Turandot (title role cover).
Puccini is a staple of Ms. Loutsion’s repertoire. In addition to singing Turandot with Pittsburgh Opera, Tulsa Opera, and New Orleans Opera, she has also brought her Tosca to Palm Beach Opera, Wolf Trap Opera, Sacramento Philharmonic & Opera, Fort Wayne Philharmonic, and Central City Opera, and Cio-Cio-San in Madama Butterfly to Palm Beach Opera, Wolf Trap Opera, and Opera on the James. Additional credits include Rusalka (Foreign Princess) with Arizona Opera, Florencia en el Amazonas (title role) with Arizona Opera, Don Giovanni (Donna Anna) with North Carolina Opera, Macbeth (Lady Macbeth) with Raylynmor Opera, Hansel and Gretel (Gertrude) with Dayton Opera, Wagner's Das Liebesverbot (Isabella) with the Ring Festival LA, and Macbeth (Lady-in-Waiting) with the Chicago Symphony Orchestra under Riccardo Muti.
On the concert stage, Ms. Loutsion has sung the soprano solos in the Verdi Messa da Requiem with the Santa Fe Symphony and the Academy Chamber Orchestra of Pittsburgh and Beethoven Symphony No. 9 with the Cathedral Choral Society, West Virginia Symphony, Syracuse Symphoria, Erie Philharmonic, and as a guest soloist with the Ithaca College Chamber Orchestra. She recently debuted the soprano solos in the Hadyn Mass in Time of War with the Cathedral Choral Society of Washington D.C.
An advocate for living composers and contemporary works, Ms. Loutsion has given performances of Nico Muhly’s Dark Sisters (Almera) with Pittsburgh Opera, Ricky Ian Gordon's Orpheus and Euridice (Euridice) at the Boston Court Performing Arts Center, Krausas' The Mortal Thoughts of Lady Macbeth (Witch 3) with Vera Ikon Productions, and in the West Coast Premiere of Lowell Liebermann's Miss Lonelyhearts (Fay Doyle). She can be heard as the soprano soloist on the soundtrack of the film Lucir y sombra.
Singer, Dancer
Singer, Dancer
Follow Amy
Amy started singing and dancing at the age of 7, literally following the footsteps of her mother who was a professional dancer. After attending the LA County High School for the Arts, she earned her bachelor’s degree in music with opera emphasis at The Boston Conservatory where she perfected her music and dance talents. She continued her vocal training at the USC Thornton School of Music the same year she began choreographing for Pacific Opera Project “POP” (Josh Shaw, Dir). Amy went on to choreograph many productions with POP, most notably The Pirates of Penzance, Carmen, The Merry Widow, L\'elisir D’amore, Into the Woods and La Traviata. Amy has also choreographed for New Orleans Opera, Opera in the Heights, Opera Neo and for several films including the short comedy “Foxy Trot” for the Austin Film Society. Amy teaches ballroom dance to students of all levels in Los Angeles.
Baritone
Baritone
Follow André
Baritone André Chiang has been described as “vocally commanding” (Oregonian), “handsome of voice” (Opera News), and lauded with “let’s hear more from this singer” (Washington Post). Chiang’s engagements include Ping (Turandot) with OperaDelaware, Marcello (La bohème) and Artist Martinez/Ecce Homo (Behold the Man - world premiere) with Opera Las Vegas, and Escamillo (Carmen) with Opera Western Reserve. Chiang has also been seen with the Glimmerglass Festival, Opera Theatre of Saint Louis, Opera Philadelphia, the Atlanta Opera, Portland Opera, Virginia Opera, New Orleans Opera, Opera Las Vegas, Mobile Opera, and other American opera companies.
As an educator, Chiang was a 2018 NATS Intern and in the first cohort of Pan American Vocology Association – Recognized Vocologists (PAVA-RV). Chiang is an Assistant Professor of Voice at Emory University, an Instructor of Voice at the Interlochen Summer Arts Camp, and runs a private online and in-person studio teaching acoustic and amplified styles.
Baritone
Baritone
Follow Armando
Praised for “the easy caramel syrup of his voice” (Opera Today), Mexican-American baritone Armando Contreras is quickly becoming a standout in the world of opera. In the 2024-2025 season, he joins Pacific Opera Project as the title role in Antonio Cagnoni’s Don Bucefalo, appears as Figaro in Il barbiere di Siviglia with Opera Las Vegas, and will sing as the baritone soloist in Ein deutches Requiem by Johannes Brahms with the Larimer Chorale. He recently joined the Crested Butte Center for the Arts for concerts including as Guglielmo in an abridged version of Così fan tutte.
In the summer of 2023, Mr. Contreras made his company debut with Cincinnati Opera as Lt. Roberto Gonzalez in the stage premiere of The Knock. In the 2023-24 season, Mr. Contreras sang the roles of Hemingway and Santiago in the world premiere of The Old Man and the Sea with the Beth Morrison Projects at both Carolina Performing Arts and ASU Gammage, joined the Omaha Symphony as the Baritone soloist in Brahms’s Requiem, performed as Older Thompson in Glory Denied with the Cleveland Institute of Music, and joined Arizona Opera as Zazueta and Moncada in excerpts from Zorro.
In the 2022-2023 season, Mr. Contreras performed Dandini in La Cenerentola with Kentucky Opera, the role of Cesar Chavez in a workshop of Dolores, a new opera by Nicolas Benavidas based on the life of civil rights leader Dolores Huerta, performed recitals with Colorado State and Pikes Peak Opera League, and returned to Salt Marsh Opera to sing the role of Papageno in The Magic Flute.
Tenor
Tenor
Follow Arnold
Praised by Opera Today for his “sizable lyric instrument” and “honeyed tone on all registers”, Arnold Livingston Geis is a graduate of Washington National Opera’s prestigious Cafritz Young Artist Program. In the 2023/24 season, Geis begins as tenor soloist with the Phoenix Symphony's Carmina Burana and he returns to Lincoln Center, making his NY Philharmonic debut creating the role of Josef in Aaron Zigman's Oratorio Émigré (US premiere) after singing the World Premiere in Shanghai, China with the Shanghai Philharmonic. Recording with Deutsche Grammaphon to follow. Geis created the role of Mr. Marks in Lynn Nottage and Ricky Ian Gordon’s Intimate Apparel with Lincoln Center Theater in the 2021/22 Season. He also sings Agamemnon in Wayne Shorter & Esperanza Spalding’s Iphigenia at MASSMOCA, The Majestic Theater in Boston, and the Kennedy Center in Washington, D. C. Geis' recent season included Obadiah in Mendelssohn’s Elijah with Concordia University in Orange County, CA and Beadle in Sweeney Todd with Opera Saratoga, and finished the summer at the Hollywood Bowl as a tenor soloist in Orff's Carmina Burana with the LA Philharmonic conducted by Gustavo Dudamel. Geis began the 2022/23 season with Nemorino in L’elisir d’amore with Pacific Opera Project and the tenor soloist in Haydn’s The Creation with the Los Angeles Master Chorale at Walt Disney Concert Hall. He sings Rodolpho in La Bohéme with Greensboro Opera, The Shepherd in Tristan und Isolde with the LA Philharmonic, Handel's Messiah with The Dream Orchestra, Tamino in The Magic Flute with Pacific Opera Project, Pirelli in Chautauqua Opera's Sweeney Todd, and ended the season at the Hollywood Bowl as a tenor soloist with the LA Phil in Chris Thile's Attention!
Mezzo-Soprano
Mezzo-Soprano
Follow Ashley
Ashley Stone received her Doctorate of Music in Vocal Performance from Indiana University where she studied with Costanza Cuccaro. During her time at IU, she taught studio and class voice as well as performing in Falstaff (Mistress Quickly), Candide (Old Lady), Suor Angelica (Principessa), Mark Adamo's Little Women (Meg). She received her Master of Music degree in Vocal Performance and Literature from the Eastman School of Music. While in Rochester, NY, she was in Eastman Opera Theater's Suor Angelica (Principesa) and was soloist with the Voices Choral Ensemble, the Gregory Kunde Choral, and the Eastman Chorale. Ms. Stone has appeared with Opera Las Vegas in Voices Raised for Vets, Holiday on Broadway, Bravo Bernstein!, and The House Without a Christmas Tree.
Soprano
Soprano
Athena Mertes, Soprano, is one of the Valley’s most celebrated sopranos, whose opera and concert credits include Marie (The Daughter of the Regiment), Mimi (La Bohème), Musetta (La Bohème), Despina (Cosi Fan Tutte), Gretel (Hansel and Gretel), Lucy (The Telephone), Zerlina (Don Giovanni), Gianetta (L’Elisir d’Amore), Morgana (Alcina), Pamina (Die Zauberflöte), Abigail (The Crucible), Nella (Gianni Schicchi), Waldvogel (Siegfried) and soprano soloist in Vivaldi’s Gloria, Handel’s Messiah, Brahms Requiem, Mozart Requiem, Beethoven's 9th and Honegger’s King David. She has performed as a guest soloist with the Burbank Philharmonic, Las Vegas Philharmonic, Henderson Symphony, Opera Las Vegas, Vegas City Opera, Lexington Opera Outreach and the Southern Nevada Musical Arts Society. Some of her recent credits include Sylvia in the World Premiere of Behold the Man, Zelda in the West Coast Premiere of Ghosts of Gatsby and Alice B. Toklas in the West Coast premiere of Ricky Ian Gordon and Royce Vavrek’s 27 with Opera Las Vegas and she portrayed Mimi in Vegas City Opera’s La BoDead.
She is also the Chorus Master of the Opera Las Vegas Youth Chorus and the Director of Choirs at Thurman White Academy of the Performing Arts where she has 400 students. In 2020, she received the Teacher of the Year Award from Magnet Schools of America and is also a National Board-Certified Teacher. In March of 2024, her Choir was featured at the American Choral Directors Association Regional Conference in Pasadena, California and in April of 2024, her contemporary a cappella group was featured at the National Magnet Schools of America Conference in New York City.
Soprano
Soprano
Follow Bonita
Bonita Bunt has studied Music, Theatre, Musical Theatre, and English literature and is a graduate of the University of Nevada, Las Vegas, where she earned her Doctorate and Master of Music in Vocal Performance. She has enjoyed ten years of working in the Las Vegas Valley as performer, director, assistant director, and stage manager. La Traviata marks her 20th production with Opera Las Vegas. Currently, Dr. Bunt serves as Director of Opera at the University of Mississippi.
Baritone
Baritone
Follow Brian
Baritone Brian James Myer has been praised as a stage animal of "both voice and character to make him stand out in the crowd" (Sarasota Observer). In the spring of 2021, Mr. Myer returned to New York City Opera as Alberto in their workshop of The Garden of the Finzi-Continis (Gordon/Korie) and in 2022, he reprised the role in the opera’s world premiere (a recording of the opera will also take place in 2023). Later in 2022, he joined the roster of The Metropolitan Opera as the cover of Marcellus/Player 4 in Brett Dean’s Hamlet, made his Opera Delaware and Baltimore Concert Opera debuts as the title character in Il barbiere di Siviglia and joined the Bard Symphony Orchestra as Second Nazarene in Salome. Upcoming engagements include Mr. Myer making his debut with Berkshire Opera Festival debut as Masetto in Don Giovanni, covering Morbio in Strauss’ Die Schweigsame Frau with Bard Summerscape, joining Brooklyn Art Song Society for selections by Ivor Gurney and Gerald Finzi, returning to Opera Orlando as Papageno in Die Zauberflöte, rejoins Opera Las Vegas as David Miller in Approaching Ali, joining Symphony San Jose as the baritone soloist in Carmina Burana, and debuting the role of Count Almaviva with Tri-Cities Opera and Syracuse Opera.
Tenor
Tenor
Follow Brian
Praised for his “finely focused and well-mannered” voice (Dallas Morning News), tenor Brian Wallin is a “gifted tenor...who took the stage with flair and commitment” (Opera Today). The 2023/24 season brings returns to Arizona Opera (Conte Almaviva, Il barbiere di Siviglia) and Annapolis Opera (Tamino, Die Zauberflöte; Nemorino, L’elisir d’amore), as well as debuts with Permian Basin Opera (Younger Thompson, Glory Denied) and the Duluth Superior Symphony Orchestra (Carmina Burana). Previous appearances include Arizona Opera (Brighella, Ariadne auf Naxos), Annapolis Opera (Basilio/Don Curzio, Le nozze di Figaro), Pacific Opera Project (Frederic, The Pirates of Penzance), Opera Baltimore (L’Abate di Chazeuil, Adriana Lecouvreur), An Opera Theatre “AOT” (Male Chorus, The Rape of Lucretia), and Opéra de Montréal, with whom he was proud to debut as Tamino in The Magic Flute.
Soprano
Soprano
Follow Cadie
Praised for her “beautiful sound,” “free spirit,” and “silver high notes,” Louisiana-born soprano Cadie J. Bryan is quickly emerging as a captivating and versatile performer in a variety of repertoire. She recently came out of the Marion Roose Pullin Arizona Opera Studio where she performed mainstage leading and supporting roles including Musetta in La bohème, Susanna in Le nozze di Figaro, Bess in Craig Bohmler’s Riders of the Purple Sage, Maid in the Taliesin West Premier of Daron Hagen’s Shining Brow, and Annina in La traviata. She spent three seasons with Des Moines Metro Opera during which which she made her mainstage debut as the Second Wood Sprite in the Emmy Award-winning production of Rusalka with director Chas Rader-Shieber. In the 2021 season at DMMO, she will appear as Clarine in Rameau's Platée and Chlöe in The Queen of Spades. An avid recitalist and lover of art song, Cadie is an alumna of Ravinia's Steans Music Institute for singers where she developed relationships with world-renowned coaches and collaborative pianists including Helmut Deutsch, Denise Massé, Cori Ellison, Stephen Blier, and JJ Penna.
Dedicated to promoting new works, other career highlights include Chan Parker in Daniel Schnyder's and Bridgette Wimberly’s Charlie Parker’s Yardbird and Lucy in Fellow Travelers with Arizona Opera as well as Clara in Jake Heggie’s and Gene Scheer's It’s A Wonderful Life at Indiana University. She received a Masters and a Performance Diploma from the Indiana University Jacobs School of Music under the tutelage of Heidi Grant Murphy and Kevin Murphy and her Bachelors from Louisiana State University.
Soprano
Soprano
Follow Cecilia Violetta
Celebrated soprano, Cecilia Violetta López, has been named one of “Idaho’s Top 10 Most Influential Women of the Century” by USA Today and has been named one of opera’s “25 Rising Stars” by Opera News. The singing actress is constantly praised for her “alluring voice and incredible range” (Washington Post).
She has received accolades for her signature role of Violetta in La traviata, which she has performed countless times throughout North America. Critic, James Jorden, exclaimed “she is a Violetta fully- formed and, I think, ready for the great stages of the world.” She has now performed the role with Minnesota Opera, Opera Colorado, Opera Tampa, Opera Idaho, Ash Lawn Opera, The Northern Lights Music Festival, Madison Opera, Pacific Symphony and Virginia Opera. Ms. López made her European début as Norina in Don Pasquale with Zomeropera in Belgium, for which Klassiek Centraal exclaimed: “She turns out to be the revelation of the show and wins over the audience with her funny rendition, irresistible charm, and [she is] natural in the different vocals.”
From her performance as Adina in The Elixir of Love with Virginia Opera, The Virginian- Pilot hailed, “Cecilia Violetta López is showing local audiences why Opera News named her one of its ’25 Rising Stars.’ In the lead role of Adina, she hit the highest notes with ringing clarity, performed the vocal runs with precision and grace and showed a particular charm and humanity in the softest passages and lowest ranges.” In her recent performance as Marguerite in Faust with Opera Omaha, the Omaha World-Herald claimed “...López sang Marguerite’s seduction, madness and salvation with an other wordly wisdom and artistry.”
Despite the halting effects of COVID-19 in the opera industry, Ms. López’ 2020-2021 has included both virtual and live recitals with Opera Idaho, Opera Las Vegas, Austin Opera, Opera Southwest, Chatter ABQ, and Madison Opera. Ms. López made her company debut with Pacific Symphony as Violetta in their 90 minute version of La traviata, and Ms. López will also be the featured soprano soloist in the world premier of Mi Camino, a virtual project with Opera Cultura. Cecilia will also return to Opera Colorado as a soprano soloist in Canciones de Nuestras Tierras: a live, outdoor performance.
Baritone
Baritone
Follow Chase
Baritone, Chase Orlando Gutierrez, a Las Vegas native young artist whose personable and charismatic singing has taken him from Las Vegas to Spain. Mr. Gutierrez has performed in numerous operas throughout the years: Don Alfonso in Così fan Tutte, Jupiter in Orpheus in the Underworld (English), The Notary in Don Pasquale, The Notary/Buoso Donati in Gianni Schicchi, Thierry in Dialogues of the Carmelites (English), Quartet Chorus of Dido and Aenaeus, Chorus of Pirates of Penzance, and Chorus of La Cenerentola. In concert Chase has performed as the baritone soloist in Charpentier’s Te Deum, and has sung spirituals throughout Spain and Portugal. Chase is currently pursuing a Bachelor of Music in Vocal Performance at UNLV under the supervision of Dr. Alfonse Anderson. Outside of the world of opera Chase is a multimedia specialist as the onsite audio engineer and photographer in his studio.
Tenor
Tenor
Christian Shelton, Tenor is a student at UNLV. He is currently a senior at the University of Nevada, Las Vegas where he is majoring in Vocal Performance and studies with voice teacher Dr. Alfonse Anderson. He won 1st place at the National Classical Singer competition 2023 in the Classical University Divison. Christian also won 1st place for local NATS in 2023. He gained international attention with his powerhouse rendition of Andra Day’s "Rise Up" for the Indeed 2021 Super Bowl commercial. He has garnered the praise of many celebrities including, Sam Smith, Meghan Trainor, Lizzo, Billie Eilish, and Jennifer Hudson.
Soprano
Soprano
Christina Mancheni, soprano, is a current doctoral student at the University of Nevada Las Vegas. Christina was recently a featured artist in the 34th St.Bart’s Music Festival, under the direction of Maestro Steven Mercurio. Recent roles include Fanchette (The Sea Cadet), Adele (Die Fledermaus), Salomea (Frederica) and Nichette (Madeleine) all with the Concert Operetta Theater. She also was featured as the soprano soloist in the Brahms' Requiem, with the Richmond Symphony Orchestra. During her studies at Miami University, she performed the roles of Sister Genovieffa (Suor Angelica), Nella (Gianni Schicchi) and The Fairy God Mother (Cendrillon). Christina also performed the title role in Alcina, as well as Despina (Così Fan Tutte) and Papagena (The Magic Flute) with the UNLV Opera Theater. Christina won first place in the prestigious New Jersey State Opera Alfredo Silipigni Vocal Competition. She has also won awards from the Gerda Lissner Foundation as well as from The National Association of Teachers Singing.
Bass-Baritone
Bass-Baritone
Christophe Kennedy (Bass-Baritone) received his Masters of Arts at the Cleveland Institute of Music under Dr. Dean Southern. Prior to, he completed his undergraduate’s degree at the University of Nevada, Las Vegas under Dr. Alfonse Anderson. He began his career in the arts at Legacy high school where he performed roles such as Roat (Wait Until Dark), Snoopy (You’re a Good Man, Charlie Brown) and the Cowardly Lion (The Wizard of Oz). At UNLV, he added various roles such as Figaro (Le nozze), Colline (La Boheme), Bottom (Midsummer’s), King Claudius (Hamlet), and Leporello (Don Giovanni). While at CIM he was casted as The Chamberlain (Le Rossignol), L’Ombre (L’Enfant et les sortilege), Thésée (Hippolyte e Ariciee), and The Father (The Juniper Tree). Currently he’s performing the role of Jonathan in Donte Miller’s The Rocking Chair and will soon star in Opera Las Vegas’s The Bremen Town Musicians as General Boom.
Tenor
Tenor
Soprano
Soprano
Follow Claudia
Claudia Affan is pursuing an MM in vocal performance at the University of Nevada, Las Vegas. She holds her BM in vocal performance from Auburn University, where she studied with Dr. Matthew Hoch. Her operatic roles include Jenny Slade in Roman Fever, Sam in Emily Clements’s Letters to Lily, The Daughter in Strawberry Fields, Madame Herz in Der Schauspieldirektor, Sophie in Werther, Kitty Hart in Dead Man Walking, Clorinda in La Cenerentola, Violetta in La traviata, Rosie in Royal Flush, Susanna in The Marriage of Figaro, Pamina in The Magic Flute, Fiordiligi in Così fan tutte, Adina/Giannetta in L'elisir d'amore, Norina in Don Pasquale, L'Eternità in La Calisto, Carolina in Il matrimonio segreto, and Lady Saphir in Patience. Affan has received awards at the state, regional, and national level from NATS, the Vann Vocal Institute, MTNA, and Alabama Federation of Music Clubs. She studies voice with Dr. Linda Lister.
Tenor
Tenor
Collin Salmon is a senior at UNLV preparing to finish his degree in vocal music education. Throughout his collegiate career he has had many opportunities to showcase his talent. Many semesters in UNLV’s scenes program led to his collegiate debut as Peter Quint in Benjamin Britten’s “Turn of the Screw.” He was invited this past summer to participate in two summer programs in Europe, one with UNLV Choirs touring Northern Europe, and the second participating in the Classical Music Festival in Eisenstadt, Austria. He looks forward to pursuing a master’s degree in vocal performance leading to a professional career in performing and sharing his talents on the stage.
Mezzo-Soprano
Mezzo-Soprano
Follow Courtney
Soprano Courtney G. Schwalbe is a Mississippi native whose versatility as a performer has led her to successfully sing leading roles and solos in opera, musical theater, and major choral works. Ms. Schwalbe’s operatic roles include Carla Mae in Ricky Ian Gordon’s The House Without a Christmas Tree, Delores in Frank Pesci’s Royal Flush, Carmen and Mercédès in Carmen, Ruggiero in Alcina, Elettra in Idomeneo, and Dorabella in Così fan tutte. In concert, she has performed solos in Mozart’s Great Mass in C Minor, Handel’s Messiah, Bach’s Mass in B Minor, and Bernstein’s Missa Brevis. Ms. Schwalbe has performed with the American Institute of Musical Studies (AIMS) Festival Orchestra, Opera Las Vegas, the Mediterranean Opera Studio Festival, Nashville Opera, Red River Lyric Opera, the Middle Tennessee Choral Choral Society with members of the Nashville Symphony, and the International Choral Festival of Missoula, Montana.
Ms. Schwalbe holds a Bachelor of Arts from the University of Southern Mississippi and a Master of Music in Vocal Performance from the University of Montana. She is currently working on her Doctorate of Musical Arts under the instruction of Dr. Alfonse Anderson at the University of Nevada Las Vegas. Ms. Schwalbe resides in Las Vegas with her husband, Michael, and their dog Romeo.
Tenor
Tenor
A graduate of San Francisco’s prestigious Adler Fellow Opera Program, American tenor Daniel Montenegro is recognized for his flexible and distinctive voice and a varied repertoire of bel canto, verismo, and contemporary roles.
In 2015, Daniel made his Lyric Opera of Chicago, Houston Grand Opera, and San Diego Opera debuts as Luis (a role he created) in El Pasado Nuca se Termina. Recent seasons include Giovanni (La Hija de Rappaccini) with Gotham Opera and his European opera debut at the Théâtre du Châtelet as Mario in Daniel Catán’s Il Postino along side Plácido Domingo, as well as a number of significant role and company debuts including Roderigo (Otello) with San Francisco Opera under Nicola Luisotti, Alfredo (La Traviata) with New Orleans Opera and Minnesota Opera, Nemorino (L’elisir d’amore) with Washington National Opera, Pang (Turandot) at the Hollywood Bowl conducted by Gustavo Dudamel, Pong (Turandot) with San Francisco Opera and Dallas Opera, Roméo in Roméo et Juliette with Tulsa Opera and the Castleton Festival, and most recently, Mario in Il Postino with Opera Saratoga, Pinkerton in Madama Butterfly with Arizona Opera, and Rafael in Cruzar la Cara de la Luna in his debut with Fort Worth Opera. The 2017-2018 season included a concert of excerpts from La bohème with the Quad City Symphony, Rafael in Cruzar la Cara de la Luna in his debut with both New York City Opera and Houston Grand Opera, and his San Diego opera debut as Arcadio in Florencia en el Amazonas. The 2018-2019 season and beyond sees him as Pinkerton in Madama Butterfly with Opera Columbus, Alfredo in La Traviata with Arizona Opera, Luis in El Pasado Nuca se Termina with Fort Worth Opera, and making a return to San Francisco Opera.
Daniel features on ‘Great Voices Sing John Denver’ alongside Plácido Domingo and many other key operatic names; produced by legendary arranger and music producer Milt Okun, the disc was released on the MRI Associated label in June 2013.
Baritone
Baritone
Baritone Daniel Sutin recently sang the role of the villainous police chief Baron Scarpia in the Northern Lights Music Festival’s critically acclaimed production of Tosca, the first North American opera production to be performed with social distancing. Upcoming engagements include Don Fernando in Fidelio with Polish National Opera, and the title role in Rigoletto with Opera North. In 2019-20, Mr. Sutin covered the title role in Wozzeck at the Metropolitan Opera. The 2018-19 season marked his debut with Arizona Opera as Giorgio Germont in La Traviata. In 2017-18, Mr. Sutin’s engagements included Baron Scarpia in Boston Lyric Opera’s new production of Tosca, Giacomo in Giovanna d’Arco with Odyssey Opera, and his return to Chicago to cover Alberich in Siegfried. He also debuted with San Francisco Opera to cover Alberich in their complete Ring Cycle.
In 2015-16, Daniel debuted the role of Jokanaan in Salome with the Detroit Symphony, sang Don Fernando in Fidelio with Cincinnati Opera, Iago in Otello with the Phoenicia Festival of Voice, Enrico Ashton in Lucia di Lammermoor with Boheme Opera of New Jersey, and covered the title role of Wozzeck and Alberich in Das Rheingold at Lyric Opera of Chicago, and Alberich in the complete Der Ring des Nibelungen at Washington National Opera. In 2014, Daniel Sutin sang the title role of Wozzeck at the Metropolitan Opera, stepping in at the last moment for an indisposed Thomas Hampson, and was the One-Eyed Brother in Die Frau ohne Schatten. Other engagements for the 2014-15 season included Biterolf in Tannhäuser (Lyric Opera of Chicago),and Sharpless in Madama Butterfly (Hawaii Opera Theatre). In 2013, he sang Giorgio Germont in La Traviata(Savonlinna Opera Festival, Finland), the title role of Rigoletto (Musica Viva, The Opera Society of Hong Kong), Konrad Nachtigall in Die Meistersinger von Nurmberg (Lyric Opera of Chicago), Tonio in I Pagliacci (Austin Lyric Opera), and Valentin in Faust (Boheme Opera of New Jersey). Highlights of the 2011-12 season include Mr. Sutin’s debut at Boston Lyric Opera in the title role of Macbeth, and Marcello in Opera Fairbanks’ production of La Boheme.
In 2010-11, he returned to Lyric Opera of Chicago as Sonora in La Fanciulla del West, sang the role of Paolo Albiani in Simon Boccanegra (L’Opéra de Montréal), Iago in Otello (Palm Beach Opera), and was at the Metropolitan Opera for Wozzeck and Boris Godunov. In addition he sang Baron Scarpia in Las Vegas Opera’s Production of Tosca. 2009-10 season highlights: Peter, the Father (cover) in Hänsel und Gretel (Metropolitan Opera), title role of Rigoletto (San Antonio Opera and Nashville Opera), and Paolo in Simon Boccanegra (Canadian Opera Company. 2008-09 marked Mr. Sutin’s debut with the Royal Opera House, Covent Garden, as Sonora in La Fanciulla del West. In addition, he sang Sharpless in Madama Butterfly (Savonlinna Opera Festival, Michigan Opera Theatre). 2007-08 was his Lyric Opera of Chicago debut, as the One-Eyed Brother in Die Frau ohne Schatten. It also was his seventh season at the Metropolitan Opera, where he was Paris in Roméo et Juliette. Other season highlights include Giorgio Germont in La Traviata (Reisoper Nederlandse), and Sergeant Belcore in L’Elisir d’Amore (San Antonio Opera). Following a Verdi Gala for the Santa Barbara Opera to open the 2006-7 season, Mr. Sutin was heard at the Metropolitan in the world premiere of Tan Dun’s The First Emperor, and sang Orest in Elektra(Canadian Opera Company) and Conte di Luna in Il Trovatore (Caramoor Festival).
Baritone
Baritone
Hailed as “a charismatic baritone” by the New York Times, “magnificently stentorian and resonant” by Opera News, and “a first-rate actor” by Opera (UK), David Kravitz’s recent opera engagements include lead roles at Washington National Opera (Davis Miller in the world premiere of Approaching Ali), Chautauqua Opera (Captain Balstrode in Peter Grimes), Skylight Music Theatre (Scarpia in Tosca), Opera Santa Barbara (The Forester in The Cunning Little Vixen), Grand Harmonie (Don Pizarro in Fidelio), Opera Saratoga (Don Magnifico in La Cenerentola), Charlottesville (Ash Lawn) Opera (Tevye in Fiddler on the Roof), Boston Lyric Opera (Abraham in Clemency), Emmanuel Music (Nick Shadow in The Rake’s Progress and Nick Carraway in The Great Gatsby), and the New England Philharmonic (Wozzeck in Wozzeck). He recently created the lead role of De Sade in Nicola Moro’s Love Hurts at the Piccolo Teatro in Milan, Italy, and at Symphony Space in New York. His many concert appearances include the Boston Symphony Orchestra, the Philadelphia Orchestra, the Baltimore Symphony, the Virginia Symphony, the Santa Fe Chamber Music Festival, Emmanuel Music, Boston Modern Orchestra Project, and Boston Baroque.
Actor
Actor
Follow Deseree
Deseree Whitt is currently an MFA acting Candidate at UNLV. She was recently seen in Little Shop of Horrors, Ring Round the Moon, and The Beaux Stratagem at the Nevada Conservatory Theatre. She has been involved in acting since she was 12 years old. Deseree studied at California State University, Fresno. There she earned her B.A in Theater Arts and graduated with Cum Laude honors in 2014. While studying theater in her undergrad, she began teaching theater to elementary aged students. This led her to direct musicals and plays for young children. She began to develop a greater love for education after teaching abroad in Tokyo for a year and a half. After returning stateside, Deseree began teaching first grade where she excelled and became lead first grade teacher during her third year.
Tenor
Tenor
“…Dominick Chenes’ Rodolfo, whose remarkable stamina, vocal range, and dramatic capabilities pulled the show together into a compelling dramatic arc. His fragile relationship with Mimi was complex, and yet, by the end movingly simple…” -bachtrack, La Boheme, Welsh National Opera
Reviewed in the Huffington Post as a “breakout star” and “powerhouse lyric tenor”, tenor Dominick Chenes’ many recent engagements include debuts with Opéra Royal de Wallonie-Liège as Pinkerton in Madame Butterfly, Alfredo in La Traviata for Tokyo New National Theatre, Lyric Opera of Chicago for Pinkerton in Madama Butterfly and Attila , Odyssey Opera for the Earl of Essex in Britten’s Gloriana, a debut with the Philadelphia Orchestra in concert arias, and Verdi’s Requiem with the Flint Symphony Orchestra. This season Dominick debuts Oper Leipzig in Bellini’s Norma (Pollione), a role he will also perform in Hong Kong later this season... Other future engagements include a return to Seattle Opera as Cavaradossi in Tosca and a return to Utah Opera for Nicias in Massenet’s Thaïs. Mr. Chenes also returns to Lyric Opera of Chicago to cover Cavaradossi.
Most recent performances include Seattle Opera as Pinkerton in Madame Butterfly, Opera Colorado as Rodolfo in La Boheme, New Orleans Opera as Turiddu Cavalleria Rusticana, Valencia as Carlo in I Masnadieri conducted by music director Roberto Abbado, Cavaradossi in Tosca with the Reading Symphony, Musica Viva Hong Kong, for Pinkerton and Rodolfo, and La Reine de Saba with Odyssey Opera.
Dominick’s Lyric Opera of Chicago debut was in the role of Faust (cover). He has performed Don Jose in Carmen with Palm Beach Opera, Alfredo in La Traviata at the Pa Skaret Opera Festival in Sweden, Riccardo in Un Ballo in Maschera with Austin Lyric Opera, debuted Grand Theatre de Genevre as Lopas in Les Troyens with Maestro Dutoit, Cavaradossi in Tosca with the Minnesota Opera, Pinkerton for Austin Lyric Opera, Don Jose with Utah Opera, and Rodolfo with the Welsh National Opera.
Dominick is a graduate of the Academy of Vocal Arts where he has performed Rodolfo in La Boheme conducted by Christofer Macatsoris. Other roles at AVA include Alfredo is La Traviata, Gherman in Pique Dame, and Riccardo in Un Ballo in Maschera. He made his Alice Tully Hall debut with the Licia Albanese Puccini Foundation, as well as a concert for the Gerda Lissner Foundation in Zankel Hall.
Dominick was awarded second prize from the Gerda Lissner Foundation, third prize from the Mario Lanza Competition and a Grant from the Licia Albanese-Puccini Foundation. He was also a finalist in the Meistersinger Competition in Graz Austria.
Baritone
Baritone
Follow Douglas
Doug, a native of Las Vegas, graduated from the Las Vegas Academy of Performing Arts and received a BM in Voice Performance from UNLV. He received a MM in Voice Performance from UCLA. As a talented classical crossover performer, Doug has won both the American Traditions Competition (2011) and the Lotte Lenya Competition (2013). He has performed principal contracts on Equity National Tours, the Broadway Stage, and numerous regional equity theatres around the country. Currently, Doug teaches voice and musical theatre at UNLV, and has a cocktail jazz duo with his wife, Rachel.
Broadway: Nick in Beautiful The Carole King Musical. National Tour: Billy in Dirty Dancing. Regional: Cable in South Pacific (Papermill Playhouse), Joey in Most Happy Fella (Goodspeed, Dallas Lyric), Lancelot in Camelot (Pasadena Playhouse), Curly in Oklahoma (Penn Shakes, FCLO), Tony in West Side Story (FCLO), Prince in Cinderella (CLOSBC), Chris in Miss Saigon (Moonlight), Gatsby in Baz(Venetian Hotel Casino), Billy in Carousel(Musical Theatre West).
Tenor
Tenor
Follow Dylan
Known for his “agile character tenor” and “over-the-top committed” portrayals, tenor Dylan Anthony Morrongiello will embark on an exciting 2021-2022 season as he joins the rosters of the Lyric Opera of Chicago covering Monostatos in The Magic Flute, and the Metropolitan Opera making his debut singing the Dean in Cinderella and covering Don Curzio and Don Basilio in Le nozze di Figaro, Player 2 in Brett Dean’s Hamlet, and Sellem in The Rake’s Progress. This fall, he will join Opera Las Vegas as Miles Zegner in Proving Up, and in the spring of 2023, he will make his company debut with Arizona Opera as Monostatos in Die Zauberflöte. Mr. Morrongiello’s recent scheduled engagements included his debut with Opera Theater of Saint Louis where he was scheduled to perform the role of Dr. Blind in Die Fledermaus (COVID19) and cover the roles of Elder Hayes and Little Bat in Floyd’s Susannah (COVID19).
Bass-Baritone
Bass-Baritone
Bass-Baritone, E. Scott Levin has been described as being "larger than life," having a “smooth, buttery voice," “incredibly sharp timing," and delivering "well-considered impersonations grounded in truth." He earned a Bachelor of Arts from Washington University in St. Louis and a Graduate Certificate in Vocal Performance from the University of Southern California Thornton School of Music. Since 2002, Scott has sung in over twenty productions with Union Avenue Opera and in thirty productions with Pacific Opera Project including Don Alfonso in Covid fan Tutte, Papageno in “Super” Magic Flute, Don Pomponio in La Gazzetta, KoKo in The Mikado, Don Magnifico in La Cenerentola, and Leporello in Don Giovanni to name a few. In 2015, Scott made his Los Angeles Opera mainstage debut as Dr. Spinelloccio in Gianni Schicchi, starring Placido Domingo, and in 2019, he made his LA Opera feature role debut as Hormigon in El Gato Montes, also starring Domingo. Scott is thrilled to make his Opera Las Vegas debut.
Contralto
Contralto
Follow Emily
Lauded for her "lower extension that has to be heard to be believed," NYC-based contralto Emily Geller is establishing herself as a singer to watch. 2024-2025 season performances include a return to Pacific Opera Project as Prince Orlofsky in Die Fledermaus, the Alto Soloist in Mozart’s Requiem with Taconic Opera, the Marquise of Berkenfield in La fille du régiment with Opera Company of Middlebury, Second Lady in a new projection-based production of The Magic Flute with Tri-Cities Opera and LUMA Arts Festival, Ježibaba in Rusalka with Gulfshore Opera, the Marquise of Berkenfield in La fille du régiment with Opera Santa Barbara, and Mrs. Cripps in H.M.S. Pinafore in a co-production with Opera Las Vegas and Pacific Opera Project.
Her 2022-2023 performances include Mrs. Quickly in Falstaff and Zita in Gianni Schicchi with Salt Marsh Opera, Ruth in The Pirates of Penzance with Pacific Opera Project, Benoît/Alcindoro in La bohème with Newport Classical, and Suzuki in Madama Butterfly with Teatro Lirico d’Europa (US Tour).
Equally at home with new music, Ms. Geller performed Elder Constance in Matthew Aucoin’s chamber opera Second Nature with Opera Fayetteville, Scholar in John Austin’s Heloise and Abelard with Center for Contemporary Opera, and Wife in Richard Wargo’s The Music Shop with Opera on the James. She garnered rave reviews for creating the role of Sylvia, an image-obsessed Hollywood mother, in the world premiere of Chunky in Heat with Experiments in Opera and Contemporaneous as a part of New York Opera Festival, directed by Alison Moritz and conducted by David Bloom. Opera News singled her out for the "layers of complexity" she brought to her character.
Since 2022, Ms. Geller appeared in numerous concerts, including Brahms’s Alto Rhapsody and Elgar’s The Music Makers with Cappella Cantorum, Brahms’s Alto Rhapsody with the Mendelssohn Glee Club of New York City, Handel’s Messiah and Mozart’s Requiem with Taconic Opera, and a concert at the Pasadena Tournament of Roses House with the Rose Parade. Other notable concert soloist work includes Mendelssohn’s Elijah, Vivaldi’s Gloria, Bach's Weihnachts-Oratorium and Schwingt freudig euch empor, Duruflé’s Requiem, and Britten’s Rejoice in the Lamb with companies across the United States.
As an audience favorite, Ms. Geller returned to Opera North several times, performing Ma Moss (The Tender Land), Hattie (Kiss Me, Kate), Oreste (La belle Hélène), and Mrs. Jones (Street Scene), where she was described as “dangerously close to stealing the show with her effortless comic delivery." After covering Marthe (Faust) at St. Petersburg Opera, she was invited back as a Principal Artist, appearing as Alma Hix and covering Eulalie Mackecknie Shinn (The Music Man). As a two-year Resident Artist with Tri-Cities Opera, she performed Prince Orlofsky (Die Fledermaus), Mercédès (Carmen), Lola (Cavalleria rusticana) and Ines (Il trovatore).
Ms. Geller holds a Bachelor’s of Music in Vocal Performance from New England Conservatory under the Ruth S. Morse Scholarship and a Master of Music in Opera from Binghamton University with a full assistantship.
Mezzo-Soprano
Mezzo-Soprano
Erin Gonzalez has performed with UNLV Opera Theater, Pacific Symphony, Sin City Opera, Florentine Opera, Martina Arroyo Foundation, Opera Las Vegas, Nevada Opera Theatre, Eastman Opera Theatre, and Opera Chapman. Role highlights include Prince Orlofsky (Die Fledermaus), Hermia (A Midsummer Night's Dream), Orfeo (Orfeo ed Euridice), Secretary (The Consul), Angelina (La Cenerentola), and Dorabella (Così fan tutte).
Winner of the 2015 and 2016 Nevada District Metropolitan Opera National Council Auditions, Friends of Eastman Opera Voice Competition and Bramledge Opera Award and Robert Kuntz Scholarship, Erin received a Bachelor in Music from Chapman University Conservatory of Music and Master in Music from Eastman School of Music.
In July and August of 2017, Erin was a member of the Opera Studio at the American Institute of Musical Studies (AIMS) in Graz, Austria. While in attendance, she won first place in the elite Meistersinger Competition.
In April 2019, Ms. Gonzalez was named the Outstanding Graduate Student of the Year for the College of Fine Arts.
She graduated with her Doctorate in Musical Arts; Voice from the University of Nevada, Las Vegas in May 2019.
Bass-Baritone
Bass-Baritone
Eugene Richards made his professional opera debut in Opera Las Vegas’ production of Rossini’s Barber of Seville as The Sergeant and has recently worked with the company again in their 2015 production of Puccini’s Madama Butterfly as The Bonze. Eugene was also recently selected to be a part of Dolora Zajick’s Institute for Young Dramatic Voices in the American Wagner Project division. Born in South Carolina, Eugene was raised in southern California as the son of a San Diego Padres baseball player. An athlete himself, Eugene attended the University of Hawaii and played for the school’s baseball team. Working as a fashion model in Las Vegas & Los Angeles, he was only recently introduced to the world of opera and began studying with Luana Devol.
Tenor
Tenor
Francisco Corredor is a Puerto Rican/Colombian tenor, composer, and director born and raised in New York City. His comedic and lively operatic interpretations have been praised by Opera News, The New York Times, El Diario, The Brooklyn Daily Eagle, and the Oklahoman. A former artist with Tony Bennett’s Exploring the Arts Foundation and Martina Arroyo’s Prelude to Performance, he’s performed in some of New York’s most prestigious venues including Lincoln Center, Carnegie Hall, and Radio City Music Hall as well as abroad in France, Switzerland, Austria, and Israel. He’s also sung backup for Tony Bennett, Josh Groban, and Jennifer Hudson. As a singer songwriter, he’s performed throughout the New York piano bar scene and the famous Caveau de la Huchette in Paris, France. He is the composer and lyricist of “Happy Birthday David: The Musical!” which premiered at the People’s Improv Theater MainStage. His self produced EP, recorded in Paris as Frankie Amadeus, is currently available on music streaming platforms. Recently, he directed Vegas City Opera's The Ring Vegas! which won “Most Innovative Production” at the 360° of Opera 2020 Awards.
Baritone
Baritone
Follow Gabriel
Grammy Award winning baritone Gabriel Preisser has been praised by Opera News for his “handsome voice, charismatic energy, and timbral allure” and The New York Times called his performance as Lt. Gordon “wonderful.” His resume includes over 40 operatic and musical theater roles including Danilo in The Merry Widow with Utah Festival Opera, Billy Bigelow in Carousel with Minnesota Orchestra, Figaro in Il barbiere di Siviglia with St Petersburg Opera, Dandini in Cenerentola with Opera Tampa, Escamillo in Carmen with Lyric Opera of the North, Belcore in L’elisir d’amore with Shreveport Opera, Le Mari in LesMamelles de Tiresias with Opera Parallele, Albert in Werther with Minnesota Opera, Mercutio in Romeo et Juliette with Opera Tampa and St. Petersburg Opera, Tommy in Brigadoon with Gulfshore Opera, Silvio in Pagliacci with Opera Naples, Harold Hill in The Music Man with Colorado Symphony, and Bob Baker in Wonderful Town with Skylark Opera to name a few. He has been praised for having a “matinee idol’s charm and charisma,” “a beautiful, luscious baritone,” and “a compelling, commanding stage presence.”
Soprano
Soprano
Follow Genevieve
Praised for her \"sterling soprano that is a pleasure in and of itself\" (Springfield News-Leader) and described as “a powerhouse of talent, ” (Chris’ Corner, Travel and Theatre), Genevieve Fulks has established herself as a multifaceted soprano excelling in opera, musical theatre, pop, and contemporary classical music. Born and raised in Arkansas, she is a new resident of Vegas, where she made her opera role debuts with Vegas City Opera as Lucy Brown in Threepenny Opera and Ortlinde in Die Walküre. She is the former lead soprano of Spirit Productions’ international sensation Dublin’s Irish Tenors and The Celtic Ladies and has performed regionally (southern and midwest US) with numerous opera companies and theaters, most notably, Ozarks Lyric Opera, Springfield Little Theatre, Knoxville Opera, Opera in the Ozarks, King’s Castle Theatre, Andy Williams Moon River Theatre, Virginia Baroque Performance Academy, and the Delta Symphony Orchestra. Internationally, she has performed with the Sankt Goar International Music Festival, the Moravian Philharmonic Orchestra of Czechia, and the Krakow Forum Sinfonia of Poland. Genevieve currently sings full time in Streetmosphere at the Venetian on the Las Vegas Strip. Her favorite professional credits include Cunegonde in Candide, Susanna in Le nozze di Figaro, Lily in The Secret Garden, and Serpina in La serva padrona. You can find her first studio album, Passages, on Spotify, where she sings the chamber and orchestral music of composer Michael F. Murray with the Moravian Philharmonic Orchestra of the Czech Republic.
Tenor
Tenor
Mr. Schmidt made his Metropolitan Opera debut in the role of Arbace in Mozart’s Idomeneo, with Maestro James Levine conducting. He recently covered the role of Edmondo de Nobile in Thomas Adès’ The Exterminating Angel, and sang the main stage role of Normanno in Lucia di Lammermoor. He has covered the roles of Ernesto (Don Pasquale), Tamino (Magic Flute), and Flamand (Capriccio), among others.
Other engagements include the Duke (Rigoletto) with Crested Butte Music Festival, Don Ramiro (La Cenerentola) with Opera Las Vegas, Tonio (La Fille du Régiment) with Tulsa Opera, King of Naples (The Tempest) by Thomas Adès with Opéra du Québec; and Edgardo (Lucia di Lammermoor) and Almaviva (Il Barbiere di Siviglia) with Opera Tampa, under the baton of Maestro Anton Coppola.
Gregory Schmidt made his professional debut with Washington D. C. Opera in the role of Count Belfiore in Mozart’s La Finta Giardiniera, returning to the Kennedy Center stage the following season as Tamino.
Mezzo-Soprano
Mezzo-Soprano
Hilary Grace Taylor, mezzo-soprano, is a native of Dallas and is becoming known for her versatility of repertoire and love of contemporary music. Most recently she was a Young Artist with Chautauqua Opera in their 2020 virtual season and this year is Semifinalist in the Metropolitan Opera National Council Auditions. This summer she will join Pittsburgh Festival Opera as a Young Artist.
Hilary is the First Place Winner of the Lewisville Lake Symphony International Voice Competition, and a 2019 winner of the University of North Texas Concerto Competition. She has debuted a number of opera roles nationally and internationally including Dorabella (Così fan tutte) and Principessa (Suor Angelica) with Maestro Gregory Buchalter from the Metropolitan Opera at the 2019 Varna International Opera Academy, Giovanna (Rigoletto) with the Sacramento Symphony and Opera, and appeared as the mezzo soloist in the Verdi Requiem at the Durham Cathedral in Durham, England with conductor Paul Leddington Wright at the Brass Band Festival.
As an Education Outreach Artist with The Dallas Opera, Hilary was responsible for the role of Bastienne in Mozart’s Bastien und Bastienne in the 2017-18 season and performed Veronica in Doctor Miracle in their 2019-20 season. With UNT Opera she debuted Donna Elvira (Don Giovanni), Desirée Armfeldt (A Little Night Music), Madame de Croissy (Dialogues des Carmélites), Dritte Dame (Die Zauberflöte), Martha (Faust), Mrs. Jones (Street Scene), Regina (Regina) and Gertrude Stein (After Life by Tom Cipullo). In 2018 Hilary was invited to direct UNT Opera’s production of Madame Butterfly as well as scenes from La traviata and Le nozze di Figaro. In addition, she directed The Night of Decayed Musicians with the Dallas-based ensemble Lumedia Music Works. At the invitation of Eugene Migliaro Corporon, director of the UNT Wind Symphony, she performed and recorded James M. Stephenson’s Symphony No. 2.
Hilary maintains a local voice studio and is a cantor at Preston Hollow Presbyterian Church in Dallas, Texas. She received her Master of Music in Vocal Performance and Opera from UNT and a Bachelor of Music degree in Vocal Performance from the Butler School of Music at The University of Texas at Austin. She is currently pursuing the degree Doctor of Musical Arts in Vocal Performance and Pedagogy at UNT.
Baritone
Baritone
Follow Jake
Jake Stamatis, born and raised in Tunkhannock, Pennsylvania, has performed a variety of roles on the operatic stage. His quick, kind, and lovable demeanor has charmed audiences in such roles as Papageno in Die Zauberflöte, Figaro in both Il barbiere di Siviglia and Le Nozze di Figaro, Leporello in Don Giovanni, Marcello and Schaunard in La Boheme, and The Pirate King in The Pirates of Penzance. His varied repertoire also includes Enrico in Lucia di Lammermoor, Zurga in Les pêcheurs de perles, La Bête in La belle et la bête (Glass), Sam in Trouble in Tahiti, and Anthony in Sweeney Todd. Jake has been a studio artist at Sarasota Opera, a fellow at the Music Academy of the West, an emerging artist at Seagle Music Colony, an artist in residence with Tri-Cities Opera and Opera Memphis, and even served as a performer and staff choreographer with Bel Cantanti Opera’s Summer Festival. Jake received his Bachelors Degree in Vocal Performance from Susquehanna University, and his Masters Degree in Opera from Binghamton University.
Soprano
Soprano
Jenelle Catherina is a Canadian-born performer based in Vegas. She recently graduated with a BM in Vocal Performance and BS in Human Services from UNLV and was last seen as Bonnie Harper in The Craft: An Unauthorized Musical Parody. She was also a top 3 finalist in BroadwayWorld’s Next On Stage national competition. She can be seen as part of Vegas Valley Concerts, touring with the Swing It! Girls, caroling with the Tinseltones and various other performing groups and productions in Las Vegas and beyond.
Mezzo-Soprano
Mezzo-Soprano
Since 2007, Mezzo soprano Jennifer Mathews has sung with Washington National Opera Chorus where she also sang the roles of Cousin in Madame Butterfly (2017), 2nd Bridesmaid in the Marriage of Figaro (2010 and 2016), and Girl in Show Boat (2013). In 2018, Ms. Mathews performed the role of Hansel in Hansel and Gretel with Opera NOVA in Virginia. In 2010, she performed in Rigoletto (Madelenda) and The Merry Widow (Valencienne) with Opera Camerata. Before moving to Las Vegas in 2018, Ms. Mathews taught for 12 years. Her last teaching position was at Thomas Jefferson High School for Science and Technology where she was the choral and theatre director and taught AP Music Theory. There, she directed and conducted musicals: Fiddler on the Roof, The Little Mermaid, Les Miserables, and Mary Poppins and directed plays: Connected, The Diary of Anne Frank and Peter and the Star Catcher.
Baritone
Baritone
Follow Joel
Praised as a "mature artist with a voluminous sound," baritone and composer Joel Balzun is establishing himself as a mature new voice in the future of music. His multi-faceted career has already led him to work with some of the world’s most respected musicians and ensembles. Highlights of his 2023-2024 season include his debut at Los Angeles Opera, Schaunard (La bohème) with Opera Las Vegas, works of Mozart with San Luis Obispo Master Chorale and a recital with Cincinnati Song Initiative. Other recent performance highlights include Marcello (La bohème) with Pacific Opera Project, Giorgio Germont (La traviata) with Opera Santa Barbara, works of Ralph Vaughan Williams with San Luis Obispo Master Chorale and numerous recitals featuring Black Dog by Tom Cipullo throughout Southern California.
From Carnegie Hall to the Kennedy Center, Mr. Balzun has appeared successfully on both the operatic and concert stages. As a Fellow at the Tanglewood Music Center, Mr. Balzun sang alongside Stephanie Blythe in a concert of American song, and Dawn Upshaw and Sanford Sylvan in Shostakovich's brooding Symphony No. 14. Other past appearances include the title roles in Don Giovanni and Gianni Schicchi, the Four Villains in Les contes d'Hoffmann, Prince Yeletskiy and Count Tomskiy (Pikovaya Dama), Albert (Werther), Belcore (L'elisir d'amore), Dr. Malatesta (Don Pasquale), Valentin (Faust), Sid (Albert Herring), and John Brooke (Adamo’s Little Women), among others. On the concert stage, Mr. Balzun has been a featured soloist in Copland's Old American Songs, Dvořák’s Te Deum, Fauré's Requiem, Haydn's The Creation, Mahler's Lieder eines fahrenden Gesellen, and numerous cantatas of Bach. His acclaimed performance of Bach's Johannes-Passion with the Rochester Bach Festival was recently broadcast multiple times across the United States.
Tenor
Tenor
Follow John
Award-winning American tenor John Riesen’s growing career boasts a variety of roles in which he consistently excels and includes significant work in opera, musical theatre, studio recording and concert. In the COVID-affected 2020-2021 season John performed concerts, live streams, and productions with several companies including Intermountain Opera Bozeman, Shades of Pink Charity Foundation, The FAR Conservatory in Detroit, and Opera Las Vegas. He returned to the stage in 2021 as Ralph Rackstraw in HMS Pinafore with Pensacola Opera, Martin in The Tender Land with The Hart School, Alfredo in La Traviata with the Pacific Symphony, and Younger Thompson in Glory Denied with Berkshire Opera Festival. The 2021-2022 season includes Frederic in Pirates of Penzance with Utah Opera, Rinuccio in Gianni Schicchi with On Site Opera, Chris in the world-premiere of Favorite Son by Grammy award winning songwriter Marcus Hummons, as well as his Carnegie Hall debut as tenor soloist in the Messiah with Musica Sacra under the baton of Kent Tritle (postponed due to COVID-19).
Baritone
Baritone
Follow Joseph
Italian-American Baritone, Joe Lodato, “an artist the world is excited to see,” is a top contender for the Verdi Baritone repertoire in the international marketplace. Having sung the title role of Rigoletto, Amonasro in Aida, Renato in Un Ballo in Maschera, Giorgio Germont in La Traviata, and Peter in Hansel und Gretel to great acclaim, he has diligently prepared many of the core roles in the fach with the world's top maestri. Upcoming engagements in 2022 include appearances with Boheme OperaNJ, Opera at Florham, and Dikson in New Amsterdam Opera’s production of Boïdelieu’s La Dame Blanche. His voice has been described as possessing a “stunningly beautiful timbre, Italianate snarl, mixed with a controlled passion and deep understanding of the repertoire”, proving further that this is an artist poised to breakthrough in a major way.
Mr. Lodato was educated at Westminster Choir College, the University of Miami, and Salzburg College, and subsequently completed Young Artist training under the auspices of the Metropolitan Opera, Sarasota Opera, and Aspen Music Festival. He has been awarded top prizes by the Metropolitan Opera National Council, Los Angeles Opera, Florida Grand Opera, Aspen Music Festival, and Premiere Opera Foundation. Equally adept and attuned to the musical theater and jazz idioms, Mr. Lodato has been seen in performance with world-renowned artists such as Tony Award winner Betty Buckley, jazz icon Lea DeLaria, and award-winning composer and pianist John Musto.
An aggressive champion of song and new works, Joe has premiered many works including the cycle Dear Theo based on the letters of Vincent Van Gogh, composed by Ben Moore; he has also appeared in concert performance with composers Jake Heggie and Ricky Ian Gordon, presenting their works to great acclaim.
Tenor
Tenor
Joshua Hager, Tenor, is a first-year M.M. student at the University of Nevada – Las Vegas. A recent graduate from Mars Hill University in North Carolina (B.M. Music Education). Joshua plans on pursuing a career in music education and performance after his time at UNLV.
Joshua grew up in Statesville, NC where he developed a passion for music and theatre as he was cast in local and high school productions such as Footloose, The Wizard of Oz, and Singin’ in the Rain. During his time at Mars Hill University, Joshua would perform repertoire from Britten and Haydn to Miles Goodman. He was regularly found singing with the Central United Methodist Chancel Choir in Asheville, NC in addition to the Civic Choral in Johnson City, TN under the direction of Dr. Rodney Caldwell. Joshua has also enjoyed his time serving with TEAMeffort Youth Missions, facilitating construction-based mission sites, directing, and leading in contemporary-style worship.
Bass-Baritone
Bass-Baritone
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Joshua Hughes has been lauded for his “full-voiced, highly expressive, bass-baritone pipes” (Theatre Eddy’s), "powerful lyricism” (Texas Classical Review), and "brilliant vocal range” (DC Metro Theater Arts). The 2024/2025 season marks his debut with Opera Las Vegas, a return to San Francisco’s Lamplighters Music Theatre as Major-General Stanley in “The Pirates of Penzance,” and his debut with Albuquerque’s Opera Southwest in the US premiere of Carlo Coccia’s “Matilde.” Recent performances include Il barbiere di Siviglia (Fiorello), Tosca (Sciarrone), Alma Deutscher’s Cinderella (Minister), and West Side Story (Baby John) with Opera San José and La Traviata (Grenvil), Don Giovanni (Masetto & Commendatore), and Der fliegende Holländer (Daland) with West Bay Opera. He has performed with Hong Kong Disneyland, San Francisco Opera, The San Francisco Symphony, American Baroque Opera, Dallas Bach Society, Young Victorian Theatre Company, Victorian Lyric Opera Company, Opera in Concert, Orchestra of New Spain, and Lyric Opera Baltimore. www.joshuahughesbassbaritone.com
Bass-Baritone
Bass-Baritone
Bass-Baritone Joshua Thomas, born and raised in Houston, TX has been hailed for letting “his rich bass notes shine” (Arts Louisville) in addition to portraying “a properly dour Seargeant of Police” (Wall Street Journal).
Some of Mr. Thomas' notable opera performance credits to date include the Seargant of Police (Pirates of Penzance), Commendatore (Don Giovanni), Le Baili (Werther), Le Comte de Grieux (Manon), Tolomeo (Giulio Cesare), Bonze/Yamadori (Madame Butterfly), the title role in Hailstork's Rise for Freedom: the John P. Parker story, and Simone (Gianni Schicchi).
On the concert stage, Josh has been seen as the Bass soloist in Bach’s Wachet auf, Mozart's Requiem, Handel's Alexander's Feast, Wynton Marsalis' All Rise, Bruckner's Te Deum, and the North American premiere of Schumann's Adventlied.
Thomas has been seen at the Glimmerglass Festival, Des Moines Metro Opera, Kentucky Opera, Opera Louisiane, and the Druid City Opera and among others.
Baritone
Baritone
In 2025, baritone Justin Burgess returns to Washington National Opera (WNO) to sing the role of Paul in The (R)evolution of Steve Jobs. This fall, he makes his Opera Las Vegas debut in the world premiere of Conrad Cummings and Mark Campbell’s Again & Again & Again, and will join Lyric Opera of Kansas City to cover Figaro in Il barbiere di Siviglia. In summer 2024, he joined Des Moines Metro Opera, also covering Figaro. Last season, as a Cafritz Young Artist at WNO, he was seen as Mercutio in Gounod’s Roméo et Juliette, Donkey in Jeanine Tesori’s The Lion, the Unicorn, and Me and A Mobster/The Guide in Songbird.
In his first season with WNO, he sang Schaunard in Puccini’s La bohème. In summer 2023, he sang Schaunard and covered Martin/James in Candide at the Glimmerglass Festival. In summer 2022, at Santa Fe Opera, he sang Der Steuermann in Tristan und Isolde and covered Morales in Carmen. He spent three summers with Wolf Trap Opera where he sang the roles of Fiorello in Il barbiere di Sivigliaand Zerbin in L’ile de Merlin, as well as covering Figaro, Merlin, Toby in Sweeney Todd, and Baron Pictordu in Viardot’s Cendrillon.
A rising star in the world of contemporary opera, he has appeared in several workshops, including as Ty in A Thousand Acres for Des Moines Metro Opera and Walter in The Hours for The Metropolitan Opera.He has also premiered two new operas through WNO’s American Opera Initiative.
In competition, he was a two time Regional Finalist in the Metropolitan Opera Laffont Competition, a finalist for the McCammon Vocal Competition at Fort Worth Opera, and an Emerging Artist Award Winner in the Opera Index Vocal Competition. As a concert artist, he will join the Richmond Ballet and the Charleston Symphony Orchestra as the Baritone soloist in Carmina Burana. He also sang in the North American premiere as Pilatus in Sixten’s Johannespassionen with the University Choir at the University of Cincinnati.
Justin received his undergraduate degree from the University of Michigan School of Music, Theatre, and Dance, and his master’s degree and artist diploma from the University of Cincinnati College-Conservatory of Music (CCM). He has been a Young Artist with Santa Fe Opera, The Glimmerglass Festival, Wolf Trap Opera, and Des Moines Metro Opera.
Soprano
Soprano
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Kara Grover is a Lyric Coloratura Soprano who has performed internationally and throughout the United States. She holds a Master of Music from Florida State University and a Bachelor of Music from the University of Northern Colorado. In spring of this year, Mrs. Grover debuted as Queen of the Night with Opera Fort Collins. Other roles include Héro from Berlioz's Béatrice et Benédict, the title role in Offenbach's Bagtelle, Susan from Hilliard & Boresi's The Filthy Habit, Romilda from Handel's Xerxes, Zerlina from Mozart's Don Giovanni, Adina from Donizetti's Elisir d’Amore, Despina from Mozart's Cosi fan tutte, and Pousette in Massenet's Manon.
In addition to her stage work, Mrs. Grover is a gifted recitalist; in fact she led a movement to reestablish salon-recital culture in the Rheingau region of Germany. To that end, she co-founded a performing troupe, Opera Et Cetera, with colleagues and artistic director, tenor star Keith IkaiaPurdy. Mrs. Grover has been featured on German television and has performed hundreds of concerts throughout central Germany, including notable invitations from the Wiesbaden Kurhaus, Theater Dolce-Bad Nauheim, the Johannisberg Schloss, the Biebrich Schloss, and the Rheingauer Dom; each among the region’s most prestigious concert locales.
In the midst of the pandemic, Mrs. Grover became inspired to commission a vocal work that reflected her dedication to promoting women in music. As a Colorado native, her second inspirations was the majestic beauty of the Rocky Mountains. Music by composer, Lois Henry, and poetry by Colorado poet, Belle Turnbull (1881-1970), brought this vision to life, and BELLESONGS was born; a song cycle for high voice and piano. Mrs. Grover premiered the work at FSU on her masters recital. BELLESONGS was also featured at the Mississippi University for Women's Music by Women Festival. Mrs. Grover and Ms. Henry are honored to present this work with Opera Las Vegas and are steadfast in their passion for performing and promoting musical works by women.
Tenor
Tenor
Karsten Pudwill is a Vegas-based tenor from North Dakota. Written as possessing a "warm lyric quality," (Callback News) his recent production credits include Paul in A Secret Sanctuary with Blue Gate Musicals, the Witch in Hansel and Gretel with Opera Las Vegas, and Parpignol in La BoDead with Vegas City Opera. Past credits include Tamino in The Princess and the Magic Flute, and Frederic in The Pirates of Penzance, all with Vegas City Opera. He also performed with Majestic Repertory Theatre in the new musical comedy, Bigfoot and sang the role of Jay Newman in the world premiere of the new opera, No Guarantees with UNLV Opera Theatre. He is thrilled to spread some holiday cheer with Opera Las Vegas!
Soprano
Soprano
Soprano Kayla Wilkens is delighted to return to Opera Las Vegas after appearing as Littler Zegler in Missy Mazzoli’s Proving Up and as Teen Zelda in Evan Mack and Joshua Snyder’s The Ghosts of Gatsby. Most recently, she joined Vegas City Opera at Meow Wolf's Omega Mart in Prokofiev's The Love For Three Oranges and in Kings & Queens: Madness, Mayhem & Macabre, and as the soprano soloist in The Light of Hope Returning with Desert Singers Las Vegas. An enthusiastic supporter of developing new works, she appeared in the premiere and national tour of the musical We’ll Meet Again (Millie O’Brien), and opera premieres of Diary of a Madman (Sahfee), Vía Láctea (Peggy cover/featured soloist), Culture, Culture! (Page), and O Pioneers! (Marie Shabata). Other contemporary concert soloist credits include Stephen Paulus’ To Be Certain of the Dawn with the Lincoln Choral Artists, John Muehleisen’s Pietà with Abendmusik, and the premiere of Libby Larsen’s Moabit Sonnets with the Linfield Chamber Orchestra.
Bass-Baritone
Bass-Baritone
Bass-baritone Keith Colclough was praised in Opera News for his "rich authoritative" voice. He has been a soloist with a number of arts organizations, including the Los Angeles Philharmonic, Pacific Opera Project, Opera Santa Barbara, Sacramento Philharmonic and Opera, LACMA Sundays Live, Salastina Society, and the Santa Barbara Choral Society. Past operatic roles include Don Basilio in Il Barbiere di Siviglia, Doctor Bartolo in Le Nozze di Figaro, Publio in La Clemenza di Tito, and Peter Quince in Britten’s A Midsummer Night’s Dream. His training includes vocal fellowships at the Tanglewood Music Center, Music Academy of the West, the Aspen Opera Center, and a Fulbright Scholarship to Germany. An enthusiastic educator and scholar, Dr. Colclough serves as Associate Professor of Voice and Director of Opera at Pepperdine University, where his duties include private voice lessons, diction courses, and vocal and stage direction for the endowed Flora L. Thornton Opera Program.
Baritone
Baritone
Praised for his strong “sense of theatricality,” Baritone Kenneth Stavert has performed on operatic, concert and recital stages throughout the United States, Europe and Asia. Some of his recent highlights include Silvio in Pagliacci, Papageno in Die Zauberflöte, and Ping in Turandot (Dayton Opera), Harlekin in Ariadne auf Naxos (Palm Beach Opera), Yamadori in Madama (Santa Fe Opera), Renato in Un ballo in maschera, Scarpia in Tosca (Opera in the Heights) and Sharpless in Madama Butterfly (Pacific Opera Project). Kenneth’s orchestral credits include Berlioz’s Lélio, Fauré’s Requiem, Orff’s Carmina Burana, Handel’s Messiah and Mozart’s Vesperae solennes de confessore. He has also been a featured recitalist throughout the United States specializing in less performed English art song. Upcoming performances include La Traviata, La boheme, Tosca and Into the Woods.
Mezzo-Soprano
Mezzo-Soprano
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Kimberly Gratland James, Mezzo-Soprano, is thrilled to return to Opera Las Vegas for another modern opera premiere. She was previously seen in The Ghosts of Gatsby and 27. Ms. James’ tone has been described as powerful, well-rounded, deep, and rich,” and rich by critics and audience members. Her performances are also noted for musicality and convincing dramatic portrayals.
Recent concert and chamber music performances include: Mahler’s 2nd Symphony (UNLV Symphony Orchestra), Mahler’s Lieder eines fahrenden Gesellen and orchestral songs by Ethel Smyth (Great Falls Symphony), Beethoven’s 9th Symphony (Idaho Falls Symphony) Ravel’s Chansons madécasses, & Chausson’s Chanson perpétuelle. She performs as the alto soloist in Haydn’s Lord Nelson Mass at the Classical Music Festival in Eisenstadt in Summer 2023.
James currently serves as the Acting Associate Director of the University of Nevada Las Vegas School of Music and Associate Professor of Music. She earned advanced degrees from Rice University and Indiana University.
Soprano
Soprano
A native of New Orleans, LA, soprano, Kourtney Holmes is an emerging artist of opera, concert, and recital repertoire. Recently performed roles include Gertrude (Hänsel und Gretel) at the Vienna Summer Music Festival and Annie (Royal Flush) at UNLV Opera. Kourtney has performed roles at the Turner-Fischer Center for Opera at Louisiana State University which included Madame Larina (Eugene Onegin), Edka (Two Remain), Rosette (Manon), and Zita (Gianni Schicchi). Kourtney has also performed at regional opera houses and for community outreach events. She gained international experience in Italy, where she sang Mother (Madama Butterfly), La Badessa (Suor Angelica), Marcellina (Le nozze di Figaro), and Flora (La Traviata). Kourtney holds a Bachelor of Music Education degree from Mississippi State University, a Masters of Music degree from Louisiana State University and is currently a Doctoral candidate at The University of Nevada, Las Vegas where she studies with Dr. Alfonse Anderson. She is also a passionate, licensed music educator who works as a certified EMT in her spare time.
Soprano
Soprano
American soprano, Lillian Channelle, is an International performing artist with a new pop-opera album, Tribute. This album is available on all streaming platforms including Itunes and Spotify. Lillian has performed in performances, concerts, and competitions throughout the world. Some notable performances include appearances as featured soloist in the National KET/PBS broadcast at the Singletary Center for the Arts; a broadcast on the Spanish National Radio at the Santander Festival in front of the King and Queen of Spain during her third Spain tour with the American Spiritual Ensemble; and a performance at the Oprah Winfrey Humanitarian Awards as a winner of the Marian Anderson Classical Artist Prize. Recently, Lillian presented a solo concert for the Arts Education of Chorus and Orchestras of Honduras organization in Honduras with plans to return this Fall. Lillian has won numerous high-profile competitions including the Metropolitan Opera Competition, the Meistersinger Competition in Austria, the Oreste A. Giargiari Bel Canto Competition, the George London Foundation Competition as a finalist in New York. In addition to performing, Lillian Channelle serves as a clinician and guest judge. Recently, Lillian provided a voice seminar for the Arts Education of Chorus and Orchestras of Honduras organization in Honduras and was a guest vocal clinician and lecturer for the Association of Panama festival at the National Conservatory of Music of Panamá and the University of Panamá. Some training includes the prestigious Academy of Vocal Arts (AVA), Martina Arroyo Prelude to a Performance, Aldeburgh Music Festival in England, and the Aspen Music Festival. Lillian Channelle holds a Doctor of Music Degree in Vocal Music from the University of Nevada Las Vegas and is the Founder and Executive Director of the non-profit organization Voccalis International.
Soprano
Soprano
Vocalist Lisa Elliott performs in a wide variety of musical styles. From jazz standards on the Vegas Strip to coloratura soprano opera roles, Lisa enjoys many different genres of singing. She is also the Music Director at Grace Presbyterian Church Las Vegas, where she directs the Chancel Choir as well as the Grace Concert Choir and orchestra regularly in major works such as Handel’s Messiah, Vivaldi’s Gloria, and Durufle’s Requiem. Additionally, Lisa is dedicated to music education. She is an adjunct voice professor at UNLV, the director of the Grace Academy of Music Education (GAME), and teacher for her own private voice studio. In 2020, Lisa completed her DMA degree in vocal performance through UNLV, having already earned a Master’s degree at San Diego State University in vocal performance, and a Bachelor’s degree in choral conducting at Scripps College in Claremont, CA.
Soprano
Soprano
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Soprano Marcie Ley has received critical acclaim for her performances across the United States and Europe.
Notable roles performed include Violetta in La Traviata, Contessa in Le Nozze di Figaro, Fiordiligi in Così fan Tutte, Antonia in Les Contes d’Hoffmann, Mimi in La Bohème, Liú in Turandot, Marguérite in Faust, and Nedda in Pagliacci, with numerous regional opera companies in the USA, and also in Europe at The Arena di Verona in Italy, Opéra National de Montpellier in France, and in Germany with Theater Dortmund, Oper Leipzig, and the Musiktheater im Revier.
A native of Edinboro, PA, Marcie now calls Las Vegas home, and she is happily sharing her years of experience by teaching private voice lessons.
Tenor
Tenor
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Marco Varela, tenor, started his classical vocal studies at Televisa Studios in Mexico City. He pursued a degree in business management at UNLV while under a music scholarship.
Mr Varela's professional opera career began with the Seattle Opera Company. He produced and recorded a curated selection of arias in his CD “Trilogia” and performs throughout the United States, Mexico, Europe, and Asia.
He leads an active schedule singing in private events, local opera companies, fundraisers and has performed for international diplomats and for live television.
He is an active member of both the American Guild of Musical Artists (AGMA) and the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA).
Mariachi Ensemble
Mariachi Ensemble
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In four short years, CSN’s Mariachi Plata has earned a place as the finest Collegiate Mariachi in the United States. Mariachi Plata is comprised of students from CSN’s mariachi courses, part of its fine arts music curriculum. Founding Directors Fernando and Lupe Gonzalez have led this group of 17 highly accomplished student musicians to the very top of the mariachi world, winning the Mariachi Vargas Extravaganza Competition for the last two years in a row. This competition, held in San Antonio, Texas is widely acknowledged as the national championship of collegiate mariachi. CSN’s “Plata” is the first band from outside of Texas to win this prestigious title in the 28-year history of the competition.
This year, under the direction of nationally renowned Mariachi vocalist and guitarrón artist Perry Chacón, Jr., Mariachi Plata continues to be one of the points of pride of the College of Southern Nevada. They are an outstanding example of how we, at CSN, continue to empower our students and communities to achieve, succeed and prosper.
Baritone
Baritone
Marshall Morrow has recently performed Sciarrone in OLV's Tosca, and the Prince in Vegas City Opera’s Cinderella, Jackie Brown (The Threepenny Opera), Pirate King (Pirate of Penzance), Gamekeeper (Cunning Little Vixen), Father (Hansel and Gretel), and Papageno (The Magic Flute). Opera News stated Marshall Morrow “tall, thin and hilariously snooty, showed real comic skill” (Isouard’s Cendrillon). Previously Marshall performed the role of Rambaldo in La Rondine as a Young Artist at Lidal North in Oslo, Norway. His roles include Don Magnifico in La Cenerentola, Dandini in Isouard's Cendrillon and the summer of 2017, Marshall performed the role of Le Surintendant des plaisirs in Massenet's Cendrillon the role title of Don Giovanni at Trentino Music Festival. Other performance credits include the role of Miton in the U.S. premiere of Delibes' Le Roi L'a Dit. Marshall performed/ created the role of Gregory in a workshop of Vera by Matthew Barnson in collaboration with American Opera Project. Marshall has sung with the New York Philharmonic under the baton of Alan Gilbert.
Tenor
Tenor
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Michael TK Lam is currently pursuing his Doctor of Musical Arts (DMA) degree at the University of Nevada, Las Vegas (UNLV), under the tutelage of Dr. Alfonse Anderson. Originally from Hong Kong, Michael finished his undergraduate studies at the University of California, Santa Barbara (UCSB); graduated from University College London (UCL) with a MA in Music Education. Inspired by his mentor, Isabel Bayrakdarian, he decided to pursue a career in classical voice and he graduated from the Royal Birmingham Conservatoire (RBC) with a Master's in Music (MMus). Michael has had the honor to perform in operas and concerts in the United States, the United Kingdom, Austria, and Italy. He has also won first place in the New England Music Festival in 2016, and first place in the graduate division of NATS Las Vegas in 2021. Michael recently performed the role of Eurimaco in Monteverdi’s Il ritorno d’Ulisse in patria with dell’Arte Opera Ensemble in New York City.
Soprano
Soprano
Monica McCullough has performed on the operatic stage and has appeared often as a concert and chamber soloist. In 2018, Monica performed as a guest soloist in Sin City Opera’s Mostly Mozart Concert at The Starbright Theater. In 2016 and 2017, she was the soprano soloist in Handel’s Messiah at the Big Bear Performing Arts Center and in the Las Vegas Valley. Her performance credits include appearances with Euterpe Opera, Golden West Opera Theatre (role of Pamina from Mozart’s die Zauberflöte), Nevada Opera Theatre, New West Stage Company, Channel One Television, Bell Flower Symphony, American Youth Orchestra, Moore Park College Theatre (role of Pamina from Mozart’s die Zauberflöte), Huntington Chamber Players, Peabody Opera Outreach (role of Gertrude from Humperdinck’s Hänsel and Gretel), guest soloist for the Valley Committee for the Los Angeles Philharmonic and guest soloist in the premiere of Andrea Centazzo’s Return to Vukovar.
A member of Phi Kappa Phi Honor Society, Monica received her Bachelor of Music and Master of Music degrees from the University of Southern California, where she studied with Judith Natalucci. Currently, she is completing a Doctor of Musical Arts degree under the tutelage of Phyllis Bryn-Julson at the Peabody Conservatory of The Johns Hopkins University.
Monica is a Visiting Lecturer of Music at the University of Nevada, Las Vegas and the Director of the Opera Discovery Program at the Institute for Young Dramatic Voices, founded by world-renowned mezzo-soprano, Dolora Zajick. She also serves as the Nevada District Governor of the National Association of Singing, Cal-Western Region.
Bass
Bass
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Norman Espinoza, a Bass originally from San José California, has performed internationally and with numerous opera companies around the country. He is a graduate from San José State University where he obtained both his M.M. and B.M. in Vocal Performance.
Recognized for his powerful low notes, he has sung for Opera San José, Livermore Valley Opera, Lyric Opera Orange County, Opera Las Vegas, Opera Modesto, Berlin Opera Academy, Montefeltro Music Festival in Italy, and was recently a Chrisman Studio Artist for Opera Santa Barbara.
Roles Norman has sung include: Colline, Alidoro, Mustafà, Reverend Hale, Leporello, Il Commendatore, Sparafucile, Bartolo, Dr Grenvil, Seneca and Sarastro to name a few.
Norman now resides in Las Vegas, Nevada with his wife/new born son and works closely with Opera Las Vegas. He's also a Gondolier Singer for the Venetian Resort and he would love to take you on a ride on his gondola in Las Venice!
Soprano
Soprano
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Soprano Olivia Yokers is well regarded for her thrilling voice and versatility onstage. Her notable roles include Mabel in The Pirates of Penzance (Dayton Opera, Tulane Summer Lyric, Utah Festival Opera), Zerlina in Don Giovanni (Dayton Opera, Chance Opera Theatre), and Miss Honey in Matilda (Lyric Theatre of Oklahoma). Miss Yokers has performed as a solo artist with Virginia Opera, Dayton Performing Arts Alliance, and Oklahoma City’s Canterbury Voices. In concert, she performed masterworks such as Haydn’s Creation, Handel’s Messiah, and Ralph Vaughan Williams’ Dona Nobis Pacem. With Opera Las Vegas, Miss Yokers performed the roles of Lily in the debut of Letters to Lily, Adriana in Behold the Man, and Musetta in La bohème. Miss Yokers serves as the Director of Opera and Assistant Professor of Voice at Stetson University in Deland, Florida.
Chorus Ensemble
Chorus Ensemble
The Opera Las Vegas Youth Chorus was founded in 2017 in collaboration with Thurman White Academy under the direction of Athena Mertes, and made their first appearances in the touring fairy tale opera, John Davies' Pinocchio.
In the fall of that year, they were the animals on the ark in Benjamin Britten's Noah's Flood, with full orchestra. Since then, more fairy tale opera tours ensued to entertain young families with opera-inspired stories like Three Little Pigs, Jack and the Beanstalk, and The Bremen Town Musicians. The group twice participated in Humperdinck's classic, Hansel and Gretel, and were on stage with Metropolitan Opera stars in 2022 Main Stage production of Puccini's Tosca.
In this Twenty-fifth Anniversary Season, the 32-voice Youth Chorus' busy schedule will include the World Premiere of Behold the Man, Voices Raised for Vets, Holiday on Broadway, Celebración Latina, The Billy Goats Gruff, and Puccini's La bohème.
Soprano
Soprano
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Upcoming: Viva Zarzuela! (Palm Springs Opera), Ana Maria in Zorro (Opera Santa Barbara). Recent credits: Celebracion Latina (Opera Las Vegas), Soprano Soloist in Carmina Burana (Santa Monica College Symphony), Canto en Resistencia (Los Angeles Philharmonic), Flor y Canto solo recital (Oracle Piano Society), Adina in L’elisir d’amore (Pacific Opera Project, Opera in the Heights) Mimi in La Bohѐme (Pacific Opera Project), Mrs. Anderssen in A Little Night Music (Pasadena Playhouse) Violetta in La Traviata (New Rochelle Opera), and The Infanta in Der Zwerg (Numi Opera). Colombian - American soprano, Oriana Falla, attended UCLA. As a recording artist, Oriana sang for the soundtrack of Disney’s Encanto. Oriana is a member of AEA and currently studies with Joyce El-Khoury.
Bass-Baritone
Bass-Baritone
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Bass-baritone Paul Houghtaling has sung a diverse repertoire throughout the U.S. and abroad. Career highlights include the Philip Glass soundtrack to Reggio’s film Naqoyqatsi for SONY, on which he is a feature vocalist; several Carnegie Hall solo appearances with Cecelia Chorus of New York, American Composers Orchestra, and others; U.S. tours with the Waverly Consort, including Kennedy Center appearances; and “Opera Buffa: Comedy On Stage” on Lincoln Center’s “Meet the Artists” series. Recent seasons included Ko-Ko in The Mikado with Anchorage Opera, Natchez Opera, and Opera Saratoga; Sir Joseph in H.M.S. Pinafore for Nashville Opera; a return to Mobile Opera as stage director and Angelotti in Tosca; and his debut with Opera Birmingham as Dulcamara in L’elisir d’amore. He has also appeared with the Central City, Baltimore, Boston Lyric, Knoxville, Long Beach, Natchez, Opera on the James, and Santa Fe Operas, and the Metropolitan Opera Guild, among others, and has created roles in works by Philip Glass, Lee Hoiby, Michael Ching and others.
Mezzo-Soprano
Mezzo-Soprano
Pauline ‘Ofa Tamale, mezzo-soprano, is a native Pacific Islander from the Kingdom of Tonga in the heart of the South Pacific. She was praised by the Schmopera for “sung stirringly” in her first opera and Florida debut in the role of Mrs. Patrick De Rocher in the opera Dead Man Walking by Jake Heggie. Currently in her third year of studies for her Doctoral of Musical Arts in Vocal Performance studies at the University of Nevada Las Vegas under the direction of Dr. Alfonse Anderson. Before moving to Southern Nevada, she completed her Masters of Music in Vocal Performance at California State University Northridge and Bachelor of Music in Vocal Performance at California State University Long Beach from the voice studio of Shigemi Matsumoto. She has won several competitions including NATS Las Vegas Chapter 2021 among many in the South Bay area in Los Angeles. She appeared on stage at the Nevada premiere of the Letters to Lily by Emily Clemens with the Opera Las Vegas on September 30th –October 2nd, 2022 seasons. She has performed the role of Zita from Gianni Schicchi, and La Zia Principessa from Suor Angelica by Giacomo Puccini, as well as L’Opinion Publique from Jacques Offenbach’s Orphée aux enfers with the California State University Northridge OperaProgram.
She has performed and won the title "Choir of the World" competition with the Bob Cole Chamber Choir at the Llangollen International Musical Eisteddfod in Wales, 2016, and has performed at the St. Paul Cathedral in London, St. Mary the Virgin at the Oxford University in England. Her training also led her to perform with the El Camino Chorale in Carnegie Hall in 2013 with the work of Faure Requiem. She also performed as an Alto soloist for Messiah in the Los Angeles area. During her 2019 summer program in Graz, Austria, she was hired as the alto soloist for the Missa Purification by Fux at the Münzgrabenkirche in Austria and performed with the orchestra at the Schloßbergbühne Kasematten, Austria. She also worked and sang for a new opera read with the LA Opera for Placido Domingo in their 2020-21 season opera.
Tenor, Guitarrón
Tenor, Guitarrón
Perry Chacón Jr. is a doctoral candidate at the University of Nevada, Las Vegas under the tutelage of Dr. Alfonse Anderson. He holds a Bachelor of Music and Master of Music in Opera and Music Theatre performance from Arizona State University, where he studied with renowned operatic baritone Gordon Hawkins. Chacón began his musical studies as a guitarrón player and lead vocalist with the high school ensemble Mariachi Chula Vista in California. With Mariachi Chula Vista, he performed at the Tucson International Mariachi conference, Albuquerque Espectacular, the Encuéntro Nacional del Mariachi y la Charreria in Guadalajara, and the Smithsonian Folk Life Festival in Washington D.C. Chacón continued his musical studies with Mariachi educator and composer Dr. Jeff Nevin and is currently a guitarist and lead vocalist for Mariachi Champaña Nevin. As part of this ensemble, Chacón has performed with the San Diego Symphony, Grand Junction Symphony Orchestra, Idaho Falls Symphony Orchestra, Yakima Symphony ,York Symphony Orchestra, and Santa Rosa Symphony among others. Chacon is currently one of the directors at one of the nation’s top Middle School Mariachi programs, Mariachi Los Gavilanes de Monaco Middle School and the director three-time college national champion Mariachi Plata from the College of Southern Nevada in Las Vegas.
Bass-Baritone
Bass-Baritone
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Peter Barber is an American bass-baritone and graduate of the prestigious Academy of Vocal Arts. He is currently a member of the Arizona Opera Studio, where he has performed Basilio in The Barber of Seville, Capulet in Romeo et Juliette, and Masetto in Don Giovanni.
While at AVA, Peter performed numerous roles, including; the title role in Don Giovanni, Schaunard in La Bohème, and Gremin in Eugene Onegin. Some of Peter’s other role highlights include: Colline in La Bohème, Escamillo in Carmen, Bottom in Midsummer Night's Dream, Figaro in Le Nozze di Figaro, Stobrod/Blindman in Cold Mountain, and Sarastro in The Magic Flute.
Outside of the opera world, Peter has grown a substantial audience on YouTube, surpassing 160,000 subscribers via videos with music analysis of contemporary music, as well as musical covers. He is also a member of award-winning musical group, The Bass Gang. They have released three EPs, as well as numerous singles, amassing over 10 million views/streams between YouTube and Spotify alone.
Mezzo-Soprano
Mezzo-Soprano
Rabuel Aviles is a Mexican American Mezzo Soprano from Las Vegas Nevada. She has studied at the University of Nevada Las Vegas, and has performed the role of The Chinese Tea Cup in Ravel's L'enfant et les sortilèges, covered Cherubino in Mozart's Le Nozze Di Figaro, performed Oberon in Britten's A Midsummer Night's Dream, and Mother Marie of the Incarnation in Poulenc's Dialogues of the Carmelites. Apart from UNLV, she has performed with Opera Las Vegas in the choruses of Madama Butterfly, Carmen, and The Elixir of Love. She was the Page in Rigoletto, performed at the Liberace Gala and sang in their inaugural Latin Fiesta concert. Rabuel has also been a part of Vegas City Opera. She performed as the Father in their all women production of Kurt Weill’s The Seven Deadly Sins, and has been a continuous artist in their seasonal concerts. In addition, she was a young artist with Vegas City Opera for their 2019-2020 season. As part of their outreach program she was Hansel in Humperdinck’s Hansel and Gretel, Ruth in Gilbert and Sullivan’s The Pirates of Penzance, and Madame Giry in Andrew Lloyd Webber’s The Phantom of the Opera. Being a part of the LGBTQ+ community, Rabuel holds this new work close to her heart and she is excited and honored to be part of this debut.
Mezzo-Soprano
Mezzo-Soprano
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Rachel Kay Miller, mezzo-soprano, is a native of Streator, IL. She received her Bachelor of Music in Vocal Performance from the University of North Alabama in 2016, and in 2019, she earned her Master of Music from Illinois State University, also in Vocal Performance. Her repertoire encompasses a variety of musical styles, including art song, musical theatre, oratorio, and operatic works. Miller's recent opera roles include Zita in Puccini's Gianni Schicchi, Terentia in Dan Shore's The Beautiful Bridegroom, and Dido in Purcell's Dido and Aeneas. Miller made her Opera Las Vegas debut in December of 2021 in "Holiday on Broadway." She has gained a considerable interest in American opera through her performances of American chamber operas and her independent graduate research. In addition to her opera performances, Miller has appeared as an alto soloist in J.S. Bach's Magnificat. She currently resides in Las Vegas, where she teaches private voice lessons through the Las Vegas Piano Music School and her own private studio.
Actor
Actor
Rafael is a fourth-year student at UNLV majoring in Theatre Studies and Health Care Administration. Most recent credits include Hero in LVLT’s A Funny Thing Happened on the Way to the Forum and William Barfee in The 25th Annual Putnam County Spelling Bee. Other recent works include the production of UNLV Second Stage’s 5th season, direction of Ordinary Days by Adam Gwon, and scenic design and construction for productions of Exit Laughing and Les Miserables. An all-around lover of theatre, Rafael is excited to join this cast and branch out into a new world of performance.
Baritone
Baritone
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Employing his “impressive singing … well-supported tone and supple phrasing,” (Baltimore Sun) baritone Rob McGinness connects characters to ideas, and listeners to sounds. Often featured portraying opera’s “bad boy,” Rob’s operatic credits include the title roles in Eugene Onegin and Don Giovanni, as well as Marcello in La Bohème.
Committed to promoting and performing new works, Rob premiered roles in Frances Pollock’s award-winning opera Stinney, The Ghost Train by Paul Crabtree, and the lead role in Shining Brow, Daron Hagen’s opera about Frank Lloyd Wright. Rob’s own compositions include vocal, theatrical, and orchestral pieces premiered at IngenuityFest, Andy’s Summer Playhouse, and by the Windham Orchestra in Vermont.
As a featured soloist, Rob performed in the Kennedy Center Concert Hall and Carnegie Hall’s Stern Auditorium. Other concert credits include Carmina Burana with Maryland Symphony Orchestra and Brahms Requiem with The Washington Chorus, for which the Washington Post praised his “warm baritone.”
Baritone
Baritone
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American baritone Robert Mellon was acclaimed by Opera News for having “excellent comic timing,” and a “domineering baritone, gleaming like polished copper.” During the 2022-2023 season, Mr. Mellon will be making his house debuts at Tulsa Opera in L’Italiana in Algeri as Taddeo and Opera Tampa as Tonio in Pagliacci; he will then return to Pensacola Opera to reprise the role of Marcello in La bohème; Syracuse Opera as Figaro in Le nozze di Figaro; and to debut the role of Germont in La Traviata at Opera Las Vegas. Mr. Mellon will also be appearing as a soloist with Opera Edwardsville in their free community concert series.
During the 2021-2022 season Mr. Mellon debuted the roles of Marcello in La bohème and Gubetta in Lucrezia Borgia with Opera de Oviedo; and made his Pensacola Opera debut reprising the role of Papageno in Die Zauberflöte. Mr. Mellon will also debuted the role of Iago in a reimagined production of Verdi's Otello with InSeries Opera in Washington D.C.; he also reprised the role of Marullo in Verdi's Rigoletto with Opera Philadelphia, and he debuted as the title role in Verdi’s Falstaff with Union Avenue Opera.
In recent seasons, Mr. Mellon has performed the roles of Schaunard in La bohème with San Diego Opera; Malatesta in Don Pasquale with Opera Las Vegas; Figaro in Il barbiere di Siviglia with Union Avenue Opera; Simone in Eine Florentinische Tragödie and Tonio in Pagliacci with Opera de Oviedo; and the title role in Gianni Schicchi and Simone in Eine Florentinische Tragödie with Livermore Valley Opera, about which the San Francisco Chronicle wrote, “Baritone Robert Mellon was both the musical star of the performance and its dramatic vertex…with a steely vocal edge that never interfered with the beauty and flexibility of his singing.”
Other roles include Leporello in Don Giovanni, Don Alfonso in Cosí fan tutte, Escamillo in Carmen, Pizarro in Fidelio, Sam in Trouble in Tahiti, and Macbeth in the U.S. premiere of Ernest Bloch’s Macbeth. Concert work includes the Mozart and Duruflé Requiems, Dvorak’s Te Deum, Stravinsky’s Pulcinella, Rossini’s Petite Messe Solennelle, Bach’s Magnificat, Handel’s Messiah, Fauré’s Christmas Oratorio, and Mussorgsky’s Songs and Dances of Death.
Tenor
Tenor
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Dr. Sebastian Haboczki currently serves as Adjunct Professor of Voice at the University of Mary and as the Music Director of Corpus Christi Catholic Church, in Bismarck, ND. Dr. Haboczki has earned critical acclaim as a young tenor with “a rich vibrant voice and an exuberant amount of energy,” in Canada, Europe, and the United States. In 2012, he made his debut at Amsterdam’s Het Concertgebouw as a Studio Artist with Opera Netherlands.
During his time in the Atelier lyrique young artist program at Opéra de Montréal, Dr. Haboczki was featured on the main stage as Scott Fitzgerald in 27, Ring Announcer in the Canadian debut of Champion, Tybalt in Roméo et Juliette, and Reporter in JFK. Other roles include Rodolfo in La Bohème, Don Ottavio in Don Giovanni, Alfredo in La Traviata, Almaviva in Il barbiere di Siviglia, Lysander in A Midsummer Night\'s Dream, Ferrando in Così fan tutte, Ulisse in Il ritorno d’Ulisse in patria, Brighella in Ariadne auf Naxos, Nerone in L’incoronazione di Poppea, Alfred in Die Fledermaus, Nemorino in L’elisir d’amore, Bénédict in Béatrice et Bénédict, Basilio in Le Nozze di Figaro, Bardolfo in Falstaff, and Dr. Blind in Die Fledermaus.
Soprano
Soprano
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Praised by the Washington Post for her dramatic intensity and vocal ability, soprano Shannon Jennings continues to wow critics and audiences alike. In the 2023-2024 season, Ms. Jennings dazzles in exciting role debuts and star billings, singing the title role in Rusalka with Opera Orlando, the title role in Turandot with Gulfshore Opera, and joins Resonance Works for the title role in Pauline Viardot's Cendrillon. Equally at home on the recital stage, Ms. Jennings returned to Opera Orlando to present a solo recital entitled A Siren's Song, and joined Kentucky Opera to perform La música hispana, a solo recital celebrating her Cuban heritage with Spanish-language songs and zarzuela. Renowned for her portrayal of Mimì in La bohème, she returns to the role with Opera Las Vegas, and in a house debut next season with Charleston Opera Theater.
In the 2022-2023 season, she performed the role of Mimì in La bohème with Kentucky Opera. Her 2021-22 season included making her house debut as the title role in Tosca with Opera Las Vegas, singing Mimì in La bohème with Newport Classical, and performing Knoxville: Summer of 1915 with the Lancaster Symphony Orchestra. She also covered Beggar Woman in Sweeney Todd with Opera Omaha, sang a recital with Washington Concert Opera, and covered Beatrice in Three Decembers at Virginia Opera.
Soprano
Soprano
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Dr. Sheronda McKee, soprano, originally from Phoenix, Arizona has been appearing on stages in both the United States and Europe. Recently she finished her Doctor of Musical Arts at the University of Nevada, Las Vegas under the guidance of Dr. Alfonse Anderson. She is currently performing with Opera Las Vegas and Opera On Tap Las Vegas. Most recent roles performed with UNLV Opera include Countess Almaviva (Le nozze di Figaro) and Ariadne (Ariadne auf Naxos). She has also performed the title role in Puccini’s "Suor Angelica" for the International Lyric Academy during the Tuscia Opera Festival. In concert and in scenes she has played Violetta (La Traviata), Nedda (I Pagliacci), Lucia (Lucia di Lammermoor) and others.
Sheronda has been a featured soloist in Handel’s Messiah as well as Mozart’s Requiem. She has traveled to Viterbo and Tarquinia in Italy with the International Lyric Academy and Graz, with the AIMS Program (American Institute of Musical Studies) where she was an alternate in the 2010 Meistersinger Vocal Competition. Recent awards include the Pasadena Opera Guild Scholarship, the Encouragement Award from MONC (Metropolitan Opera National Council) as well as First place in NATS (National Association of Teachers of Singing). She most recently appeared with Opera Las Vegas in Opera Legends in Black.
Bass
Bass
Winner of the Kennedy Center’s 2019 Marian Anderson Vocal Award, Soloman Howard is a graduate of Washington National Opera’s Domingo-Cafritz Young Artist Program and garners high praise from the press for his vivid performances on the great opera and concert stages of the world. Soloman Howard’s voice is described as “sonorous” by The New York Times, “superhuman” by The Denver Post, and “a triumph” by The Guardian.
Soloman Howard joins San Francisco Opera in the 2021-22 season for no less than three productions: Tosca, Fidelio, and Don Giovanni. He appears with English National Opera in the role of The Commander in Poul Ruder's The Handmaid's Tale in a new production directed by the Artistic Director Annilese Miskimmon, bows as Colline in La bohème at the Teatro Real in a production by Richard Jones conducted by Nicola Luisotti, and reprises the title role of Approaching Ali, by composer D.J. Sparr and librettists Mark Campbell and Davis Miller, in a site-specific boxing venue with Las Vegas Opera. Concert appearances of the season include Beethoven’s Ninth Symphony with Music Director Fabio Luisi and the Dallas Symphony Orchestra as well as with Jakub Hrůša leading The Philharmonia and an all-Verdi Gala Concert at San Francisco Opera under the baton of Music Director Eun Sun Kim.
Performances of 2019-20 included debuts at the Lyric Opera of Chicago in the company’s new production by Francesca Zambello of Luisa Miller conducted by Music Director Enrique Mazzola as well as at English National Opera in the same title in a new production by Barbora Horáková Joly conducted by Alexander Joel, and Sarastro in The Magic Flute in a return engagement with the Metropolitan Opera.
Highlights of the recent past include Jacopo Fiesco in a new production of Simon Boccanegra at the Opéra national de Bordeaux conducted by Paul Daniel, Timur in Turandot at San Francisco Opera for his debut led by Nicola Luisotti, Grand Inquisitor in Don Carlo at Los Angeles Opera under the baton of Music Director James Conlon, Il Re in Aida for a debut at the Teatro Real, and Santa Fe Opera performances as Commendatore in Don Giovanni conducted by John Nelson and Colline in La bohème conducted by Jader Bignamini. He also achieved great success with the roles of Somnus and Cadmus during an international tour of Semele with Harry Bicket leading The English Concert.
For the Washington National Opera, Soloman Howard has bowed as Fafner in Der Ring des Nibelungen directed by Artistic Director Francesca Zambello and conducted by Philippe Auguin as well as in leading roles in The Magic Flute, Show Boat, Approaching Ali, Don Giovanni, and Nabucco. He was heralded for the roles of Frederick Douglass and Martin Luther King, Jr. in the world premiere of the revised edition of Appomattox composed by Philip Glass in a production by Tazwell Thompson and in the title role of The Lion, the Unicorn, and Me written by Jeanine Tesori and J.D. McClatchy.
On the concert stage, he has given performances of Beethoven’s Ninth Symphony with Music Director Gustavo Dudamel and the Los Angeles Philharmonic on a European tour and with Christian Arming and the Vienna Chamber Orchestra on tour in Asia. He has joined Harry Christophers and the Handel & Haydn Society for Mozart’s Requiem, Kent Tritle and the Oratorio Society of New York in performances of Mendelssohn’s Die erste Walpurgisnacht at Carnegie Hall, and with Christoph Eschenbach and the National Symphony Orchestra in a concert presentation of Strauss’ Der Rosenkavalier.
The Anti-Defamation League presented Soloman Howard with their “Making a Difference Award” in the summer of 2016 for raising awareness of voting rights though his performances of Appomattox at the Kennedy Center; and for bringing opera into the larger community. Soloman Howard is a proud graduate of the Manhattan School of Music and of Morgan State University.
Soprano
Soprano
Taylor See, a native of Las Vegas, Nevada, is recognized as the second place winner of the San Francisco Conservatory of Music (SFCM) Concerto Competition (2020), a finalist in the James Toland Vocal Arts Voice Competition (2020), a finalist in the Classical Singer (CS MUSIC) Voice Competition (2020), and a finalist in the New York Lyric Opera Competition (2017). She began her musical studies at the age of six playing piano, and she began singing at the age of fourteen.
Taylor will make her Opera Las Vegas debut in November 2021 singing the roles of Adelaide Mills/ Miss Thompson/ Helen Mills in the west coast premiere of Ricky Ian Gordon’s The House Without a Christmas Tree. She has sung the roles of Contessa Almaviva in Mozart's Le Nozze di Figaro at SFCM (2019), Lucy in Menotti’s The Telephone with Vegas City Opera (2021), Teofane in Handel's Ottone at SFCM (2020), Valencienne in Franz Lehár's The Merry Widow at the Utah Vocal Arts Academy Summer Opera Festival (2017), Lucy Brown in Kurt Weill's The Threepenny Opera at SFCM (2018), Julie in David Conte’s Firebird Motel at SFCM (2020), Novizia in Puccini's Suor Angelica at SFCM (2017), and Vixen (cover) in Janáček's The Cunning Little Vixen at Opera Steamboat (2018).
She was the soprano soloist in Faure’s Requiem at SFCM (2019), as well as the soprano soloist in Haydn’s The Seven Last Words of Christ at Desert Spring United Methodist Church (2016).
Taylor is a graduate of the San Francisco Conservatory of Music (SFCM), earning her Bachelor of Music in Vocal Performance (2020) under the tutelage of César Ulloa. She will be pursuing her master’s at SFCM this Fall 2021.
Tenor
Tenor
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Travis is thrilled to be making his Opera Las Vegas debut this season. “Opera Legends in Black is a wonderful program to honor the many artists that paved the way for singers of color today.” A native of Lansing, Michigan, Travis holds degrees from Lansing Community College, Western Michigan University, and will be finishing his master’s degree in vocal performance at the University of Nevada, Las Vegas, this spring. He currently studies under the guidance of Dr. Alfonse Anderson. He would like to thank his teachers, friends, and family for their undying love and support. Travis will be seen later this season when he makes his professional role debut as Spoletta in Opera Las Vegas’s production of Tosca.
Bass-Baritone
Bass-Baritone
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Tyler Putnam’s recent performances include The Pirate King in The Pirates of Penzance with Opera Tampa, Colline in La bohème with Gulfshore Opera, Guglielmo in Così fan tutte with St Petersburg Opera, Figaro in Le nozze di Figaro and Alidoro in La Cenerentola with Geneva Light Opera, and Don Alhambra in The Gondoliers with Winter Opera St Louis. Recent credits include the Commentator in Scalia/Ginsburg with Opera in the Heights, and the duo roles of Marduk/Commander Mard in Cosmic Cowboy with White Snake Projects. Tyler makes his European debut in 2023 singing Rigoletto with Opera På Skäret in Sweden.
Originally from Chebeague Island, Maine, Tyler Putnam is a graduate of Dartmouth College.
Tyler Urbano, soprano, is a Las Vegas native currently pursuing a Bachelor of Music in Vocal Performance at UNLV under the direction of Dr. Kimberly James. Her operatic roles and scenes include Don Ettore in La Canterina, Despina in Cosí fan tutte, and the First Witch in Dido and Aeneas. She was recently a soprano soloist for UNLV’s performance of Vivaldi’s Gloria. She has also been a chorus member in Puccini’s Tosca, Donizetti’s Don Pasquale, and Offenbach’s Orpheus in the Underworld. Tyler recently attended the American Institute of Musical Studies in Graz, Austria where she continued her studies in opera under the direction of Dr. Alfonse Anderson. During her time at AIMS, Tyler was selected to perform with the AIMS Festival Orchestra in their concert “O mia bella Napoli.” Her upcoming roles include Alida in Robert Ward’s Roman Fever.
Soprano
Soprano
Valentine Baron, soprano, originally from France has been appearing on stages in both France and the United States. In 2014, she moved to New York to pursue a Master of Voice Performance and Pedagogy at New York University (NYU). While in New York, she made her operatic debuts as Second Lady (The Magic Flute) at the Weill Recital Hall at Carnegie Hall, and Zerlina (Don Giovanni) at Opera America. Others performances include Gretel (Hansel und Gretel), La Fée (Cendrillon), Mlle Silberklang (Der Schauspieldirektor), Stella (La Fille du Tambour Major), Blanche de la Force (The Dialogues of the Carmelites), Eurydice (Orpheus in the Underworld) and the Vixen (The Little Cunning Vixen).
In July 2019, she gave a recital in France raising funds for research on Epilepsy. In 2022, she will sing to help the research on breast cancer. Ms. Baron is currently finishing her Doctor of Musical Arts in Voice Performance in the studio of the soprano Dr. Linda Lister.
Tenor
Tenor
William is an emerging artist with an expressive, clarion sound. Frequently sought after as a soloist and collaborator, he has performed leading roles ranging from Bacchus in Strauss’ Ariadne auf Naxos to Rodolfo in Puccini’s La Bohème. Most recently heard as Froh in Das Rheingold with the Miami Music Festival, William has also performed the roles of Erik in Der Fliegende Höllander and Canio in I Pagliacci with Vegas City Opera. Happy to be returning to Opera Las Vegas, William has previously performed the roles of Jaffet in Benjamin Britten’s Noye’s Fludde and Geppetto in John Davies’ Pinocchio.
Bass
Bass
Praised for his “rich vibrant bass” (Opera Today) and "charismatic [and] exhilarating comic flair" (Boston Musical Intelligencer), William Meinert recently made his European debut with Tiroler Festspiele Erl as Mordred in Le roi Arthus and joined the Internationale Meistersinger Akademie in Neumarkt i.d.OPf., Germany. In 2021 he joined Atlanta Opera as a Studio Artist, debuting as Curio in Giulio Cesare, and returned to Santa Fe Opera, where he performed Snug in A Midsummer Night’s Dream and covered Gremin in Eugene Onegin as an Apprentice Artist. He also debuted with Dallas Opera as the Imperial Commissioner in Madama Butterfly and joined the National Symphony Orchestra as bass soloist for Handel’s Messiah, the NEC Philharmonia & Symphonic Choir for Shostakovich’s Symphony No. 13 “Babi Yar,” and the American Bach Soloists.
First Prize Winner in the 2022 Shreveport Opera Mary Jacobs Smith Singer of the Year Competition and the 2019 Houston Grand Opera Eleanor McCollum Competition, William is a recent graduate of the Cafritz Young Artist program at Washington National Opera, where he performed Sarastro in The Magic Flute and the Secret Police Agent in The Consul. He has sung Commendatore in Mozart's Don Giovanni (Baltimore Concert Opera), Commentator in Derrick Wang's Scalia/Ginsburg (Opera North), Vodník in Rusalka (Madison Opera), and Le Duc in Gounod's Roméo et Juliette (Pensacola Opera). As a Santa Fe Opera Apprentice Artist, he covered Hjarne and Corbin in the world premiere of Poul Ruders’ The Thirteenth Child. He was scheduled to return to the 2020 Santa Fe Opera Apprentice Artist program to sing Second Armored Man in Die Zauberflöte and cover Vodník in Dvořák's Rusalka. He has been featured in Beethoven's Symphony No. 9 with Baltimore Choral Arts Society, Monteverdi's Vespers of 1610 with American Bach Soloists, and Handel’s Messiah with Washington Bach Consort.
A Master of Music graduate of Peabody Institute, William is also co-founder of Parea Series—a digital performance series combining music, innovative theater, and lively discussion—in which he is not only a principal performer but also responsible for filming, video editing, and lighting design.
Tenor
Tenor
Follow Xavier
Xavier Prado is a Chilean-born tenor who has received numerous accolades for his exceptional singing. An “Accademia Rossiniana Alberto Zedda 2023” alumnus, he was a finalist and grant winner at the 2023 Loren L. Zachary Vocal Competition, finalist at the 2023 Giulio Gari International Vocal Competition, and has won numerous awards including Second Prize at the 40th anniversary Palm Springs Opera Guild 2023 Vocal Competition as well as the Audience Choice Award and Third Prize at the 2023 edition of the same competition. He has also been recognized as a finalist at the 2024 and 2024 Pasadena Vocal Competition where he also received the audience choice award, and as a finalist and Robinson/Tyrrell award winner at both the 2023 and 2024 Mary Jacobs Singers of the Year Competition. In 2019-20, he won the Beverly Hills National Auditions.
Mr. Prado's performances have been internationally praised and described as possessing "truly stunning acting and vocals” and as a tenor who “marque par la vigueur d’une voix bien posée” [marked by the vigor of a well-posed voice]. He has starred in leading roles in various new works and world premiers such as Don Quixote in the opera Dulcinea XL by Juan Colomer, performed in January of 2019 with the Los Angeles Grand Ensemble under the direction of maestro Ignazio Terrasi. He made his film debut in 2018 with the lead role in an American television miniseries, and performed the role of Ruodi in Guillaume Tell with Opera Southwest, which was broadcast across the United States.
As a Studio Artist in Sarasota Opera during their 2016-17 season, he performed dozens of concerts and lead role covers as well as the role of Le Premier Commissaire in Poulenc’s Les Dialogues des Carmélites. At Opera San Jose he sang roles in Le Nozze di Figaro and Streetcar Named Desire, as well as the role of Lindoro in L’Italiana in Algeri.
Mr. Prado has performed as a soloist in a wide range of repertoire with various opera companies and orchestras worldwide including the Rossini Opera Festival in Italy, Palms Springs Opera Guild, Opera Santa Barbara, Opera Buffs, California Philharmonic, The Lyric Opera of Orange County, Golden State Pops Orchestra, the Santiago Canyon Symphony, Pocket Opera, The Rousse Philharmonic in Bulgaria, Livermore Valley Opera, Santa Barbara Choral Society, Cameretta of Los Angeles, Mission Opera, The Valley Opera and Performing Arts, The Huntington Beach Symphony, Antelope Valley Symphony and Master Chorale, Ridgecrest Opera Guild, Pacific Palisades Symphony, Opera en Castellano, Barskaya Independent Opera Company, and the Pacific Lyric Association.
In 2020, through the Consortium of Music Presenters of Southern California, he presented a recital series throughout Southern California. His last public appearance in 2020 was in March, as the tenor soloist for Beethoven’s 9th Symphony at The Soraya Hall with the CSUN Symphony and a grand union of chorales. In late 2021 he made his return to the post-pandemic opera stage in Il Barbiere di Siviglia as Count Almaviva with the Huntington Beach Symphony & in the title role in Rimsky-Korsakov’s Kaschey The Deathless with Barskaya Independent Opera Company and the title role in Gounod's Faust with Huntington Beach Symphony.
Recent performances include Edgardo in Lucia di Lammermoor with Barskaya Independent Opera Company, Romeo in Gounod’s Romeo et Juliette in several productions, including those by Mission Opera, Valley Opera and Performing Arts, and the Lyric Opera of Orange County, Rodolfo in La Boheme with VOPA; his participation in the Rossini Opera Festival in Pesaro, Italy, in the opera Il Viaggio a Reims singing Zefirnino, this past Summer of 2023, and the title role in the opera Zorro by Hector Armienta with Opera Santa Barbara in 2024.
Pianist
Pianist
Darryl Cooper is currently the Music Director and Vocal Coach for Opera Studies at UNLV. Before coming to Las Vegas, he was the Assistant Music Director of the Opera Program at the San Francisco Conservatory of Music, where he worked for over 20 years as a pianist, coach, and conductor. He is also on the faculty of the American Institute of Musical Studies in Graz, Austria, and has previously been a member of the opera and coaching faculties of the Boston Conservatory, Boston University Theater Institute, Crittenden Opera Studio, Chautauqua Opera, Bay Area Summer Opera Theater Institute, and an Artist-in-Residence at Brandeis University. Mr. Cooper has prepared numerous professional and workshop opera productions in the Bay Area, New England, and Italy. In addition, he prepared Jerome Robbin’s West Side Story Ballet for the San Francisco Ballet, and is a co-teacher of The Singer’s Gym. He studied at The Florida State University College of Music, Brevard Music Center, New England Conservatory, and holds a M.M. from the San Francisco Conservatory of Music He is an active recital partner, and has been heard on WGBH Radio, Boston.
Pianist
Pianist
David Kancsár began his piano studies shortly after his third birthday. He then went on to work with many world-class pianists, finally completing a degree in Classical Piano with Daniel Pollack at USC’s Thornton School of Music. After this, Mr. Kancsár stepped into the musical theater world. This included work on productions such as Chicago, Mamma Mia!, Phantom of the Opera, The Second City, Le Reve, Monty Python’s Spamalot, and Jersey Boys, among others.
He was assistant conductor of the Paris Las Vegas production of Mel Brooks’ The Producers, as well as pianist/music director of the musical comedy revues Forever Plaid and Plaid Tidings. Recordings include the 15th anniversary cast album of Forever Plaid, and Celine Dion’s music video for her hit song, Ashes.
David is part of the music staff at Community Lutheran Church Las Vegas, a worship community with membership numbering in the thousands.
When not preoccupied with musical endeavors, he enjoys tinkering with his vintage cars and motorcycle, loving his dog and cats, getting out into nature, and even occasionally scuba diving.
Pianist
Pianist
Deborah Gordillo, originally from New York City, is a winner of the Prix D’Excellence, France, and the New York Artists International Competition. She has performed at Carnegie Hall, for President George W. Bush at the White House, and has served as accompanist for studios of Metropolitan Opera tenor Nico Castel and cellists Gary Hoffman and Timothy Eddy.
Mrs. Gordillo sang in the choir of Saint Patrick’s Cathedral, where she became its sole Composer-In-Residence in history after winning the competition to compose the New York Archdiocese’s bicentennial hymn. Commissions include orchestral arrangements for the New York Papal masses in 2008, a Spanish mass, additional mass parts, anthems, and orchestrations. Her choral works were performed throughout New York State and at the Vatican.
Mrs. Gordillo served on the faculties of her alma mater, the Mannes College of Music, and Eugene Lang College. She teaches music theory, piano, ear training, and has written textbooks for beginner through undergraduate music theory levels.
Pianist
Pianist
Jim Sohre serves as full-time General Director for Opera Las Vegas, for which he has devised and directed such events as Bravo, Bernstein!, A Passion for Puccini, Viva Verdi! , Latin Fiesta, and Bravo, Bernstein! at the Smith Center Cabaret Jazz; Who’s Afraid of Opera?, Carmen and Rigoletto Informances tours to area schools; Britten’s Noye’s Fludde (Noah’s Flood) to local churches; Stars of David, saluting Jewish-American opera stars at Temple Sinai; family friendly operatic versions of Pinocchio, The Three Little Pigs, and Jack and the Beanstalk to library theatres; and various other thematic performances like Divas in Diamonds, Operatic Spook-takular, Our Three Tenors, Holiday on Broadway, Beer and Baritones, Opera Legends in Black, Dueling Pianos and Cinderella’s Diamond Ball which performed at the historic Liberace Mansion.
Jim travels throughout North America and Europe regularly to review performances for Opera Today, and Music and Vision among other publications. He is a founding member of the Las Vegas Valley Theatre Awards program. He completed a 40-year civilian career with the Army Entertainment program, most of it spent as the Chief for the European Region. He was the longtime chair of the International Committee for the Association of Community Theatre (AACT).
He has directed and/or served as music director for more than 200 productions, including Les Miserables, The Addams Family, Something’s Afoot, The Fantasticks, Hairspray, The Producers, The Drowsy Chaperone, and many others. He has a Bachelor of Arts in Music from the University of Wisconsin and a Master’s Degree in Theatre from Tulsa University.
He has received multiple awards from the U.S. Army for his work improving the quality of life for soldiers, and from AACT for “promotion and development of the highest standards for community theatre.” He has adjudicated theatre festivals in Germany, Japan, Canada, and the United States and is the recipient of the Mort Clark International Theatre Award. His achievements have been honored with a dedicated chair at the National Theatre in Washington, DC.
Pianist
Pianist
Pianist Katie Leung is a dedicated collaborative artist and chamber musician. A two-time winner of the Lillian Fuchs Chamber Music Competition, she joined the faculty of the University of Nevada, Las Vegas, in 2015. Previously, she held positions at numerous renowned music and dance institutions in New York City, including Lucy Moses School, Ballet Academy East, Rutgers University, and Manhattan School of Music.
Leung has worked with such artists as flutists Amy Porter, Demarre McGill, and Jasmine Choi, and cellist Raphael Wallfisch, as well as current and past members of major orchestras such as the New York Philharmonic, Atlanta Symphony, Metropolitan Opera Orchestra, and Detroit Symphony. She has been a collaborative pianist at The Banff Centre in Canada, the Castleman Quartet Program, and the Bowdoin International Music Festival.
Leung attended the University of Michigan and Manhattan School of Music. She holds degrees in Piano Performance, Flute Performance, and Collaborative Piano.
Pianist & Composer
Pianist & Composer
Lois Henry has an extensive background as a composer, pianist (solo and collaborative), organist, coach, and conductor. She is currently a staple in Florida’s classical music scene both as a performer and educator. As a long-time Professor of Music at Northwest Florida State College (until 2019), she conducted the Chorale and Belle Voci (the college’s select women’s ensemble), taught piano, voice, and music theory, and performed numerous solo piano recitals. As an orchestral conductor, she served as interim music director and conductor of the Northwest Florida Symphony Orchestra (NFSO), performed as solo pianist and organist with that group, and currently is its principal pianist.
Ms. Henry is a sought-after collaborative pianist, working and performing with artists such as tenor Lawrence Brownlee (including a live-streamed performance on behalf of the Metropolitan Opera), soprano Kara Bishop-Grover as well as other operatic singers, various instrumentalists, and choirs. Since 2008 she has performed each year as pianist with one of the Florida all-state choirs, and also has appeared at the Southern Invitational Choral Festival at the University of Southern Mississippi. Ms. Henry is a frequent adjudicator for piano, vocal, and choral assessments.
As a composer, Ms. Henry writes vocal, choral, and piano music. Her works are performed at colleges, high schools, churches, and concert halls. In 2019 she completed a commissioned song cycle for five opera singers and piano. This work, which premiered at the University of West Florida, is based on the historic story of Viola Edwards, a Black nurse who opened a hospital in Pensacola in 1922. Her next song cycle, BELLESONGS, is the brainchild of Kara Bishop-Grover, and is composed on texts of Colorado poet Belle Turnbull. Mrs. Grover and Ms. Henry premiered the work at Florida State University in 2021.
Ms. Henry spent more than 20 years working in the Boston area, where she taught at Eastern Nazarene College, served as pianist, organist and frequently as chorus master for Chorus pro Musica, working with, among others, Donald Palumbo.
Ms. Henry is delighted to be performing here in Las Vegas with soprano and women’s music advocate Kara Bishop-Grover.
Pianist
Pianist
Pianist/coach Manuel Arellano is in his second year of the Domingo-Colburn-Stein Young Artist program at LA Opera. After completing a master’s degree in collaborative piano with Martin Katz, he freelanced for a year in Berlin. In 2022, he concluded a doctorate in opera coaching with Tamara Sanikidze at the University of Texas.
Manuel has worked on Carolina Performing Arts’ production of Omar and at the Butler Opera International Festival, and has accompanied renowned soprano, Julia Migenes, in concert, as well as Stevie Wonder. He was also a fellow at Music Academy of the West and multiple years at Aspen Opera Theater.
Tenor, Guitarrón
Tenor, Guitarrón
Perry Chacón Jr. is a doctoral candidate at the University of Nevada, Las Vegas under the tutelage of Dr. Alfonse Anderson. He holds a Bachelor of Music and Master of Music in Opera and Music Theatre performance from Arizona State University, where he studied with renowned operatic baritone Gordon Hawkins. Chacón began his musical studies as a guitarrón player and lead vocalist with the high school ensemble Mariachi Chula Vista in California. With Mariachi Chula Vista, he performed at the Tucson International Mariachi conference, Albuquerque Espectacular, the Encuéntro Nacional del Mariachi y la Charreria in Guadalajara, and the Smithsonian Folk Life Festival in Washington D.C. Chacón continued his musical studies with Mariachi educator and composer Dr. Jeff Nevin and is currently a guitarist and lead vocalist for Mariachi Champaña Nevin. As part of this ensemble, Chacón has performed with the San Diego Symphony, Grand Junction Symphony Orchestra, Idaho Falls Symphony Orchestra, Yakima Symphony ,York Symphony Orchestra, and Santa Rosa Symphony among others. Chacon is currently one of the directors at one of the nation’s top Middle School Mariachi programs, Mariachi Los Gavilanes de Monaco Middle School and the director three-time college national champion Mariachi Plata from the College of Southern Nevada in Las Vegas.
Pianist
Pianist
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Dr. Spencer Baker is a distinguished Las Vegas pianist, conductor and teacher. Spencer has been a soloist with several regional orchestras. While most of Spencer's solo appearances have centered in the Southwest, new engagements have taken him to Dallas, Washington DC, Disneyland, Niagara Falls, Montreal, Italy and China. Dr. Baker is in his seventh season with the International Opera Performing Experience in Mercatello sul Metauro, Italy as Pianist/Apprentice Tier Director.
Dr. Baker is currently Assistant Professor of Music at the UNLV School of Music. In addition, he is the Director of Music for Saint Timothy’s Episcopal church and frequent pianist for Opera Las Vegas and Opera On Tap, Las Vegas.
Dr. Baker recently served as guest conductor and pianist for Vegas City Opera’s production of Gianni Schicchi at Art Square Theater and The Face on the Barroom Floor at the Artisan. He is a Liberace scholar and professional competition winner and on the State Board of the Nevada Music Teachers Association. Dr. Baker recently held an artist in residency position at Truman State University (Missouri) and maintains an active teaching studio and solo performing career. For more information, please visit his website at www.spencerbakerpiano.com
Pianist
Pianist
Timothy Accurso is the Principal Pianist for Opera Santa Barbara, joining the company in the fall of 2018. Tim has been on music staff with Utah Opera, Palm Beach Opera, Opera Saratoga, and the Seagle Music Colony. Originally from Glen Lyon, Pennsylvania, he completed his undergraduate studies at Susquehanna University in Vocal and Piano Performance. To further his studies in opera, Tim received a Master’s of Music in Vocal Coaching and Accompanying from the University of Illinois at Urbana-Champaign, where he studied with Dr. Julie Jordan Gunn. Following his studies, Tim was a resident artist with Utah Opera from 2015-2017. In his work with Opera Santa Barbara, he plays all mainstage rehearsals, serves as chorus master of the Opera Santa Barbara chorus, directs the Chrisman Studio Artist program for emerging singers, and performs in community concerts throughout Santa Barbara and the central coast. In addition to his work at the opera, Tim was named the Artistic Director of the Santa Barbara Gay Men’s Chorus in the fall of 2022.
Director
Director
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He/Him/His. Andrew Nienaber is an opera stage director and the Artistic Director of Permian Basin Opera. His productions of The Barber of Seville for Piedmont Opera and Hubbard Hall Opera have been called "a rousing success" by the Winston-Salem Journal, and “legitimately hilarious” by Berkshire Fine Arts, and his Elixir of Love for Resonance Works Pittsburgh, awarded the American Prize for "Best Opera Performance of the Year", was hailed as "utterly, fabulously engaging," and "...one of the most charming entertainment experiences you can have this season..." His other directing credits include Tosca for l'Opera de Montreal, Opera Idaho, Opera Birmingham and Permian Basin Opera; Rusalka for Resonance Works Pittsburgh; The Elixir of Love for Opera Idaho, Permian Basin Opera and Hubbard Hall Opera; Glory Denied for Penn Square Music Festival; and Don Giovanni and La Boheme for Opera Idaho.
Director
Director
Audrey Chait is a director, writer, and producer of opera and theater. Favorite recent credits include the world premiere of Marie Begins for Westminster Opera Theater (online release), L’elisir d’amore and La fille du regiment for Winter Opera St. Louis, Don Pasquale and La Cenerentola for Opera Las Vegas, L’inganno felice for Opera Southwest, The Bartered Bride, Dinner at Eight, and the Bach St. John Passion for CCM, and Scalia/Ginsburg with Opera North. Her new libretto adaptation of The Elixir of Love premiered at Tri-Cities Opera in May 2021. Ms. Chait holds a BA in Literary Arts from Brown University and an Artist Diploma from CCM. She is currently on the music faculty at Northern Kentucky University and the summer faculty at Westminster Choir College. She has been on staff at Glimmerglass, Houston Grand Opera, and the Santa Fe Opera.
Conductor
Conductor
Clinton Smith spent his ninth summer on the music staff at Santa Fe Opera covering performances of the world premiere of John Corigiliano's Lord of Cries. His 2021/2022 season includes a return to Dayton Operato conduct L'elisir d'amore, a return to Opera Las Vegas to conduct Trouble In Tahiti & Strawberry Fields, and he will join the music staff of Sarasota Opera as cover conductor for Attila and Tosca.
Recently, Clinton conducted Atlanta Opera's new productions of Der Kaiser von Atlantis, The Threepenny Opera, and performed a virtual recital for Opera Orlando's Summer Concert Series. His 2019/20 season included debuts at Florentine Opera conducting Le nozze di Figaro and Opera Birmingham conducting Cendrillon. He returned to Dayton Opera to conduct Cenerentola, and Tacoma Opera to conduct L'elisir d'amore.
Mr. Smith’s other recent conducting credits include Charlie Parker's Yardbird at Atlanta and Arizona Operas, Pagliacci/Pulcinella at Opera Orlando, Il barbiere di Siviglia at Dayton Opera and the University of Michigan, Le nozze di Figaro at Tacoma Opera, Alcina at Fargo-Moorhead Opera, Turandot, Norma,
and Hansel und Gretel with Pacific Northwest Opera, The Mikado for Kentucky Opera, and Noah's Flood with Opera Las Vegas. He has served on the music staff of Santa Fe Opera, Juilliard Opera, Minnesota Opera, Atlanta Opera, Portland Opera, Kentucky Opera, Ash Lawn Opera, and Skylark Operas and has included the preparation of over fifty operas in German, Italian, French, English, Czech, Russian, Latin, and Mandarin.
Director
Director
Daz Weller (Director) moved from Australia to Las Vegas in 2010 and is the Executive Artstic Director of Vegas Theatre Company (VTC, formerly Cockroach Theatre Company).Daz graduated with a BA in Acting from the Queensland University of Technology in 1998 and has worked extensively with most of Australia’s major theatre companies including the Sydney Theatre Company, Company B Belvoir, Griffin Theatre Company, The Bell Shakespeare Company, Queensland Theatre Company, Theatre of Image, Melbourne Theatre Company, and The State Theatre Company of South Australia. His US directing credits include Macbeth, Good Kids and The Crucible at Nevada Conservatory Theatre (NCT); Spinning Into Butter, Seven Deadly Sins, The Father, and Gianni Schicchi at VTC; Piff the Magic Dragon Show at the Flamingo; Small Space Festival at Emergency Arts; The Motown Show at The Venetian Resort and Casino; and Spiegelworld’s Vegas Nocturne at the Cosmopolitan’s Rose.Rabbit.Lie. Since moving to Las Vegas, he has for VTC in The Christians, and Love Love Love; for NCT in The Hound of the Baskervilles, To Kill a Mockingbird, and Pippin; A Public Fit in The Beauty Queen of Leenane; Las Vegas Little Theatre in Doubt; and Las Vegas Shakespeare Company in The Wizard of Oz, and A Midsummer Night’s Dream. Daz has twice received the Valley Theatre Award as Best Director for The Father, and Lynn Nottage’s Sweat.
Director
Director
Stage Director David Carl Toulson is consistently praised for his clarity in storytelling and ability to transform an opera’s characters into living breathing people. He has a passion for taking a show from the score to the stage, creating fresh exciting productions that capture the imaginations of his audiences allowing them to be transported into the magical world of opera.
Since 2016 Mr. Toulson has been the Resident Stage Director for the Miami Beach Classical Music Festival where he has directed exciting repertoire including Janáček’s Cunning Little Vixen, Heggie’s Dead Man Walking, Corligliano’s The Ghosts of Versailles, Wagner’s Der Fliegende Holländer, Strauss’ Ariadne auf Naxos, Massenet’s Cendrillon and Ravel’s L’enfant et les sortilèges. His innovative production of Robert Ward’s The Crucible received considerable critical acclaim. The South Florida Classical Review stated that “…there was a naturalistic feeling to Toulson’s staging…that served the drama well. Toulson managed to imbue his staging with a vivid depiction of a community gripped by fear, hate and distrust…The Crucible is the finest offering to date of The Miami Music Festival…Those who care about opera as a living art form should not miss this opportunity to see this gripping work.”
Regionally, Mr. Toulson has directed mainstage and education programs at companies such as North Carolina Opera, Central City Opera, Opera Theater of Saint Louis, Opera Idaho, Toledo Opera, Tri-Cities Opera, Winter Opera of St. Louis, Bel Cantanti Opera, Connecticut Opera, Ashville Lyric Opera, Tulsa Opera, and Piedmont Opera; nationally, he has worked for several seasons on the staging staffs of the Lyric Opera of Chicago and Washington National Opera.
Mr. Toulson is extremely proud of his work training the next generation of opera singers. At the university level, he is currently teaching, directing, and coaching opera at Binghamton University where this past year he developed techniques to keep the students learning and performing in a virtual environment during the pandemic. This culminated in a virtual scenes program of duets & arias and a full production of Mozart’s La finta giardiniera that was filmed individually and edited together to complete the final work. Past university teaching and directing includes work at Temple University, The Catholic University of America, Webster University, and The University of South Carolina.
Upcoming projects include directing Mozart’s The Magic Flute and Kamala Sankaram’s Monkey and Francine in the City of Tigers for Binghamton University, D.J. Sparr’s Approaching Ali for Opera Las Vegas, and working as the associate director on Mozart’s Le nozze di Figaro at Seattle Opera.
Composer & Conductor
Composer & Conductor
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Las Vegas-based composer Jennifer Bellor has been described as “that rare composer whose music manages to be instantly listenable and emotionally resonant without any compromise to its sophistication.” (textura) Bellor’s music has been presented by Washington National Opera, American Composers Orchestra, Seattle Women’s Jazz Orchestra, Las Vegas Philharmonic, Clocks in Motion, Transient Canvas, Eastman New Jazz Ensemble, UNLV Wind Orchestra, DCINY Series at Carnegie Hall, Eastman Saxophone Project, Royal Birmingham Conservatoire and many other soloists and ensembles in the US and abroad. She was the resident Clock Shop Composer for the percussion quartet Clocks in Motion from 2018-2022, culminating in a new album released by Aerocade Music August 19, 2022, which features percussion quartet music written during her residency with Clocks.
Bellor’s music draws on a variety of influences, evidenced in her self-released debut album Stay (2016), which is a melting pot of different music styles largely based on poetry. Stay was featured on NewMusicBox’s 2016 Staff picks, and was praised as having the ability to “maintain a highly individual identity without needing to take refuge in pre-post-genre musical silos.” Her composition Chase the Stars featured on Stay received acclaim not only for its “dazzling eclecticism” combining opera, hip hop, and jazz, but also for her singing. It was awarded The American Prize (2016) in the orchestral category.
Born and raised in Northern NY, Bellor earned a PhD in music composition at Eastman School of Music, a Master of Music degree in composition at Syracuse University, and a Bachelor of Arts degree in music at Cornell University. Her primary composition teachers included David Liptak, Bob Morris, Andrew Waggoner, Sally Lamb-McCune, and Steven Stucky. She is on the music composition faculty at the University of Nevada, Las Vegas, and artistic director of the new music series, Nextet. Emily Clements was her composition student, and she is thrilled to see this beautiful work by Emily come to life by Opera Las Vegas.
For more information, please visit www.jenniferbellor.com.
Conductor
Conductor
Joseph Svendsen an American conductor, tenor, and academic with experience in a diverse array of vocal music performance, study, and leadership. He serves as Co-Director of Choral Studies at the University of Nevada, Las Vegas and Director of Choirs and Devotional Music at Faith Community Lutheran Church in Summerlin. He is in his fifth season as chorus master for Opera Las Vegas.
Svendsen has performed or conducted professionally in Ireland, England, Portugal, Spain, Italy, Germany, Austria, Czechia, South Korea, and Canada, as well as many of the finest performance venues across the United States. A leggero tenor, he specializes in Baroque repertoire and chamber choir, performing with various professional ensembles across the United States and Europe.
Svendsen’s academic experiences are wide-ranging, teaching high school, college, church, and professional ensembles. He has presented at state, regional, national, and international professional conferences and symposia, with emphases in critical pedagogy in the choral rehearsal and sacred choral music. Svendsen specializes in repertoire from before 1800 and sacred music from a variety of faith and spiritual traditions, particularly Lutheranism.
Svendsen holds a Doctor of Music in Conducting from Texas Tech University, a MM from the University of Illinois, and BAs from Luther College in Decorah, Iowa.
Director
Director
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Named as one of Musical America’s Top 30 Innovators in Classical Music, Josh Shaw is the Founding Artistic Director and CEO of Pacific Opera Project (POP), which has been described as "L.A.'s most exciting new opera company." Over the past twelve seasons, Shaw has directed over 50 productions at POP, including The Rake’s Progress, Ariadne auf Naxos, La Calisto, Tosca: A Moving Production; and La Boheme: AKA “The Hipsters”. A frequent librettist for English updates, his Star Trek inspired Abduction from the Seraglio and Nintendo inspired Magic Flute AKA #SuperFlute have gained national attention and have been produced at multiple companies, shattering attendance records.
Since turning his attention to directing in 2011, Shaw has directed over 100 productions at companies including Opera Santa Barbara, New Orleans Opera, Opera Orlando, Festival Opera, Gulfshore Opera, Intermountain Opera, Salt Marsh Opera, Opera Neo, and Opera in the Heights. His Barber of Seville at Opera Santa Barbara was described as "riotously funny" and "thoroughly amusing from overture to final bow." His work as a director has been described as "brave and unflinching," "ingenious," "relentlessly and adorably rambunctious," and "with enough good comic ideas for at least three productions." As a producer, Shaw has been praised for his "supreme savvy" and "high level of production quality" with "the power to enthrall and captivate audiences."
Recent projects include a new English adaptation of Die Fledermaus at Gulfshore Opera, a ground-breaking production of Tchaikovsky’s Iolanta starring “The Blind Soprano” Cristina Jones, and the US Premiere of Vivaldi's Ercole su'l Termodonte. One of the busiest directors during Covid, Shaw directed more than a dozen productions during the pandemic including US staged premieres of Gluck’s La Corona and Il Parnaso Confuso, a drive-in Don Pasquale for Opera Santa Barbara, and an updated Cosi– “Covid fan tutte” set in 2020. Other recent projects include productions of Don Giovanni, La Gazzetta (Rossini), La Traviata, Guillaume Tell, The Mikado, and Tabasco: A Burlesque Opera, a newly rediscovered operetta by G. W. Chadwick, last performed in 1894, which was described as "delightful, packed with humor, and a feast for all the senses" by The New Orleans Advocate. In addition to directing the production, Shaw also wrote a new book and additional lyrics for the project that celebrated the McIlhenney Company’s 150th anniversary.
Beyond the rewrite of Tabasco, Shaw has written several English version libretti including a Wild West setting of Die Lustige Witwe, a contemporary setting of Die Schauspieldirektor, a production of Die Zauberflöte set in the world of 1990s video games, Covid fan tutte, a Star Trek inspired Abduction from the Seraglio, a 1930s Hollywood Fledermaus, and a groundbreaking production of Madama Butterfly sung in Japanese and English, a co-production of POP and Opera in Heights (Houston).
This season, Shaw directs Into the Woods for Intermountain Opera, Il Barbiere di Siviglia and Don Giovanni at Gulfshore Opera, La Rondine at The Southern Illinois Music Festival, The Pirates of Penzance at POP, Falstaff at Salt Marsh Opera, and Tosca at Opera Orlando.
Conductor
Conductor
Praised for conducting with "steady acumen and considerable aplomb" and "awesome control” (Opera Today), Joshua Horsch is an extremely versatile operatic and symphonic conductor. A two-time winner of the American Prize in Opera Conducting, Joshua serves as Music Director and Principal Conductor of Opera Las Vegas. Joshua’s recent and upcoming conducting engagements include appearances with Washington National Opera, Las Vegas Philharmonic, Des Moines Metro Opera, Opera Orlando, Opera Idaho, Opera Baltimore, Greensboro Opera, Mobile Opera, Pacific Opera Project, and Tri-Cities Opera. With a diverse repertoire of over sixty operas and a broad spectrum of orchestral and choral works, Joshua has recently held positions as a conductor and pianist/coach on the music staff of the St. Louis Symphony Orchestra, Austin Opera, Detroit Opera, Florida Grand Opera, North Carolina Opera, Opera Saratoga, Pensacola Opera, the Boulder Philharmonic Orchestra, and the Newport Music Festival. Joshua studied conducting and piano at the University of Colorado Boulder, the Pennsylvania State University, and Ithaca College.
Director
Director
Interdisciplinary artist, director, producer and experiential designer Kate St-Pierre has a long history of creating award winning work.
Nominated in 2004 for a NY Drama Desk Award for Music, Kate was the original singer for Le Reve and lead vocal soloist in Ka, Cirque du Soleil. As a soloist Kate’s voice can be heard in numerous film score, recordings and soundtracks including legendary film trailer composer, Thomas Bergersen.
An alumnus of the Lincoln Center Theater Directors’ Lab and the Artistic Director of The LAB LV. Kate has worked and trained extensively with Anne Bogart and SITI Company and co-directed their workshop of their new translation of Euripides’ Bacchae (which premiered at the Getty Villa, followed by performances at BAM and Guthrie Theater). Selected directing credits; (Pulitzer) The Royale, Dance Nation, She Kills Monsters, Anne Carson's Antigonick, Schoenberg’s Erwartung, Elaborate Entrance of Chad Deity, and The Wolves. Kate’s 2019 rock concert adaptation of Shakespeare’s A Midsummer Night's Dream was nominated 11x and won 9 awards by Broadway World including Best Director, Best Musical, Best Actor and Best Ensemble. In the last 2 years, Kate and her productions have been nominated over 19 times and won 12 awards.
Kate is on the National Endowment for the Arts advisory board for Shakespeare in American Communities, Kate was nominated for the Stage Directors and Choreographers Union’s Zelda Fichandler Award, Roster Artist with the Nevada Arts Council, Roger’s Art Loft Founding Board Member and StateraArts Ambassador, Adjunct Professor of directing at UNLV and the President of the Producers Alliance of Southern Nevada. Mom to Alex and Eden.
Director
Director
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Linda Lister (Director) is Professor of Music and Director of Opera at the University of Nevada, Las Vegas. Winner of the 2014 American Prize for Directing, she is a graduate of Vassar College, the Eastman School of Music, and the University of North Carolina-Greensboro. She has led UNLV Opera to two first place wins in the 2015 National Opera Association Collegiate Opera Scenes Competition and a second place win in NOA’s 2016 Opera Production Competition. She is author of So You Want to Sing Light Opera and Yoga for Singers: Freeing Your Voice and Spirit through Yoga, and co-author of So You Want to Sing Music by Women and Voice Secrets: 100 Performance Strategies for the Advanced Singer. Also a composer, she has written three one-act operas: Body of Art, State of Grace, and How Clear She Shines! She sings her own compositions on the Albany Records release Pleas to Famous Fairies.
Director
Director
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Marc Callahan is a multi-award-winning director and designer, having won both the Charles Nelson Reilly Award for directing and multiple first prize awards for opera production from the National Opera Association. He has received critical acclaim from The Guardian for his production of Jean-Philippe Rameau’s Les Indes Galantes, saying it was “designed and directed with jaw-dropping invention.” His work has taken him around the world with productions at the Royal Opera House, the Aldeburgh Festival, the Holland Festival, Scottish Opera, Miami Music Festival, the New World Center, Théâtre du Châtelet, the Théâtre du Capitole, and Opera Las Vegas. Recent productions include: From the towers of the Moon, Approaching Ali, The Marriage of Figaro, Cendrillon, The Blue Forest, Help, Help, the Globolinks!, Der Jasager, Lohengrin, Alcina, Die Walküre, Il Sogno di Scipione, Atlas, and L’incoronazione di Poppea, for which he was praised in reviews for “…devising a brilliant production of remarkable dramatic intimacy.”).
Director
Director
Stage director Octavio Cardenas captivates audiences with his visionary, visceral, and physical style of directing. Opera News has praised him for creating “an immersive theater experience” while the Dallas Morning News hailed him for bringing “every character and situation to life.” Recent projects include Traviata with Opera Las Vegas, Cruzar la cara de la Luna with Opera Santa Barbara, and the World Premiere of Zorro with Fort Worth Opera and Southwest opera. Barber of Seville with Opera Delaware, and Florencia en el Amazonas with Eastman Opera Theater.
Mr. Cardenas’ recent productions of Silent Night for Fort Worth Opera and Lyric Opera of Kansas City were described as “a breathtaking realization” with “many brilliant touches.” The Kansas City Star called the Lyric Opera’s production “one of its finest performances in recent memory.” Other recent productions include La boheme for Minnesota opera to which the Start Tribune acclaimed, “what makes the production a success, is Octavio Cardenas’ staging.” His production of As One for UrbanArias was acclaimed by MD Theater Guide, “Under the direction of Octavio Cardenas, the two stars playfully make great use of both stage and energetic space—it seemed the theatre condensed and expanded with Hannah’s journey.”
He has served as the Director of Baylor Opera, Director of Chapman Opera at Chapman University. Head of Directing Staff at Des Moines Metro Opera and has also been on the directing staff at Chautauqua Opera. Mr. Cardenas works at The Eastman School of Music as Professor of Opera where he recently directed Florencia en el Amazonas. Upcoming projects include Don Pasquale with Opera Omaha and Zorro with Opera Santa Barbara.
Tenor, Guitarrón
Tenor, Guitarrón
Perry Chacón Jr. is a doctoral candidate at the University of Nevada, Las Vegas under the tutelage of Dr. Alfonse Anderson. He holds a Bachelor of Music and Master of Music in Opera and Music Theatre performance from Arizona State University, where he studied with renowned operatic baritone Gordon Hawkins. Chacón began his musical studies as a guitarrón player and lead vocalist with the high school ensemble Mariachi Chula Vista in California. With Mariachi Chula Vista, he performed at the Tucson International Mariachi conference, Albuquerque Espectacular, the Encuéntro Nacional del Mariachi y la Charreria in Guadalajara, and the Smithsonian Folk Life Festival in Washington D.C. Chacón continued his musical studies with Mariachi educator and composer Dr. Jeff Nevin and is currently a guitarist and lead vocalist for Mariachi Champaña Nevin. As part of this ensemble, Chacón has performed with the San Diego Symphony, Grand Junction Symphony Orchestra, Idaho Falls Symphony Orchestra, Yakima Symphony ,York Symphony Orchestra, and Santa Rosa Symphony among others. Chacon is currently one of the directors at one of the nation’s top Middle School Mariachi programs, Mariachi Los Gavilanes de Monaco Middle School and the director three-time college national champion Mariachi Plata from the College of Southern Nevada in Las Vegas.
Conductor
Conductor
Conductor, educator, and singer Dr. Stephanie Council is Assistant Professor of Choral Music at the University of Nevada Las Vegas where she conducts the University Chorale and Chamber Consort and teaches Choral Conducting, Choral Literature, and Choral Methods. She is a sought-after lecturer in choral music education and conductor of collegiate, high school, and youth honor choirs around the United States, and she was a graduate finalist in the American Choral Directors Association National Conducting Competition. A strong proponent of new music, Council is an active commissioner and performer of new works. She sings professionally with mirabai and the San Antonio Chamber Choir and has been engaged in the past to sing with the Philadelphia Symphonic Choir and at the Spoleto Festival USA. Council received the Doctor of Musical Arts degree in choral conducting and a graduate certificate in early music performance practice from Texas Tech University. She holds a Master of Music with distinction in choral conducting from Westminster Choir College and Bachelor of Music degrees in vocal music education and vocal music performance from Oklahoma State University.
Singer, Dancer
Singer, Dancer
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Amy started singing and dancing at the age of 7, literally following the footsteps of her mother who was a professional dancer. After attending the LA County High School for the Arts, she earned her bachelor’s degree in music with opera emphasis at The Boston Conservatory where she perfected her music and dance talents. She continued her vocal training at the USC Thornton School of Music the same year she began choreographing for Pacific Opera Project “POP” (Josh Shaw, Dir). Amy went on to choreograph many productions with POP, most notably The Pirates of Penzance, Carmen, The Merry Widow, L\'elisir D’amore, Into the Woods and La Traviata. Amy has also choreographed for New Orleans Opera, Opera in the Heights, Opera Neo and for several films including the short comedy “Foxy Trot” for the Austin Film Society. Amy teaches ballroom dance to students of all levels in Los Angeles.
Soprano
Soprano
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Bonita Bunt has studied Music, Theatre, Musical Theatre, and English literature and is a graduate of the University of Nevada, Las Vegas, where she earned her Doctorate and Master of Music in Vocal Performance. She has enjoyed ten years of working in the Las Vegas Valley as performer, director, assistant director, and stage manager. La Traviata marks her 20th production with Opera Las Vegas. Currently, Dr. Bunt serves as Director of Opera at the University of Mississippi.
Lighting Designer
Lighting Designer
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Catherine M. Pratt is a theatrical, dance, and opera Lighting Designer based in Las Vegas, Nevada.
Her recent design credits with Opera Las Vegas include Approaching Ali, A Capacity for Evil, Letters to Lily, and Proving Up. Catherine has also worked on various other lighting design projects that include Alice\'s Adventures in Wonderland (Rainbow Company Youth Theatre), Elf the Musical (Sierra Repertory Theatre), La Canterina & Der Scheuspiedirektor (UNLV Theater Opera & Nevada Conservatory Theatre), Little Shop of Horrors (Nevada Conservatory Theatre), Yesterday, Today, Tomorrow (UNLV Department of Dance), This Moment of Movement (UNLV Department of Dance), Marcus; or the Secret of Sweet (Nevada Conservatory Theatre), and DramArt (a collaboration between UNLV and Cirque du Soleil).
Catherine holds a Master of Fine Arts in Theatre with emphasis in Lighting Design from the University of Nevada, Las Vegas and a B.A. in Theatre from Mount Marty University in Yankton, SD.
Pianist
Pianist
Deborah Gordillo, originally from New York City, is a winner of the Prix D’Excellence, France, and the New York Artists International Competition. She has performed at Carnegie Hall, for President George W. Bush at the White House, and has served as accompanist for studios of Metropolitan Opera tenor Nico Castel and cellists Gary Hoffman and Timothy Eddy.
Mrs. Gordillo sang in the choir of Saint Patrick’s Cathedral, where she became its sole Composer-In-Residence in history after winning the competition to compose the New York Archdiocese’s bicentennial hymn. Commissions include orchestral arrangements for the New York Papal masses in 2008, a Spanish mass, additional mass parts, anthems, and orchestrations. Her choral works were performed throughout New York State and at the Vatican.
Mrs. Gordillo served on the faculties of her alma mater, the Mannes College of Music, and Eugene Lang College. She teaches music theory, piano, ear training, and has written textbooks for beginner through undergraduate music theory levels.
Pianist
Pianist
Pianist/coach Manuel Arellano is in his second year of the Domingo-Colburn-Stein Young Artist program at LA Opera. After completing a master’s degree in collaborative piano with Martin Katz, he freelanced for a year in Berlin. In 2022, he concluded a doctorate in opera coaching with Tamara Sanikidze at the University of Texas.
Manuel has worked on Carolina Performing Arts’ production of Omar and at the Butler Opera International Festival, and has accompanied renowned soprano, Julia Migenes, in concert, as well as Stevie Wonder. He was also a fellow at Music Academy of the West and multiple years at Aspen Opera Theater.
Librettist/Playwright
Librettist/Playwright
Albert Ramsdell Gurney Jr. (November 1, 1930 – June 13, 2017) (sometimes credited as Pete Gurney) was an American playwright, novelist and academic.[1][2][3] He is known for works including The Dining Room (1982), Sweet Sue (1986/7), and The Cocktail Hour (1988), and for his Pulitzer Prize nominated play Love Letters. His series of plays about upper-class WASP life in contemporary America have been called "penetratingly witty studies of the WASP ascendancy in retreat."[4]
Jazz Pianist & Composer
Jazz Pianist & Composer
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Vibrant, rhythmic, captivating, and lyrical are just a few of the many adjectives that can be used to describe the many facets of this talented and creative Canadian jazz pianist and composer. Clements', who was a child prodigy at the age of four, won numerous piano competitions in Canada and quickly became an internationally recognized artist, performing in the United States, Europe, Asia, and Africa. One of Clements’ highest accomplishments is an Alberta Achievement Award, which was presented to him by the Government of Canada. He is currently in his twelfth year teaching music at the University of Nevada Las Vegas. He also performs nightly in Cirque du Soleil’s water show ‘O’.
Clements holds a Doctorate in Musical Arts in Jazz Studies from the University of Southern California. Clements skills and versatility as a composer are recognized by a series of commissions for Canada’s nationally known Montreal Jazz Big Band, including a 60-minute suite entitled “Jazz Images” portraying the history of jazz. His most recent work is a collaboration with award-winning choreographer Ana Cuellar featuring his music score for her work EnMi. His daughter Emily Clements performs in this work.
Librettist
Librettist
Dramatist Andrew Flack writes for the stage, television and film. His first collaboration with composer Paul Fowler was the musical documentary, I Go On Singing, Paul Robeson’s Life in Word & Song, commissioned and performed by American baritone Anthony Brown. Since 2012 he has been singularly focused on creating a work of music theatre which celebrates the heroic journey of Cecilia Giménez and her botched restoration of the “Ecce Homo” fresco. In that time, Andrew and his partner, Barbara Duff, have made several trips to Borja, Spain, the village where the story is set, to spend time with Cecilia and her family, who have given their blessing for this story to be told. On the occasion of this premiere, Drew remembers with love and gratitude the life of his opera-loving friend, Stephen M. Parks.
BTM Company Manager
BTM Company Manager
Barbara Duff began her professional life in New York City as a producer and actor, appearing in dozens of films, commercials, soap operas and plays. Transitioning from the stage to a career in marketing, she next worked in the organic food industry as public relations director of The Pew Charitable Trust’s Organic Alliance, developing marketing campaigns and strategic alliances for the mainstreaming of organic foods nationwide. Also in Minnesota she was the inaugural producer of the Twin Cities Food & Wine Experience and special events manger of Minnesota Monthly Publications. A founding partner of the public relations firm Buzz, Inc., she oversaw media and marketing strategies for a host of organic food producers and personalities, including chef Andrew Zimmern of Bizarre Foods fame.
Composer
Composer
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A versatile composer on the faculty of the Juilliard School Extension, Conrad Cummings writes operas, instrumental music, and music for amplified instruments and voices. His work – “music that reveals the unexpected joys and shadowy depths of the American experience” (The New Yorker) – is heard in venues from Carnegie Hall and BAM to alternative clubs (le) Poisson Rouge and The Knitting Factory.
Opera productions range from the three-act, grand opera exploration of the Vietnam War Tonkin, commissioned and premiered by Opera Delaware, to a three-week Off-Broadway run of the electoral campaign opera Photo-Op by Ridge Theater at New York’s legendary La Mama ETC.
Positions 1956, a self-help opera with Tony-nominated librettist Michael Korie, was commissioned and premiered by Washington DC’s UrbanArias. “Thoroughfare,” a theatrical song cycle with Pulitzer-winning librettist Mark Campbell, written for Met Opera tenor Keith Jameson, was premiered at the National Opera Center. “At the Window” commissioned by the Paul Dresher Electro-Acoustic Ensemble and “avant-diva” Amy X Neuburg, received its premiere at Cal Performances.
Recent projects include commissions from the Five Borough Music Festival, HERE Arts Center and mezzo Hai-Ting Chinn, the Yale Guild of Carrilloneurs, New York Philharmonic associate principal bass Max Zeugner, and fortepianist Yi-heng Yang.
Cummings trained at Yale, Stony Brook, and Columbia, did post-doc work at IRCAM in Paris, taught at Oberlin Conservatory for ten years where he directed the music and media program, and since 2003 teaches composition in The Juilliard School Extension.
Honors include selection of The Golden Gate as one of Opera News Magazine’s “Best New Operas of the 21st Century,” fellowships to the MacDowell and Djerassi Foundations, and grants from the NEA, Opera America, and the Rockefeller Foundation.
Composer
Composer
Follow D.J.
Composer and electric guitar soloist D. J. SPARR (b. 1975, Westminster, MD), who Gramophone recently hailed as “exemplary,” is one of the preeminent composer-performers of his generation. His eclectic composition style has been described as “pop-Romantic… iridescent and wondrous” (Mercury News) and “suits the boundary-erasing spirit of today’s new-music world” (New York Times). The Los Angeles Times praises him as “an excellent soloist” and the Santa Cruz Sentinel says that he “wowed an enthusiastic audience…Sparr’s guitar sang in a near-human voice.” In 2011, Sparr was named one of NPR listener’s favorite 100 composers under the age 40.
D. J. was the Young American Composer-in-Residence with the California Symphony from 2011-14 and was Composer-in-Residence with the Richmond Symphony from 2009-11. His compositions have been commissioned and performed by organizations such as the Houston Grand Opera, North Carolina Opera, and Eighth Blackbird. Recent/upcoming works include Katrina: Concerto for Jazz Guitar and Orchestra (Arkansas Symphony) …To me from the earth… (CAM Raleigh, NC Symphony), & On Behalf: Metaphor Fourty-four (Tribeca New Music Festival).
Of the premiere of Approaching Ali (Washington National Opera), the Baltimore Sun writes, “…Sparr knows how to send a vocal line soaring vividly and how to extract a great deal of color from a 10-member orchestra… It also demonstrates Sparr’s considerable potential; his first attempt in this tricky genre lands some very solid punches…like Ali in his prime, the score is nimble on its feet.”
As an electric guitar soloist, D. J. has appeared with Filarmonica Arturo Toscanini (Parma, Italy), the New World, Alabama, Dayton, Fort Collins, Space Coast, and Winston-Salem Symphonies, and the Cabrillo Festival of Music under Marin Alsop. He maintains a busy calendar of solo performances from coast to coast, including appearances at the Hirschhorn Museum, Atlas Theater (Washington, DC), Spectrum, and the Flea Theater (NYC). He performed Kenneth Fuchs’s electric guitar concerto, Glacier, on the GRAMMY® award-winning album with the London Symphony under JoAnn Falletta recorded at Abbey Road Studios in August 2017. Glacier is the first electric guitar concerto to be part of a GRAMMY® award-winning project.
A passion for musical performance grew from family encouragement at a young age. Three-year old D. J. stood in front of a television set holding his great-grandmother Violet Bond’s straw broom in hand pretending it was a guitar while Roy Clark and Buck Owens performed on the Television show Hee Haw. Noticing this, Violet gave him a toy Mickey Mouse guitar for his third birthday and a Ukulele for his fourth birthday. By age five, D. J. was taking guitar lessons and was soon performing original songs for a “captive” audience at his local music store, Coffey Music in Westminster, MD.
In early high school, D. J. spent his late-night and weekend hours writing and recording music with a Fostex X-26 4-track recorder while attending Baltimore School for the Arts as a jazz guitar major. Surrounded by classical music he began to write compositions for a variety of instruments and attended summer composition programs at The Walden School and the Boston University Tanglewood Institute. D. J. continued honing his compositional craft at the Eastman School of Music (BM) and the University of Michigan (MM, DMA) studying with composers William Bolcom, Michael Daugherty, Christopher Rouse, Joseph Schwantner, and Augusta Read Thomas.
J. has recently been featured on the Grammy-Award winning all-Kenneth Fuchs recording as the electric guitar soloist. Additionally, his new album, Electric Bands, featuring some of his latest chamber works, is now available through Innova Recordings.
Hailing from Baltimore, D. J. lives in Baton Rouge, Louisiana with his wife Kimberly, son Harris, and their dogs Nanette and Bundini. Sparr is a faculty member at the Walden School’s famed Creative Musicians Retreat in Dublin, New Hampshire. D. J. Sparr’s music is published by Bill Holab Music.
Author
Author
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Davis Miller is the author of The Tao of Muhammad Ali and The Tao of Bruce Lee. His writing has appeared in Rolling Stone, Men's Journal, Esquire, Sport magazine, Sports Illustrated, and numerous other periodicals. His first published story, 'My Dinner with Ali' was voted by the Sunday Magazine Editors Association to be the best essay published in a newspaper magazine in the US in 1989.
Composer & Librettist
Composer & Librettist
Follow Emily
Clements is a University of Nevada, Las Vegas Alumni, graduating with a Bachelors of Music in Vocal Performance and intensive compositional studies. Clements was born in Montreal, Quebec but has been a Las Vegas local for ten plus years. Clements began piano lessons at the age of five after watching her father, Alex Clements (award winning pianist and composer) growing up. She performed as a violinist in orchestras for eight years before switching to her true passion, voice. She began her studies in Opera and that led her to vocal writing, which she continued alongside performance throughout her second half of undergraduate studies. Clements studied with Dr. Linda Lister for voice and Dr. Jennifer Bellor for composition. She began writing her first act of her opera Letters to Lily in 2018 after being inspired by new music and singers from around the world at two young artists programs that summer. Clements always had interests in writing, storytelling, and theater growing up. In 2019, she workshopped her first opera scene from Letters in UNLV’s Opera Workshop’s scenes program. She then continued to write two more scenes, Sam’s aria and a love duet that were planned to be workshop premiered at UNLV before the pandemic hit.
Clements is currently pursuing a Masters of Music in Vocal Performance at the University of Mississippi. Some of Clements’ solo opera credits include Cupid in Orpheus in the Underworld, Second Lady in Dido and Aeneas, and Constance (cover) in Dialogues of the Carmelites at UNLV. Clements also performed in Pirates of Penzance with Vegas City Opera and Summer Super Theatre. Clements also originated the role ‘Felicity' in Linda Lister’s world premiere of State of Grace in the fall of 2018 as well as performed in Cynthia Wong’s workshop premiere of No Guarantees. Additionally, Clements has performed at the National Opera Association conference in Salt Lake City for State of Grace, played Elizabeth Tabor in The Ballad of Baby Doe, and was in the chorus in Little Women at Harrower’s Young Artist Program in Atlanta, Georgia.
Clements future plans include completing Letters to Lily with Act two along with continuing to workshop scenes and new music. Clements is so honored to work with Opera Las Vegas and wants to thank her dear friends, cast and crew, mentors, and family for supporting her artistic journey.
Composer
Composer
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Winner of the 2017 Frontiers Competition for A Capacity for Evil, Evan L. Snyder is unified in his dedication to storytelling. Best known for his works for the operatic stage, Evan has been praised for his “genuine understanding of the human voice” and his “unapologetically beautiful music,” but for him, bringing stories to life through music is the center of his work. A winner of the 2017 Fort Worth Opera Frontiers Competition, his first opera, A Capacity for Evil, broke with conventional opera genres, telling a Holmesian detective tale on the operatic stage. The opera premiered in fall 2018, with Detroit’s Opera MODO and was enthusiastically received by the run’s sold out audiences. Evan’s current operatic project, The Clef of the Universe, is a new science fiction opera, following a group of archeologist crash-landed on an alien world. An aria excerpted from the new work, “On the beach at night alone…” was previewed at Constellation Chicago as a part of the 2019 Fresh Inc Festival.
Evan’s interest in novel storytelling carries over to his work outside of opera as well. His musical portrait of a friend, Theme Song for Dan Carty, was originally written for the 2018 Fresh Inc Festival, and since went on to win the 2018 Detroit REVIVAL Project, as well as receiving a performance by the esteemed Fifth House Ensemble at the 2019 Red Note Festival. He has also received chamber music commissions from both Fifth House and the Lansing-based ConTempus Initiative. The latter commission resulted in his Disappearing Landscapes, a children’s work for mixed quartet and narrator, exploring the impact of humanity on nature, which premiered as a part of the 2018-2019 Lansing Symphony’s Family Series.
Storytelling on a more well-trodden road, Evan has also composed numerous songs, as well as two full-length song cycles. His first cycle, Ulysses, a setting of Tennyson’s famous dramatic monologue of the same name, was premiered by Richard Fracker at Michigan State University in March 2018. His second, Dynamic Roads, is an original work dealing with themes of moving and aging, was created in collaboration with poet Peter Faziani. The work was commissioned by bass-baritone Joe Baunoch, who premiered the cycle at Indiana University of Pennsylvania, May 2019. Upcoming in his work with song, Evan is very excited to be collaborating with internationally-renowned soprano Tamara Wilson on a commission for a new song cycle, which premieres May 2022.
Evan is a proud graduate of Michigan State University, holding degrees in composition, music theory, and voice.
Composer
Composer
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Believing that opera should be theater grounded in climatic expression that delivers larger-than-life stories and music that harnesses the full athletic thrill of singing, Evan Mack has devoted much of his compositional life to opera and song. His first major operatic composition, where he served as both composer and librettist, was Angel of the Amazon. “Angel” premiered in May of 2011 by Encompass New Opera Theatre at the Baryshnikov Arts Center in New York City and was subsequently released on CD worldwide by Albany Records. Two years later, Fresno State Opera Theater premiered The Secret of Luca. This was the first of several collaborations with librettist Joshua McGuire. In August 2016, their American grand opera Roscoe premiered at Seagle Music Colony to rave reviews. Roscoe received its orchestral world premiere with the Albany Symphony starring Metropolitan Opera star Deborah Voigt. In between the two large scale projects, Mack & McGuire found time to write the first ever opera for Twitter #IsOperaDead – an opera in 5 acts lasting one minute and forty seconds.
Their Christmas opera for children, Lucinda y las Flores de la Nochebuena is quickly becoming a holiday standard with yearly productions by San Francisco Opera, Opera in the Heights and Fresno State Opera, who commissioned the opera. The one-act opera The Ghosts of Gatsby premiered by Samford Opera in Birmingham, AL in 2019 and won the National Opera Association’s Argento Chamber Opera Competition. Mack & McGuire’s latest, Yeltsin in Texas! premiered in 2020 by TCU and Opera in the Heights. It’s now in development to become a musical comedy!
Evan Mack has proven as deft at song writing as he is in opera. His song A Little More Perfect is a setting of Justice Anthony Kennedy’s final paragraph of the Marriage Equality Decision by the Supreme Court in 2015. Premiering at Seagle Music Colony in 2015, it has quickly become a favorite of many baritones including Michael Mayes, Daniel Okulich and Michael Miller to name a few. The song had its professional premiere at the Glimmerglass Festival in 2016 and the orchestral premiere at the Fort Worth Opera Festival in 2017. His new cycle If Only Lenny Were Here, which celebrates the life of Leonard Bernstein had its world premiere with the Schenectady Symphony in October of 2018.
Librettist
Librettist
Francesco Maria Piave (18 May 1810 – 5 March 1876) was an Italian opera librettist who was born in Murano in the lagoon of Venice, during the brief Napoleonic Kingdom of Italy.
Piave's career spanned over twenty years working with many of the significant composers of his day, including Giovanni Pacini (four librettos), Saverio Mercadante (at least one), Federico Ricci, and even one for Michael Balfe. He is most well known as Giuseppe Verdi's librettist, for whom he was to write 10 librettos, the most well-known being those for Rigoletto and La traviata.
But Piave was not only a librettist: he was a journalist and translator in addition to being the resident poet and stage manager at La Fenice in Venice where he first encountered Verdi. Later, Verdi was helpful in securing him the same position at La Scala in Milan.[1] His expertise as a stage manager and his tact as a negotiator served Verdi very well, but the composer bullied him mercilessly for his pains over many years.
Like Verdi, Piave was an ardent Italian patriot, and in 1848, during Milan's "Cinque Giornate," when Radetzky's Austrian troops retreated from the city, Verdi wrote to Piave in Venice addressing him as "Citizen Piave."
Together, they worked on ten operas between 1844 and 1862, and Piave would have also prepared the libretto for Aida when Verdi accepted the commission for it in 1870, had he not suffered a stroke which left him paralyzed and unable to speak. Verdi helped to support his wife and daughter, proposing that "an album of pieces by famous composers be compiled and sold for Piave's benefit".[2] The composer paid for his funeral when he died nine years later in Milan aged 65 and arranged for his burial at the Monumental Cemetery.
Read more at Wikipedia.
Composer
Public domain. Photo by A. Dupont.
Composer
Giacomo Puccini[n 1] (22 December 1858 – 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest[1] and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming to the late-Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera he later developed his work in the realistic verismo style, of which he became one of the leading exponents.
His most renowned works are La bohème (1896), Tosca (1900), Madama Butterfly (1904), and Turandot (1924), all of which are among the most frequently performed and recorded of all operas.
Librettist
Public domain.
Librettist
Giuseppe Giacosa was born in Colleretto Parella, now Colleretto Giacosa, near Turin. His father was a magistrate. Giuseppe went to the University of Turin, studying in the University of Turin, Faculty of Law. Though he gained a degree in law, he did not pursue a legal career.
He gained initial fame for his play Una Partita a Scacchi ("A Game of Chess") in 1871. His main field was playwriting, which he accomplished with both insight and simplicity, using subjects set in Piedmont and themes addressing contemporary bourgeois values. He wrote La signora di Challant (La Dame de Challant, The Lady of Challand), based on a novella by Matteo Bandello, for noted French actress Sarah Bernhardt, produced in New York in 1891.
Giacosa wrote the final polished version of the libretto for Giacomo Puccini's Manon Lescaut, which had been begun by Ruggero Leoncavallo, Marco Praga, Domenico Oliva, and Luigi Illica. He also wrote the librettos used by Puccini for La bohème, Tosca and Madama Butterfly in conjunction with Luigi Illica. Illica supplied the plot and dialogue, and Giacosa polished the libretto into verses. Also well as the one Act play of The rights of the soul".
Composer
Portrait of Giuseppe Verdi by Giovanni Boldini, 1886
Composer
Giuseppe Fortunino Francesco Verdi (Italian: [dʒuˈzɛppe ˈverdi]; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini, whose works significantly influenced him.
In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera Nabucco (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able to reduce his operatic workload and sought to establish himself as a landowner in his native region. He surprised the musical world by returning, after his success with the opera Aida (1871), with three late masterpieces: his Requiem (1874), and the operas Otello (1887) and Falstaff (1893).
His operas remain extremely popular, especially the three peaks of his 'middle period': Rigoletto, Il trovatore and La traviata. The bicentenary of his birth in 2013 was widely celebrated in broadcasts and performances.
Read more from Wikipedia.
Composer & Conductor
Composer & Conductor
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Las Vegas-based composer Jennifer Bellor has been described as “that rare composer whose music manages to be instantly listenable and emotionally resonant without any compromise to its sophistication.” (textura) Bellor’s music has been presented by Washington National Opera, American Composers Orchestra, Seattle Women’s Jazz Orchestra, Las Vegas Philharmonic, Clocks in Motion, Transient Canvas, Eastman New Jazz Ensemble, UNLV Wind Orchestra, DCINY Series at Carnegie Hall, Eastman Saxophone Project, Royal Birmingham Conservatoire and many other soloists and ensembles in the US and abroad. She was the resident Clock Shop Composer for the percussion quartet Clocks in Motion from 2018-2022, culminating in a new album released by Aerocade Music August 19, 2022, which features percussion quartet music written during her residency with Clocks.
Bellor’s music draws on a variety of influences, evidenced in her self-released debut album Stay (2016), which is a melting pot of different music styles largely based on poetry. Stay was featured on NewMusicBox’s 2016 Staff picks, and was praised as having the ability to “maintain a highly individual identity without needing to take refuge in pre-post-genre musical silos.” Her composition Chase the Stars featured on Stay received acclaim not only for its “dazzling eclecticism” combining opera, hip hop, and jazz, but also for her singing. It was awarded The American Prize (2016) in the orchestral category.
Born and raised in Northern NY, Bellor earned a PhD in music composition at Eastman School of Music, a Master of Music degree in composition at Syracuse University, and a Bachelor of Arts degree in music at Cornell University. Her primary composition teachers included David Liptak, Bob Morris, Andrew Waggoner, Sally Lamb-McCune, and Steven Stucky. She is on the music composition faculty at the University of Nevada, Las Vegas, and artistic director of the new music series, Nextet. Emily Clements was her composition student, and she is thrilled to see this beautiful work by Emily come to life by Opera Las Vegas.
For more information, please visit www.jenniferbellor.com.
Tenor
Tenor
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Award-winning American tenor John Riesen’s growing career boasts a variety of roles in which he consistently excels and includes significant work in opera, musical theatre, studio recording and concert. In the COVID-affected 2020-2021 season John performed concerts, live streams, and productions with several companies including Intermountain Opera Bozeman, Shades of Pink Charity Foundation, The FAR Conservatory in Detroit, and Opera Las Vegas. He returned to the stage in 2021 as Ralph Rackstraw in HMS Pinafore with Pensacola Opera, Martin in The Tender Land with The Hart School, Alfredo in La Traviata with the Pacific Symphony, and Younger Thompson in Glory Denied with Berkshire Opera Festival. The 2021-2022 season includes Frederic in Pirates of Penzance with Utah Opera, Rinuccio in Gianni Schicchi with On Site Opera, Chris in the world-premiere of Favorite Son by Grammy award winning songwriter Marcus Hummons, as well as his Carnegie Hall debut as tenor soloist in the Messiah with Musica Sacra under the baton of Kent Tritle (postponed due to COVID-19).
Librettist
Librettist
JOSHUA McGUIRE has written librettos for The Secret of Luca, (based on the novel by Ignazio Silone) and Roscoe (based on the novel by Pulitzer Prize winner William Kennedy) with music by Evan Mack. In October 2016, Roscoe received a full performance by the Albany Symphony featuring soprano Deborah Voigt in the lead role of Veronica. His collaboration with Mack also produced #isoperadead, the first-ever opera for Twitter, as well as Lucinda y Las Flores de la Nochebuena, a children's opera commissioned by the Fresno State Opera Theatre. Since premiering in 2016, the opera has played for over 15,000 children, including annual performances by Opera in the Heights (Houston) and the San Francisco Opera Guild. Mack & McGuire’s one-act opera The Ghosts of Gatsby, based on the life of Zelda Fitzgerald, was commissioned and premiered by Samford University in 2018. They are currently fulfilling a multi-company commission for a new comedy entitled Yeltsin in Texas!
In 2015, McGuire was commissioned to write a libretto for Washington National Opera's American Opera Initiative, and the resulting one-act opera, Alexandra, with music by David Clay Mettens, was premiered at the Kennedy Center. He is also the author of The Secret of Music: a look at the listening life, a book of essays on music and mindfulness. McGuire is the recipient of fellowships from Yaddo, and from the Susan Shames Feinstein Librettist Fellowship at the American Center for New Works Development.
McGuire currently teaches at Vanderbilt University's Blair School of Music. He studied at the University of Cincinnati College-Conservatory of Music, where he pursued Master’s work in both guitar and orchestral conducting, holding assistantships in both areas. As an undergraduate at Vanderbilt University, he took the Bachelor of Music summa cum laude as well as High Honors in English Literature for his thesis on musical structures in the work of James Joyce. He currently resides in Nashville with his wife, pianist and conductor Jennifer McGuire, their son Thomas, and a basset hound.
Composer
Composer
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Leonard Bernstein (/ˈbɜːrnstaɪn/ BURN-styne;[1] August 25, 1918 – October 14, 1990) was an American conductor, composer, pianist, music educator, author, and humanitarian. Among the most important conductors of his time, he was also the first American conductor to receive international acclaim. According to music critic Donal Henahan, he was "one of the most prodigiously talented and successful musicians in American history".[2] Bernstein was the recipient of many honors, including seven Emmy Awards,[3] two Tony Awards,[4] sixteen Grammy Awards,[5] including the Lifetime Achievement, and the Kennedy Center Honor.[6]
As a composer he wrote in many styles, including symphonic and orchestral music, ballet, film and theatre music, choral works, opera, chamber music and works for the piano. His best-known work is the Broadway musical West Side Story, which continues to be regularly performed worldwide, and has been adapted into two (1961 and 2021) feature films. His works include three symphonies, Chichester Psalms, Serenade after Plato's "Symposium", the original score for the film On the Waterfront, and theater works including On the Town, Wonderful Town, Candide, and his MASS.
Pianist & Composer
Pianist & Composer
Lois Henry has an extensive background as a composer, pianist (solo and collaborative), organist, coach, and conductor. She is currently a staple in Florida’s classical music scene both as a performer and educator. As a long-time Professor of Music at Northwest Florida State College (until 2019), she conducted the Chorale and Belle Voci (the college’s select women’s ensemble), taught piano, voice, and music theory, and performed numerous solo piano recitals. As an orchestral conductor, she served as interim music director and conductor of the Northwest Florida Symphony Orchestra (NFSO), performed as solo pianist and organist with that group, and currently is its principal pianist.
Ms. Henry is a sought-after collaborative pianist, working and performing with artists such as tenor Lawrence Brownlee (including a live-streamed performance on behalf of the Metropolitan Opera), soprano Kara Bishop-Grover as well as other operatic singers, various instrumentalists, and choirs. Since 2008 she has performed each year as pianist with one of the Florida all-state choirs, and also has appeared at the Southern Invitational Choral Festival at the University of Southern Mississippi. Ms. Henry is a frequent adjudicator for piano, vocal, and choral assessments.
As a composer, Ms. Henry writes vocal, choral, and piano music. Her works are performed at colleges, high schools, churches, and concert halls. In 2019 she completed a commissioned song cycle for five opera singers and piano. This work, which premiered at the University of West Florida, is based on the historic story of Viola Edwards, a Black nurse who opened a hospital in Pensacola in 1922. Her next song cycle, BELLESONGS, is the brainchild of Kara Bishop-Grover, and is composed on texts of Colorado poet Belle Turnbull. Mrs. Grover and Ms. Henry premiered the work at Florida State University in 2021.
Ms. Henry spent more than 20 years working in the Boston area, where she taught at Eastern Nazarene College, served as pianist, organist and frequently as chorus master for Chorus pro Musica, working with, among others, Donald Palumbo.
Ms. Henry is delighted to be performing here in Las Vegas with soprano and women’s music advocate Kara Bishop-Grover.
Librettist
Archivio Storico Ricordi, CC BY-SA 4.0 , via Wikimedia Commons
Librettist
Luigi Illica (9 May 1857 – 16 December 1919) was an Italian librettist who wrote for Giacomo Puccini (usually with Giuseppe Giacosa), Pietro Mascagni, Alfredo Catalani, Umberto Giordano, Baron Alberto Franchetti and other important Italian composers. His most famous opera libretti are those for La Bohème, Tosca, Madama Butterfly and Andrea Chénier.
Illica was born at Castell'Arquato. His personal life sometimes imitated his libretti. The reason he is always photographed with his head slightly turned is because he lost his right ear in a duel over a woman. When silent films based on Illica's operas were made, his name appeared in large letters on advertisements because distributors could only guarantee that his stories would be used, and not that they would be accompanied by the music of the appropriate composer.
As a playwright of considerable quality, he is today remembered through one of Italy's oldest awards, the Luigi Illica International Prize founded in 1961, which goes to world famous opera singers, opera conductors, directors and authors. The Award is now awarded every two years and alternates with the Illica Opera Stage International Competition, which offers prizes and debut opportunities to young singers.
Librettist
Librettist
Mark Campbell’s work as a librettist is at the forefront of the contemporary opera scene in this country. A prolific writer, Mark has created 39 opera librettos, lyrics for 7 musicals, and the text for 6 song cycles and 2 oratorios. His works for the stage have been performed at more than 90 musical venues around the world and the names of his collaborators comprise a roster of the most eminent composers in classical music and include three Pulitzer Prize winners.
Mark’s best-known work is Silent Night, which received a Pulitzer Prize in Music and is one of the most frequently produced operas in recent history. The (R)evolution of Steve Jobs, an audience favorite, received a 2018 GRAMMY Award for Best Opera Recording. Mark's other successful operas include The Shining, Stonewall, Later the Same Evening, The Nefarious, Immoral but Highly Profitable Enterprise of Mr. Burke & Mr. Hare, The Manchurian Candidate, As One, The Other Room, Empty the House, Approaching Ali, A Letter to East 11th Street, Dinner at Eight, Volpone, Frida Kahlo and the Bravest Girl in the World, Bernadette's Cozy Book Nook, Stone Soup, and Bastianello/Lucrezia.His musicals include Songs from an Unmade Bed, The Audience and Splendora. He has also created a successful new adaptation of Stravinsky/ Ramuz's The Soldier's Story.
Mark has received many other prestigious prizes for his work, including the first Kleban Foundation Award for Lyricist, a Grammy nomination for Best Classical Recording, two Richard Rodgers Awards from the American Academy of Arts and Letters, three Drama Desk nominations, a Jonathan Larson Foundation Award, a New York Foundation for the Arts Playwriting Fellowship, the first Dominic J. Pelliciotti Award, and a grant from the New York State Council of the Arts.
Recordings of his works include: The (R)evolution of Steve Jobs (Pentatone), Sanctuary Road (Naxos), Silent Night (Naxos), As One (Bright Shiny Things), Volpone (Wolf Trap Records), Bastianello/Lucrezia (Bridge), Rappahannock County (Naxos), Later the Same Evening (Albany) and Songs from an Unmade Bed (Ghostlight).
Mark is also an advocate for contemporary American opera and serves as a mentor for future generations of writers through such organizations as American Opera Projects, American Lyric Theatre, and Washington National Opera’s American Opera Initiative. In 2020, he created and is funding the Campbell Opera Librettist Prize, the first and only award for opera librettists. The award is given annually and administered by OPERA America.
Future premieres include The Secret River for Opera Orlando (Stella Sung, composer); A Nation of Others for the Oratorio Society of New York (Paul Moravec, composer); Edward Tulane for Minnesota Opera (Paola Prestini, composer); A Sweet Silence in Cremona for the Villa la Pietra–Continuum Theater, Florence (Roberto Scarcella Perino, composer); Supermax for Saratoga Opera (Stewart Wallace, composer; Michael Korie, co-librettist); A Thousand Acres for Des Moines Metro Opera (Kristin Kuster, composer) and the book for the musical Les Girls (Cole Porter, composer).
Composer
Composer
Michael Torke's music has been commissioned by such orchestras as The Philadelphia Orchestra, the New York Philharmonic, and the San Francisco Symphony; by such ballet companies as New York City Ballet, Alvin Ailey, and the National Ballet of Canada; by such opera companies as the Metropolitan Opera, Théâtre du Châtelet, and the English National Opera; by such large ensembles as the London Sinfonietta, Lontano, and De Volharding; and such small ensembles as the Smith, Ying, and Amstel Quartets.
He has worked with such conductors as Simon Rattle, Kurt Mazur, Edo de Waart, and David Zinman; such choreographers as Christopher Wheeldon, James Kudelka, and Juri Kilian; and collaborated with such librettists as A. R. Gurney, Michael Korie, and Mark Campbell; and such directors as Des McAnuff, Bart Sher, and Michael Greif.
He has been commissioned by entities such as the Walt Disney Company, and Absolute Vodka; worked with such soloists as Tessa Lark, Christopher O'Reilly, and Joyce Castle; and written incidental music to such companies as The Public Theater, The Old Globe Theater, and Classic Stage Company; and been composer in residence with the Royal Scottish National Orchestra.
Beginning his career with exclusive contracts with Boosey and Hawkes, and Decca Records, he now controls his own copyrights and masters through his publishing company, Adjustable Music, and record company, Ecstatic Records.
His music has been called "some of the most optimistic, joyful and thoroughly uplifting music to appear in recent years" (Gramophone). Hailed as a "vitally inventive composer" (Financial Times) and "a master orchestrator whose shimmering timbral palette makes him the Ravel of his generation" (New York Times), Torke has created a substantial body of works in virtually every genre.
Composer
Composer
Follow Missy
Grammy-nominated composer Missy Mazzoli was recently deemed “one of the more consistently inventive, surprising composers now working in New York” (The New York Times) and “Brooklyn’s post-millennial Mozart” (Time Out New York), and has been praised for her “apocalyptic imagination” (Alex Ross, The New Yorker). Mazzoli is the Mead Composer-in-Residence at the Chicago Symphony Orchestra, and her music has been performed all over the world by the Kronos Quartet, eighth blackbird, pianist Emanuel Ax, Opera Philadelphia, Scottish Opera, LA Opera, Cincinnati Opera, New York City Opera, Chicago Fringe Opera, the Detroit Symphony, the LA Philharmonic, the Minnesota Orchestra, the American Composers Orchestra, JACK Quartet, cellist Maya Beiser, violinist Jennifer Koh, pianist Kathleen Supové, Dublin’s Crash Ensemble, the Sydney Symphony and many others. In 2018 she made history when she became one of the two first women (along with composer Jeanine Tesori) to be commissioned by the Metropolitan Opera. That year she was also nominated for a Grammy in the category of “Best Classical Composition” for her work Vespers for Violin, recorded by violinist Olivia De Prato.
Mazzoli has received considerable acclaim for her operatic compositions. Her third opera, Proving Up, written with longtime collaborator Royce Vavrek, was commissioned by Washington National Opera, Opera Omaha and New York’s Miller Theatre. Based on a short story by Karen Russell, Proving Up offers a surreal and disquieting commentary on the American dream through the story of a Nebraskan family homesteading in the late 19th century. Proving Up premiered to critical acclaim in January 2018 at Washington D.C.’s Kennedy Center, in April 2018 at Opera Omaha, and in September 2018 at Miller Theatre. The Washington Post called it “harrowing…powerful…a true opera of our time”. Mazzoli’s second opera, Breaking the Waves, a collaboration with librettist Royce Vavrek commissioned by Opera Philadelphia and Beth Morrison Projects in 2016, was described as “among the best 21st-century operas yet” (Opera News), “savage, heartbreaking and thoroughly original” (Wall Street Journal), and “dark and daring” (New York Times). Earlier projects include the critically acclaimed sold-out premiere of Missy’s first opera, Song from the Uproar, in a Beth Morrison production at New York venue The Kitchen in March 2012. The Wall Street Journal called this work “powerful and new” and the New York Times claimed that “in the electric surge of Ms. Mazzoli’s score you felt the joy, risk, and limitless potential of free sprits unbound.” Time Out New York named Song from the Uproar Number 3 on its list of the top ten classical music events of 2012. In October 2012, Missy’s operatic work, SALT, a re-telling of the story of Lot’s Wife written for cellist Maya Beiser and vocalist Helga Davis, premiered as part of the BAM Next Wave Festival and at UNC Chapel Hill, directed by Robert Woodruff. This work, including text by Erin Cressida-Wilson, was deemed “a dynamic amalgamation that unapologetically pushes boundaries” by Time Out New York.
Missy attended the Yale School of Music, the Royal Conservatory of the Hague and Boston University. She has studied with (in no particular order) David Lang, Louis Andriessen, Martin Bresnick, Aaron Jay Kernis, Martijn Padding, Richard Ayres, John Harbison, Charles Fussell, Martin Amlin, Marco Stroppa, Ladislav Kubik, Louis DeLise and Richard Cornell.
Her music is published by G. Schirmer.
Composer
Composer
Follow Paul
Paul Fowler’s music will “work on you from the inside out” (Philadelphia Inquirer), integrating old and new into “emotionally intense” (Washington Post) works which are “radiant, ghostly and shimmering” (New York Times). His works have been commissioned by The Crossing, New York Youth Symphony, SYMPHO, San Juan Symphony, Ju Percussion Group, Hope Mohr Dance, and Boulder Ballet, and have been heard at Carnegie Hall, the Kennedy Center, Park Avenue Armory and the National Concert Hall of Taiwan. Recent projects include Singularity, an original evening-length work with 3rd Law Dance/Theater, live vocal looping with the Thunder Bay Symphony Orchestra, and performing as "the Singer" in the Colorado premiere of Shockheaded Peter with The Catamounts. Fowler is the Music Director of 3rd Law Dance/Theater.
Composer
Composer
Ricky Ian Gordon (b. 1956 in Oceanside, NY) studied piano, composition and acting, at Carnegie Mellon University. After moving to New York City, he quickly emerged as a leading writer of vocal music that spans art song, opera, and musical theater. Mr. Gordon’s songs have been performed and or recorded by such internationally renowned singers as Renee Fleming, Dawn Upshaw, Nathan Gunn, Nadine Sierra, Stephanie Blythe, Denyce Graves, Judy Collins, Kelli O’Hara, Audra MacDonald, Kristin Chenoweth, Nicole Cabell, Frederica Von Stade, Andrea Marcovicci, Harolyn Blackwell, Betty Buckley, and the late Lorraine Hunt Lieberson, among many others. Ricky Ian Gordon’s most recent premieres include:
Ellen West (2019, libretto by Frank Bidart, commissioned and premiered by Opera Saratoga and Beth Morrison Projects for Prototype 2020) an opera based on a case study by a Dr. Ludwig Binswanger, about a woman in a Swiss hospital with an eating disorder, which The Wall Street Journal described as a “Riveting one-act opera,” and Opera News called “a fine haunting score by the chameleonic Ricky Ian Gordon.”
The House Without A Christmas Tree (2017, libretto by Royce Vavrek, commissioned and premiered by Houston Grand Opera) a holiday opera for young audiences that The Wall Street Journal describes as “a charming, family-friendly piece,” “Houston Grand Opera offers a charming, family-friendly piece, in an alternative performance space, that manages to be heartwarming without being sappy … Mr. Gordon’s score employs accessible, Coplandesque tonality, which has its apex in Addie’s arias … they capture a young girl’s imagination and optimism….The text is clearly set, and well crafted ensembles vary the texture as do bigger choruses.”– Wall Street Journal
“Not only does this opera have to find its place among the “Nutcrackers,” “Christmas Carols” and “Messiahs,” as a world premiere, it also has to bid for a permanent spot in the operatic canon. Gordon’s melodic, tonal score makes a strong bid for that spot, falling easily on the ears, often bringing to mind the late operas of Richard Strauss in its naturalistic setting of Vavrek’s dialogue to melodically compelling music. The pleasing score, congenial vocal demands and modest scale of “The House Without a Christmas Tree” give it a good shot at achieving staying power, attractive to professional opera companies of all sizes and to conservatories and universities. It was warmly received by the opening-night audience, some granting it a standing ovation.” – Houston Chronicle
The Grapes of Wrath (2017 two-act version commissioned and premiered by the Opera Theatre of St. Louis, consequently done in Detroit, and Aspen (summer 2020); “This is a great American opera to stand alongside earlier evocations of specifically American periods and subjects by George Gershwin, Carlisle Floyd, Robert Ward, John Adams and others.”- Chicago Tribune
Librettist
Librettist
Follow Royce
Royce Vavrek is a Canada-born, Brooklyn-based librettist and lyricist who has been called “the indie Hofmannsthal” (The New Yorker) a “Metastasio of the downtown opera scene” (The Washington Post), “an exemplary creator of operatic prose” (The New York Times), and “one of the most celebrated and sought after librettists in the world” (CBC Radio). His opera “Angel’s Bone” with composer Du Yun was awarded the 2017 Pulitzer Prize for Music.
With composer Missy Mazzoli he wrote “Song from the Uproar,” premiered by Beth Morrison Projects in 2012, and subsequently seen in multiple presentations around the country. Their second opera, an adaptation of Lars von Trier’s “Breaking the Waves,” premiered at Opera Philadelphia, co-commissioned by Beth Morrison Projects, and directed by James Darrah to critical acclaim in September of 2016. The work won the 2017 Music Critics Association of North America award for Best New Opera and was nominated for Best World Premiere at the 2017 International Opera Awards. A new production premiered at the Edinburgh International Festival in the summer of 2019, produced by Scottish Opera and Opera Ventures, helmed by Tony Award-winning director Tom Morris and earned star Sydney Mancasola a coveted Herald Angel Award for her performance. Their next opera, an adaptation of Karen Russell’s short story “Proving Up,” was commissioned and presented by Washington National Opera, Opera Omaha and The Miller Theatre in 2018, was a finalist for the MCANA Best New Opera Award of that year. They are currently developing a grand opera for Opera Philadelphia and the Norwegian National Opera based on an original story by two-time Governor General’s Award-winning playwright Jordan Tannahill, as well as an adaptation of George Saunders’ Booker Prize-winning novel “Lincoln in the Bardo” for The Metropolitan Opera.
His collaboration with composer David T. Little led Heidi Waleson of the Wall Street Journal to proclaim them “one of the most exciting composer-librettist teams working in opera today.” In April of 2016 they premiered their first grand opera, “JFK,” at Fort Worth Opera, a co-commission with American Lyric Theater and Opéra de Montréal that was called “ravishing” (Opera News), earning a ten-star review in Opera Now Magazine. This followed the success of their first opera, “Dog Days,” which received its world premiere in September of 2012 at Peak Performances @ Montclair, in a production co-produced by Beth Morrison Projects and directed by American maverick Robert Woodruff. The work was celebrated as the Classical Music Event of the year by Time Out New York and a standout opera of recent decades by The New York Times. They are currently developing an original work for the Metropolitan Opera through the Met/LCT commissioning program.
Royce has also worked extensively with composer Paola Prestini, first on the song cycle "Yoani," inspired by the blog posts of Yoani Sanchez, and then on "The Hubble Cantata," a virtual reality oratorio produced by VisionIntoArt/National Sawdust in association with Beth Morrison Projects. They recently presented the workshop premiere of “Silent Light,” an opera based on the Cannes Jury Prize-winning film by Carlos Reygadas at the Banff Centre for Creativity, a collaboration with the director Thaddeus Strassberger, and are currently working on a new opera inspired by Ernest Hemingway’s “The Old Man and the Sea.” They are also developing "Film Stills," a project for mezzo-soprano Eve Gigliotti that dramatizes four of Cindy Sherman's iconic photographs through musical monologues composed by Paola, Missy Mazzoli, Nico Muhly and Ellen Reid, and directed by R.B. Schlather. Royce and Paola's collaboration can be further heard on the AIDS Quilt Songbook: Sing for Hope recording, where their song "Union," as sung by Isabel Leonard, is featured.
In 2014 Royce premiered “27,” his first collaboration with composer Ricky Ian Gordon, at the Opera Theatre of Saint Louis. Created for renowned mezzo-soprano Stephanie Blythe, the work brought to life Gertrude Stein’s famous salon at 27 rue de Fleurus in Paris. Mark Ray Rinaldi of the Denver Post wrote that the opera “tells a great American story, about Gertrude Stein, as well as opera in the 21st century.” The opera was subsequently presented by Pittsburgh Opera, MasterVoices at New York City Center, Michigan Opera Theater, Opéra de Montréal and Opera Las Vegas. In 2017 their adaptation of Gail Rock’s Christmas classic “The House Without a Christmas Tree” for Houston Grand Opera was premiered to critical acclaim.
Other recent and upcoming projects include “Strip Mall” with Matt Marks for the Los Angeles Philharmonic; “Epistle Mass” with Julian Wachner for Trinity Wall Street, “Midwestern Gothic” with Josh Schmidt for Signature Theatre, Virginia; “Naamah’s Ark” with Marisa Michelson for MasterVoices; “O Columbia” with Gregory Spears for HGOco; and “Knoxville: Summer of 2015” with Ellen Reid for the University of Tennessee, Knoxville and National Sawdust; “Crypto” with Guillaume Coté and Mikael Karlsson; “The Wild Beast of the Bungalow” with Rachel Peters for Oberlin Conservatory; “Jacqueline” with Luna Pearl Woolf for Tapestry New Opera; “Adoration” (based on the film by Atom Egoyan) with Mary Kouyoumdjian for Beth Morrison Projects and “Agnes” with Daníel Bjarnason for the Icelandic Opera.
Royce is co-Artistic Director of The Coterie, an opera-theater company founded with Tony-nominee Lauren Worsham. He holds a BFA in Filmmaking and Creative Writing from Concordia University’s Mel Hoppenheim School of Cinema in Montreal and an MFA from the Graduate Musical Theater Writing Program at New York University. He is an alum of American Lyric Theater’s Composer Librettist Development Program.